There was a recent international conference on the origin of human culture - it
was inconclusive - the current idea is it originated somehow among the people -
and then from somewhere the Priests came and took over control - with little
intelligence - and moronic ideas - coming out with meaningless superstitions -
and absurd rituals - while battening like parasites on the society - until for
the first time the clear light of reason arose with the early Greek thinkers -
as then taken up by the rational West - establishing the Renaissance and the
Enlightenment - and culminating in the modern Liberal Democracy - as the acme of
human achievement - an idea based on mass assumptions - and vast ignorances - as
10 primarily expressing the current ideology - extolling humanism liberalism and
democracy - in fact it only represents the Western mind - limited and degraded
through a faith-based Judaeo-Christian tradition - then perverted by liberalism
- with little intelligence - incapable of understanding the Priests - as itself
representing those moronic ideas - as just a product of egoism and conceit - the
answer is of course quite clear - but is considered ideologically unacceptable -
and as from a study of the records - and back extrapolation - it is presented
here in outline - Hindu Culture is based on the Triple Principle - Dharam Kam
Arth - found as far back as the Indian Culture can be traced - the Hindus think
it is peculiar to Hinduism - that they invented it - in fact it is implicit
20 everywhere - the basis of the triplicities found in Culture universally - and
arose from the beginning - with the development - as integral to human Culture
itself - however it does not appear explicit elsewhere so the Indian terms are
used here generally - if this causes problems the Westerners can substitute for
Dharam Principle Wisdom Law - for Kam Radiance Creativity - for Arth Material -
As far back as we can trace human Culture there have been Priests - who are they
- where did they come from? - clearly at some stage there must have been a First
Priest - and by definition he was associated with the God - as in turn the God
implies the Priest - the two arose together - then who was God - where did he
30 come from? - the belief in God is assumed to be innate - do monkeys believe in
God - do amoebae believe in God? - then clearly at some stage in the development
of Man the idea of God was brought into this world - and the conclusion follows
- perhaps about one hundred or two hundred thousand years ago someone - as the
greatest genius in the history of the human race - for the first time presented
the Resurrection - establishing the Divine Principle - as at once the supremacy
of Mind and Spirit as against physical strength - leading to a massive increase
in human brain capacity - that original event being seen even today in Buddhism
- as One who had achieved his Death - Spiritual Death as Nirvana (Buddhist and
correct etymological meaning - the Brahmans in rivalry deliberately hi-jacked
40 their word - changing the meaning for Salvation) - and Returned - when was the
Principle of Nirvana established? - no-one knows - as already there when He took
that Cosmic action - Nirvana is indeed the bed-rock of the establishment of the
entire Religion and Culture of Mankind - when the Christians speak of Creation
ex Nihilo - that Nihilo is correctly Nirvana -
What caused it? - Buddhism again gives the answer - the Buddha while debating
his Return was convinced when he heard the voice of Earth moaning in the deeps -
and so also here a lost maiden was helplessly moaning before him - in her he saw
all suffering humanity - and out of his Compassion decided to Return - she came
50 to a Dead Man and asked Him for Life - extraordinary the Man - extraordinary too
the Maiden - from His Nirvana He answered her Cry - out of the Silence Uttering
the Word of Resurrection - the sound `A' - the First Syllable - the Beginning of
Language - and the mark of His Return was the erect Phallus - the Lingam -
worshipped to this day - representing the sexual impulse - not for license but
for control - all Culture arises from the sublimation of the sexual impulse -
and as He had been there and back - He knew the Way - so He with the Maiden and
his progeny established for the first time a little Society - intensifying and
controlling the spirit within - as emphasized for the development of Man - now
directed and Guided along the Way to Death - every act being rigorously examined
60 - a model procedure laid down - made into a Ritual to be strictly followed by
the people - establishing too a physical ideal - and as striving towards that
ideal the inner spirit slowly acted altering the body - developing a higher form
of Beauty as we have now - nothing was accepted until recognized by Him and
given its place in the Cosmic Scheme - and as the Society was established those
in the surrounding jungle could only look with awe at this fantastic new
experiment - so they came and begged to be allowed a place in it - and so were
they accepted - there was no `Social Contract' (at what stage in human history
did it begin?) - the acceptance was enough - even as slaves they had a far far
better life than their meaningless existence as animals in the jungle - there
70 was only an unexpressed understanding that as for those already in the Society
He would Guide them along the Way as the Lord of Death - and as dedicated to
Nirvana they emphasized the Colour Black -
He was the First Priest - He can be identified as the One God of mankind - and
when He died it was assumed He had gone again to His Nirvana - and Rose again in
His Spirit of Dharam - entering into His Successor - preserving the continuity -
thus from Him arose the Race of Priests - as through the millennia - shouldering
like Atlas their vast responsibilities - following precisely the same Principles
- in one sustained development - slowly Guided and developed the Culture - and
80 transformation from animal to Man - with developed Language - the brain through
genetic changes quickly adapting itself to this new means of communication - the
ability to produce and appreciate mathematics philosophy art music etc (cf Ais
Prom 447ff) - even to today - the battle between Darwinism and Creationism is
really a non-issue based on misunderstanding - as God is Creator the Creation is
not a disordered jungle - the Chaos of Nature - but as here a World of Religion
and Culture - of the Spirit - the Temple - Darwinism presents development from
amoeba to Homo Sapiens - Creation the transformation of Homo Sapiens from Ape to
Angel - a process still incomplete - but the argument against Darwinism - that
Natural Selection is blind - too limited for the result - is valid - this does
90 not imply a transcendent Being - beyond understanding - but an immanent spirit
intelligently guiding the transformation from within - as a spiritual universe -
>From the Beginning as there was no Language there were Symbols - everything was
taken as Symbol - and all as with the Goal of the Society directed towards Death
- the entire Culture of Mankind is an Illusion woven around a Tombstone - the
Divine Principle - as the First Principle of Dharam - the Law - given the Symbol
of the Lingam - there was also Fire - Symbol of His Creative Power - as given in
Initiation - and this Society as organized with a deep spiritual meaning on the
hard foundation of Death led to vast changes in the lives of the people - the
100 establishment of the Divine Principle marking the beginning of the Palaeolithic
Age - until some time - about ten thousand years ago - a Priest deciding it was
now necessary to have a dynamic - that it was time to emphasize and develop the
creative energy - to increase Wealth - as necessary for the growing Society -
established it as the Second Principle - the Principle of Kam - and as the Day
was spent primarily in Hunting and Destruction - and the Night Creatively - it
was associated with the Moon - emphasizing the Colour Silver-White - now marked
by the domestication of animals - primarily small cattle - and with them Dogs -
establishing the Moon-God as Shepherd - giving rise to the Neolithic Age -
110 Then two or three thousand years later a Priest involved in the development of
agriculture - which was then largely the work of women - and deciding it could
provide a more assured food supply - and without gruesome slaughter of animals -
declared the Principle of Peace - and coming down into the valley established a
community where men took over the women's work - as dedicated to the development
of Agriculture - leading to a vast advance in the cultivation of Grain - and as
the Creative work was now done in the Day he established the Sun-God of Peace -
as a proto-Buddhist Society - emphasizing the Colour Yellow - and now with the
increased interaction between the sexes the Virtue of Chastity was established
and emphasized - and with the vast increase in leisure time - the peaceful arts
120 - previously in primitive form - were developed - as Song and Dance and Music -
also Language - as arising from that First Syllable - the Word - syllables were
formed - originally as sound-symbolism - identification of Symbols giving Name -
at first agglutinatively - the First syllable (the `root') representing Dharam -
as in Sumerian and the Indo-European languages - then with establishment of the
Principle of Kam - Name was based on Two syllables - set internally - as thus
representing Kam - emphasizing the Principle - as in Semitic languages (written
Right to Left as directed to Death - as given by the Moon-God) -
Again about one or two thousand years later - with the discovery of Copper - a
130 Priest - deciding it was necessary to improve the well-being of the people - and
acting to develop the manufacturing skills - established the Material Principle
- Principle of Arth - as also incorporating the Principles of Dharam and Kam -
all the material objects made had to conform to the Principles and Symbols of
the Society - as automatically becoming Ritual objects - the striving towards
perfection identified as the journey to Nirvana - thus encouraging Craftsmanship
- other objects were treated as just childish amusements - then dumped - thus
began the Chalcolithic Age - emphasizing Red - Colour of Copper - and as used in
Smelting given the Symbol of Fire as associated with Peace - establishing the
Fire-God as Smith as Creator of Arth - identified with and taking over the role
140 of Sun-Creator of Peace - the Symbols of Sun and Fire being identified - however
the old Sun-Creator - going to his Nirvana - and remaining outside the Wall -
still retained his secondary role - Rising as the Lord of Death he collected the
body - organized and performed the Funeral-Rituals of Nirvana - dwelling in the
graveyard - tending the graves - particularly those of the past Creators -
It was now that a primitive Caste system - division of labour as the basis of an
organized State - the original system as human Culture evolved - was established
in its developed form - originally between men and women - each given different
tasks - now based on the roles and skills of the people - as related to wood
150 stone metal - on the principle - as seen in the development of Man - that the
seed propagated not only the physical but also the spiritual characteristics of
the individual - as also affected by his life - including the entire personality
- tiny changes developing through generations - transforming the individual -
each role - each skill - becoming an intrinsic part of the personality - slowly
honed towards perfection - the physical aspect is clearly seen and accepted in
the breeding of animals - and even declared in the standard phrase `inherited
skills' - but modern science as incapable of dealing with the spiritual just
pretends it does not exist - spiritual transformation as guiding the physical is
primary - anciently Society meant the Caste system - each with its own version -
160 the `tribes' of Israel - the `races' of the Greeks - the mediaeval guilds etc
all representing castes - with their own Principles Symbols Rituals - the Caste
system as dynamic - changing with the evolution of Society - has vast advantages
in the development of the State - the Indian system however became petrified a
few centuries ago - with now a complete dichotomy between the system and Society
- with almost unbearable stresses hindering its proper evolution - as however an
advanced system - far superior to the barbarism of the liberal societies of the
West - the solution is not destruction - causing generations of upheaval - but
reform - so that the caste system is again in harmony with the Society - the
academics in error have identified the caste system with the Indian system - and
170 so gravely handicapped themselves in the understanding of ancient society -
As the Society expanded so did the Priesthood - as representing the High Priest
- overseeing and Guiding all the different aspects of the Society - and it was
now - with the rapid expansion of Castes - each represented by a Priest - ever
working to develop the skills and techniques of his Caste - and also Guiding the
spiritual development - performing the Rituals - as Initiation - and reporting
to the High Priest - that the vast difference in knowledge and understanding
between the Priests and the people led to the development of the concept of God
- as representing the Priesthood - as thus all-seeing all-knowing ubiquitous -
180 identified with the Spirit of Dharam embodied in the High Priest - as vested in
the succession of Priests - as representing the First Priest - and through a
myriad generations this concept became part of the human psyche - as now innate
in the human race - in Ritual the God is embodied by his High Priest -
The Myths of Creation of the World present Ritual of Arth - performed with the
New Year - establishing a vast organization - based on Principle Symbol Ritual -
the Triple Principle as basic building block - used re-used intensively - the
Nine Muses representing the Triple Principle applied to itself - the different
Castes - each declared by its Symbol and Colour - represented by its Priest -
190 now Initiated and established in strict Ritual order - declaring the hierarchy -
and at once the Pantheon - the Priest then Initiating the Caste - re-Creating
the Society - much rubbish has been written on Polytheism by the Western savants
- no man can serve two masters - there was only One God - as represented by the
High Priest - and each Caste - as related to its role - was associated with that
particular aspect of the God - as expressed in the Ritual - personified - given
a Name - specifying the Ritual and Caste - and embodied in its Priest - as then
appearing in his identity as the God for the New Year Initiation - all the Gods
and Rituals conforming to the Law of the One High God - the annual performance
allowing changes in laws and organization - and as appropriate - and also for
200 development - change of Caste - an individual could be identified with different
Symbols through his life - as the original giving the metempsychosis of today -
The invention of Bronze then led to a fundamental change - the rich cities of
the plains were plagued by thefts of their stores of grain and their artifacts
by the poor hill-people - so about 3000 BC a Priest as Smith and Fire-Creator of
Peace overseeing for the first time the fashioning of a true Weapon - the Bronze
Dagger or Short Sword - established the Principle of War - as expressed in a new
Caste of Guards - all at first from the strong-armed Caste of Smiths - wielding
the Weapon - and also bearing a Shield - as the role and Symbol of the Caste -
210 and settled in their own barracks outside the City-Gate - set as a Wall by the
bounding river - dedicated solely to warding off intruders - as thieves and
looters - thus began the Bronze Age of History - again with the Symbol of Fire -
identified with the Weapon - as now the Fire of Destruction of War - as the
first establishment of the Pyre - giving the Nirvana of Dharam - Destruction of
the Spirit - as the Pyre of Nirvana (original of the Christian Fires of Hell) -
as the Creator in Death went to his Nirvana - to Rise as the Spirit of Dharam -
as the new Creator - so now as encouragement for this uncreative role - with the
chance of being killed - those sacrificing their lives Here were rewarded with
Life in the Hereafter - as with the Pyre achieving their Nirvana - declared with
220 the Ashes cast into the River of Death - as set as a Moat Ritually encircling
Guarding the City - as then also allowed Resurrection of the Spirit - not as
Creator but like the Creator - as associated with Him in the Creation - as the
First introduction of Salvation - the Salvation of Dharam in Peace - arising
with the Principle of War - as established for the Warriors from the beginning -
and from the Ashes - and River - as declaring their identification with Death -
beside the Black of Nirvana of Slaves they took the Black of Nirvana of War -
Society was reorganized - only the Sun-God as embodying the Principle of Dharam
could give Salvation of Dharam - performing the Ritual - Defeating the Silence
230 of Nirvana - giving - as anciently with the Creator - the Word of Resurrection -
the Fire-God - still with the Colour Red - now representing War and Destruction
- the Sun-God of Peace took over as Creator - his original role - the Fire-God
as Anti-Creator - original of the Antichrist - taking over the Guards outside -
and establishing the Captain of the Gate - as Lord of the Pyre of Nirvana (no
Salvation - thus seen as Ugly - as Broteas and Thersites - Dharam and Kam - of
Greek Myth) - deciding also the Burial Ritual - as Destroyer-Lord of Salvation -
giving the preliminary Destruction necessary for Resurrection - with the ancient
Moon-Creator of Kam - now in his Nirvana - taking over the role as Lord of Death
- dwelling in the Graveyard - supervising Burial of the people without Salvation
240 - giving the final Rite of Nirvana - again at the end of the Year the Captain as
Destroyer performed with Fire and Sword a Ritual of Destruction - the professors
have long accepted a Ritual of Creation - but failed to take the obvious step of
a complementary Ritual of Destruction of the City - and the Ritual of Creation -
Guiding with Destruction of Peace to Nirvana - this Caste of Destruction of War
was established last - as the Destructions of War and Peace performed together -
However the Priest-Creator represented only Creativity and Peace - these Guards
acted solely for Destruction and War - causing a Ritual impasse - as established
in Equality neither could give or accept Initiation from the other - neither
250 accept subordination to the other - and this was resolved with the establishment
of a new Ritual - the High Ritual (Full Moon Sagittarius - as on the Solstice) -
now the Sun-God in his Nirvana as Lord of Death - Rising as the ancient Spirit
of Dharam - representing the Creators of the past - Ritually established as the
High God - first Initiating the Warrior Captain - as thus the Elder and given
precedence - declaring from the beginning the supremacy of War - transformed
himself into the Creator of Peace as the Son - establishing the identity of the
Father and the Son - and this High Ritual of the Sun-God took as its Symbol Gold
- the first establishment of its pre-eminence - as remaining to this day - and
as the Red Apple of Arth was the Symbol of the Seed - the Creation in Unity -
260 declaring the Creator of Peace - the Apple-Spray (original Symbol of Olympic
Victory - later replaced by the Olive for the Akhaianized Rite) declaring the
Resurrection - the Ritual of Creation then establishing Creation in Diversity -
now for the High Ritual the Symbol of the High Seed - embodiment of the Holy
Wisdom - was the Golden Apple - the Symbol of Sovereignty - declaring the High
Initiation of the Sun-Creator - as then Descending for his Ritual of Creation -
this Golden Apple may be seen in the regalia of the English Crown in the Tower
of London - it is now called the Orb of Sovereignty -
These Guards declared their independent life outside by inventing a new language
270 - mainly using the existing vocabulary they formed a new grammar (as establishes
a language) - their hard Warrior organization - later extended to the Creation -
and to the Arts of Peace - as most powerfully expressed in Panini's Grammar and
the Oresteia of Aiskhylos - was now declared with the organization of words into
cases as castes - each given its own sound-symbol - and as their ritual role set
at the end of the word - as forming the original of the Indo-European languages
- previously in a Line the verbal grammar depended on word order for the meaning
(as today in English - a Neolithic language with Indo-European accretions) - the
introduction of case-endings broke the link - however the word-order remained -
and was used as a vehicle for the Ritual grammar - presenting the high Priestly
280 system with precision - giving the higher meaning of the Line - and helping to
clarify the ordinary meaning - as an extremely powerful tool for understanding
the ancient literature - not just in Greece but everywhere - the Priests were
all trained in basically the same system - with local variations -
With the Bronze Age records become available - and now Names can be given - the
basic record - though neither recognized nor understood - being the Five Races
of Hesiod - supplemented by Homer - as the King-List - presenting the Sceptre -
Hephaistos gave it to Kronian Zeus -
290 as Risen the Sun-God of Peace on High -
With Fire-Flame Zeus Rising gave to the King -
for Argos - as Guide of the Sacred Way -
The Sun-God Hermes to Pelops then gave -
as Lord of the Sword and the Horse of War -
With Fire - as Selfly - gave Pelops in turn -
to Atreus - from Lions - the Shepherd-King -
And Atreus - Dead - for Thyestes - did Leave -
as Lord of the Fiery Cosmic Lamb -
With Fire - as Selfly - Thyestes again -
300 O for Agamemnon - now Leaves - to Bear -
With Cosmic Isles - even Argos All-High -
as Rising the Sun-God of Peace on Earth -
the high intellectualism - vast knowledge - depth and organization of a Line of
Homer is awesome - far beyond the comprehension of the academics of today - as
of the Oresteia of Aiskhylos - the Western classicists have just been scratching
the surface - this is not an ordinary Play but the repository of the Wisdom of
the ancient Priests - a microcosm summing up the entire Culture of mankind - so
powerful - so high - so vast in its scope - that all your Shakespeares Racines
310 Goethes can just hide - with a concept of Art far beyond Western imagination -
here is Principle piled on Principle - Symbol on Symbol - Ritual on Ritual - as
a staggering achievement of the Poetic Art - the Staging does not depend on the
whims and imagination of the director - it was laid down in detail by the Poet -
knowing the rules one can almost calculate every step on the stage - the Trilogy
presenting the Plays in turn as Dharam in Corruption - Kam in Perversion - Arth
in Perfection - as in principle the same scene every time in a different mask -
each actor expressing strictly the principles of his Caste - the succession of
Cultures presented in reverse - each in its Ritual of Destruction - and as each
is Destroyed the previous Culture arises - the final Destruction declaring the
320 Annihilation of the Society - the Christian Nihilo - as a Cosmic Nirvana - as
presented with the Grave of Dionysos in Delphi - giving at once the identity of
the figure on the Stage - as the regular rule of Greek Tragedy the Trilogy ends
with the Resurrection of Dionysos as Creator-Lord of Salvation - incorporating
all the earlier Cultures in the establishment of a new World -
First the Golden Race of Dharam - the Culture establishing the Principle of War
- and so beginning the Bronze Age - the King-List begins with Fire-God and Smith
Hephaistos of Peace - of the Chalcolithic Age - as transformed for Bronze of War
and Destruction - handing over to Titan Kronos `Ear' (as Karna of Indian Myth) -
330 as Hearing the Cries of the people - and Word of Resurrection - declaring the
establishment of the High Ritual - with Gold as the High Symbol - as the Titanic
Culture of the Sun-God of Peace - and the Priests - emphasizing Black as Guiding
to Nirvana - now against the Guards of Destruction emphasized also the Creative
Dharam with the Moon-Colour White - the Colour of the Ancient Sun-God of Peace -
as thus Black and White - as the Brahmans - and Hermes as representing Dharam -
taking the Symbol of Cow with Initiation of Milk - as Heifer of Creative Dharam
as Hera - and old Milkless Demeter - White Cow-Goddess of Destruction of Peace -
set outside - as beside the Dark Captain of the Guard - of Destruction of War -
thus taking the Uncreative Symbol of Ox - while the Symbol of the Sun-God - as
340 Kronos - was the Ass - for its `Fiery' Colour Speed - representing Spirit-Wind -
as the Resurrection - and its Ears - most ancient Symbol of Egyptian Sovereignty
- given to Midas as Titanic Creator in the Greek Myth - and as Beast of Burden -
the Creator as Atlas taking on his vast Responsibility - Upholding the entire
Creation - as for the Sun-God given the Symbol of the Thigh - as for Dionysos -
the White Ritual Brahmanic Dhoti covering the Thighs - also for the Mane - as
Flame-Hair as of Woman - Symbol of Kam declaring Creativity - Creation itself as
Tree - this Titanic Culture represented by Ancient Egypt before the Pyramids -
the Captain outside the Gate beside the Dung-Beetle of Peace - representing the
deepest Nirvana - so the Golden Scarab - as declaring the Risen God - became the
350 great Symbol of Kingship - as similarly by the Sumerians and Brahmans - the
Guards are Kretans - the Kurus of Indian Myth - Odysseus claiming to be Kretan
deliberately confuses Island and Caste - as Kretan by Caste giving indeed the
strict truth - and Ancient Britons - dyed Blue with Woad - standing defensively
on the River-bank - are simply performing the Kretan Rite - in Indian Myth this
Captain is Hanuman - the Monkey here simply the Symbol of the Tree-people - as
of this Golden Culture - the Pyre as established last set with his Fiery Tail -
as the Pyre of Nirvana - he is performing his Ritual of Destruction on Lanka -
and while the people in general as failing to achieve Nirvana come back in
another form - as the Hindu metempsychosis - Kretans had their Pyre of Nirvana -
360 and those killed also the Salvation of Dharam - associated with a Precinct of
Salvation on the other bank - low for Dharam - the later Daktylic Precinct -
Second the Silver Race of Kam - the King-List has Kronos (as Zeus) handing over
to the King of Argos - presented as Hermes - as declaring the Semitic Culture of
the Moon-God - dominant from about 2600 BC - represented by Ancient Egypt of the
Great Pyramids (the Divine Mount - built by voluntary labour - the Way of Death)
Akkad - and today the Jews - Kam as the Second Principle - as of Woman - giving
the matrilineal system - the Second Son as Shem Moses Jacob has the power - and
following the Kretans the Moon-God gave the people Nirvana - Nirvana of Kam - as
370 Death - represented by the Black Meteorite in the Cave of Mecca - no Salvation -
Yahweh was a jealous God - source of the jealousy vague - Resurrection was the
prerogative of God - not to be given to Man - the people had the Sheep-Symbol -
Initiation of Sheep's Milk - Moon-Creator as Lamb - Initiated by the Moon-God as
Shepherd - presented as Ram in the new High Semitic Ritual (Full Moon Libra) -
with the Symbol of Silver - thus Gold of Salvation - Silver of Nirvana - the
Ritual Number of the Moon-God Sin was Thirty - giving Thirty Pieces of Silver -
as kept in the Jewish Temple - Hesiod gives the later Number Hundred - as of the
Moon-God transformed of Salvation - the First-Born as Dharam again represented
the Guards - and Slaying the First-Born Destroyed the Defence - the Jews left
380 helpless - but the Culture as embodied in the Second Son was not affected - and
against the Kretans - Guard of the Pyre of Destruction - Dark as Smoke - Bowed
low over their Shields - as at once in the Atlantic Rite Upholding the World -
as Dwarf - giving static Defence as the City-Wall - these were Red Guards of the
Daktylic Precinct of Salvation that side - Smiths Initiated with Bull's Blood as
Flames of the Pyre - on a Pillar-top as Kam of Dharam - again with the Pyre-Rite
all given Nirvana - and also Salvation of Dharam - guaranteed for those killed -
and now through their own efforts to the others - their Ritual to give chase and
retrieve stolen Loot - so against the Sword of Dharam armed with Spear of Kam -
their Camp set by the Smithy of the Fire-God - on the other side of the River of
390 Death - and against Kretan Dharam identified as the City-Wall - representing Kam
- as Risen in Salvation - thus Tall as Giants (Skt Jayanta `Lord of Victory' -
as over Death) - forming the troops of Esau `Brazen' - and Philistines `Red Men'
- single combat between David and Goliath `Lord of Wisdom' Ritually deciding the
Kingship -
However the representative Semitic Fighters - developed from Thieves to counter
the Guards - were the Bowmen of Kam - Sons of Japhet - direct combat as with the
Sword as Dharam - action at a distance Kam (as Death by Stoning - the Symbol of
Semitic Nirvana) - given Nirvana of the Moon-God as Destruction in Peace - now
400 through their efforts in Life - as declared by the Loot gained - and a Lady of
Salvation aiding - they could achieve Resurrection and thus `dwell in the Tents
of Israel' - as with God - again as after the seizure of Loot speed of departure
(later giving the Foot-race of Daktylic Salvation) was imperative - those slain
were abandoned to the Black Dogs (first Erinnyes) - Ritual Nirvana - as thus
achieving Salvation - Initiation given by the Lord of Salvation of the Goat - as
Pan and the Satyrs - division between Sheep and Goats was thus between people of
Nirvana and Bowmen of Salvation - as Salvation of Dharam - and the Nirvana of
Kam gave Salvation of Kam (of Dharam) - as to the Hill-men with Initiation of
Wine - identified with their Fire-Symbol - as now the White Flame of Salvation -
410 set on a Peak - identified as the Sky - in their Precinct of Kam on a hill-top -
thus given the Bird-Symbol - as beside the Word of Dharam the Song of Salvation
of Kam - as the Nightingale Singing in the Night - and Sirens giving Destruction
for Salvation -
In Jewish Myth Abraham as the Name a Semitized Brahman - with Brahmanic Cow Milk
and Human Sacrifice - Adam of Salvation of Dharam - Destroyed and transformed
for the Moon-Culture - Rises a Sword-Armed Angel - as Hermes - Cain and Esau are
Red Guard - Abel and Jacob the Moon-Creator - Absalom as Apollo the Bowman - the
God of Moses - appearing on the Peak of Mt Sinai - is High God of the Bowmen -
420 as original Zeus - identified as the Middle Eastern Moon-God Sin - ancestral God
of the Jews - the Burning Bush - just Glowing - as the Bay - declares `Apollo' -
High God transformed as the Son - Bowmen's Lord of Salvation - Dharam of the
Aryanized Bowmen's Rite - reflecting the Aryan Rule over Egypt - Bowman taking
over from Moon-Creator - Jews given Bowmen's Initiation of Wine of Salvation -
Golden Calf (Titanic Dharam to Semitic Kam of Golden Lamb) as Dionysos - Akhaian
Brazen Serpent of Destruction - both represent Salvation - the Moon-God giving -
with Milk of Nirvana - only Initiation of Death - now they could also achieve
Salvation - as however rejected by the Moon-God - in Greece Zeus - representing
the Moon-God of Nirvana - also rejected Salvation of Peace (Myth of Prometheus)
430 - as later accepted for the Semitic People - for the Jews however Salvation was
barred at every stage - thus the hard injunction - Tenth commandment - given in
the Torah three times `Thou shalt not Seethe a Kid in the Mother's Milk' - the
rabbis are baffled - as completing the Initiation of Salvation of the Bowmen -
and therefore imperative the Jews did not partake of it - as instead Initiated
as before with the Lamb of Nirvana - Tablet of Stone - Symbol of Semitic Death -
stating the Law of the Moon-God Sin - the abominations of Israel are the Honours
of Salvation - Six as Ritual Bowmen's Number (Sixty of Zeus) - the Triple Six -
explicit in the Oresteia (Aga 33) - representing Dharam Kam Arth of the Bowmen -
declares Semitic Salvation of Kam of Peace - thus taken over as the Number of
440 the Dalai Lama (New Year Ritual) - Buddhism as Kam to Brahmanic Dharam - as the
Number of the Beast of Semitic Salvation - as the Bowmen's Kid - seen today as
the transformed Semitic Symbol - the Christian Lamb of God - and the Foot - as
the Lowest point - the Banks of the River of Nirvana - represents the `Daktylic'
Precinct - declaring Salvation of Dharam - Cloven Hoof as separation of Nirvana
and Salvation (with monokrepis `Single-Hoof' - the Akhaian Horse of Salvation) -
the Feet of Clay as Semitic Earth-burial of Nirvana transformed for Salvation -
as in Christianity - the rabbis - without any inherited tradition - misled by
Maimonides - have no real understanding of the Torah - as a straightforward
application of the Priestly Principles to the Semitic Caste -
450
Third the Brazen Race of Arth - the true Warrior Castes - Two waves - First the
Akhaians about 1850 BC - traced from the Caucasus - a line of Cities Destroyed
with Fire and Sword - in the King-List Hermes hands over to Pelops - Lord of the
Akhaians - a development of the Kretans - taking the Ritual of the Red Guards -
Akhaians also Giants - and of Bowmen - they went into the Attack - Kretans as
Rearguard - Dharam - Akhaians as Vanguard - Kam - their Warrior Arth (of Dharam)
representing the Creator - for acquisition of land for the Creation - expressed
as a Ritual of Conquest - performing as Hanuman their Ritual of Destruction on
other Cities - transforming the Pyre of Nirvana as the Pyre of a new Salvation
460 of Arth (of Dharam) - presented in the King-List as Fire-Crossed - and Selfly
(Third word of Arth) - that side - establishing the Creator-Lord of Salvation -
as now Rising for a new Creation - Salvation of Dharam represented by the Head
(Ganesh Talos Minotaur) - Kam by the Bust (Satyr Kentaur) - Arth the whole Body
(Akhaian Horse of Pelops - Europa's Bull - Christian Lamb) - the Kretan Weapon
developed as the Sword - Curved for Dharam as Sabre of Kam - the Wall identified
as Shield of Dharam - leading to the development of Armour - the primary Akhaian
Symbol the Helmet - declaring Salvation of (Arth of) Dharam - the Warrior Wisdom
- Initiating Akhaian Lady of Salvation Athena - the Dark Bounding River of Death
now transformed as the Blue River Ocean of Salvation - as Kam - the Sweet Water
470 taken - transformed - establishing a Spring of Resurrection - and Initiation -
set as Arth (of Dharam) in the transformed Daktylic Precinct as Aia (as E-a -
Mesopotamian Lord of the Lake - Ritual Number Forty - declaring Salvation - as
still in Judaism) - in Greek Myth the Goddess Bathes as Resurrection of Dharam -
and establishing Three Pyres - the Kretan Captain as Ox transformed as Akhaian
Captain as Wall-Guard - as Talos - as Blue Bull with Akhaian Pyre of Destruction
of Dharam - for Salvation - identified as Kretan Pyre of Salvation - this side -
later the Black Snake of Nirvana of the Moon-Culture Aryanized - transformed as
Red Serpent of Destruction and Salvation - as Guard - the Kretan Demi-god Kadmos
Destroying and transforming as the Red Viper (the Brazen Serpent of the Jews) -
480 Initiated Akhaian Guards of Dharam as Guards of Kam - as Spartans - established
as the Rear-guard - with a Viper-Pyre of Salvation - giving Salvation directly -
that side - Bull-Head on Shield declares the Akhaian Guard - Viper the Spartan -
as Dharam Kam - both as Dharam - the main Akhaian Army as Lion - the Fiery Mane
for the Lion-Pyre of Salvation - giving Salvation to the Fallen - as Kam - the
Titanic Ass of Nirvana transformed as White Horse of Peace - of Glow of Divine
Resurrection - as Arth (of Dharam) - Akhaians introduced Cavalry Chariot Warship
- Akhaian Precinct of Salvation as Arth set higher than the Daktylic Precinct of
Dharam - lower than the Bowmen of Kam - thus as on the lower Slope (Grave Circle
`B' at Mycenae - as of Pelops) - and the Foot representing the Daktylic Precinct
490 - the Akhaians extended it to the Lower Leg - thus Pindar sets the Akhaianized
Kentaur at the Ankle of Pelion - and as expressing this introduced the Half-Boot
- as more appropriate for riding -
The Akhaians - Blue and Bronze in their Armour - as Smoke and Flame of the Pyre
of Salvation - identified themselves as Lions - as the Name-endings -laos -leus
of Myth (precisely as -singh `lion' in the Indian Name) - Ritually the Titanic
Sun-God of Peace - without Initiation of War - could not Rise as Warrior Creator
- and the Akhaian Lord - Rising - interrupting the Ritual of Creation at the
climax - the Sacred Marriage - Destroying the Creator of Peace for his Nirvana -
500 as Pelops and Myrtilos (the Titanic Creator becoming Court Jester with Royal
status in mediaeval courts of Europe) - and taking on his Ritual - completed the
Ritual of Creation - as the embodiment of the Principles of both War and Peace -
the Akhaian Creator thus only Holding the Sword - not using it - as today the
Sword of State - the High Akhaian Ritual (Full Moon Virgo) also represented the
High Principle of Peace - as later with the Kretan Demi-god transformed for the
High Principle of War - the Horse now Piebald (as Balios - Horse of Akhilles) -
the High Akhaian Glow as High Pyre of Salvation now represented by the Swastika
- Gold on Blue - the Four-Armed Cross representing the Kretan Pyre of Salvation
(doubled as the Spartan dokana) developed for the original Akhaian Ritual Number
510 Eight - this Culture - the Akhaians `Sons of the Viper' as Aryanized - survived
in Classical Greece as the Spartans - in India the Kurus - retaining the Kretan
Name - as after the Mahabharata War thrown out of the new Hindu Society - still
remained outside - being eventually re-established by the Guru Gobindsingh - as
Pelops - regularly pictured in Akhaian Blue - Sword erect - on a White Horse -
as the Sikh Khalsa - with Akhaian Five - Amritsar as our Akhaianized Daktylic
`Lake of Salvation' - as the Spartans of India -
The original Pyre of Nirvana was identified with the Bronze Weapon - the Slaying
giving Nirvana - now the Pyre of Salvation was identified with Battle - harder
520 the Battle deeper the Nirvana - so higher the Salvation - Sanskrit for Sword is
Kripanam - a development of Kripa `Compassion' - the Sword then as Instrument of
Compassion - giving Nirvana as at once in War and Peace - for Salvation - thus
at Thermopylai the Spartans Died for the Word - correctly the Word of Salvation
as the Word of Truth - as emphasized - and as dedicated to the Word every word
for them - as indeed for the Sikhs today - was a Word of Truth - keeping their
word even unto Death - Leonidas ordered the other contingents as not bound by
the promise to return - the Men of Plataia requested and were allowed to stay
and Fight and Die with the Spartans - the Battle against overwhelming odds would
as the fiercest Pyre guarantee highest Purity for their Salvation - this ancient
530 Salvation of War was still strong in the French aristocracy even in the Middle
Ages - as Templars desecrated the Cross in rejection of Christianity for their
own ancient Rite - and at Crecy famously a blind King put on his horse and given
his lance charged with the French cavalry to his Death - for his ancient Warrior
Salvation - as at Flodden - the King of Scotland and many of his high nobles cut
off by the English and doomed - Earl Douglas fought his way into that group so
that he could stand and Fight and Die with his King - for his Salvation - the
shame would have been unbearable if with his King killed he still lived - his
Warrior Salvation would be in doubt - Dark Kretan and Red Guard as Akhaianized
are the Black Knight and Red Knight of Romance - as Equal in Combat - the White
540 Knight is the Akhaian -
Thus Simonides writes of the Spartans at Thermopylai -
Rise Witness O Leonidas - as even Sparta's King -
>From Battle-Might for One as Vast - as having left a Glow -
As Flows for the Eternal - O a Glory here that Saves -
the higher the status the truer the witness - the King of Sparta had the highest
status in all Hellas - and the Ritual is presented - first the Glow as the Pyre
550 of Salvation - then the Spring of Immortality - finally `Glory' (development of
`word' - as the -kles of Heraklean Salvation) - as declaring the Achievement of
Resurrection through the Word - the Daktylized Akhaian Rite - precisely as the
Sikh Rite today - after the Pyre our Lake of Salvation `Amritsar' - during the
Anglo-Afghan Wars a contingent of twenty-two Sikhs was stationed in advance in a
makeshift fort - if attacked to wireless for aid - duly attacked by ten thousand
Pathans they called for aid - some hours later informed that aid had failed they
were on their own - then the wall was breached - it was over - the officer put
the twenty men in formation and charged - the final message `They have all been
killed - I am the only one left - permission Sir to shut down the wireless and
560 attack' - granted - he shut down the wireless - took his rifle - and one against
ten thousand charged - they say he killed twenty before being killed himself -
`How was he so cool?' - because that final charge as at Thermopylai was a Battle
against Death for his Salvation -
The Olympic Games - covering the Five Days before the Full Moon - were begun by
the Akhaians - the events presenting the Symbol of Salvation of the different
Warrior Castes - only those Initiated in the Caste could take part - the primary
event being the Foot-race of Dharam - in contrast with the static Destruction of
the Guards the Creative Symbol of Salvation - and speed also being the means of
570 escape for the Bowmen - all the Warriors - even if only as a preliminary - were
given this Initiation of Dharam - as the Resurrection of the Spirit - thus given
the Symbol of Wind - and the Winner - not the fastest but most worthy - took on
the role of Creator-Lord of Salvation of that Caste for Initiation in the High
Akhaian Ritual (performed at Pisa) ending the Games - the Olive Wreath declaring
Divine status - the real prize establishing the prestige of the winner - as thus
given also the Divine prerogative of dedicating his statue in the Temple - with
Song and Dance - as the Pindaric Odes - like the Hindu Puja - the Akhaians also
introduced the Principle of Time - Creation and Destruction were annual - the
Creator of Peace retiring in old age as to a hermitage (as Laertes - Father of
580 Odysseus) - but the Warrior Creator following the hard Law of War did not retire
- ruling instead a fixed Ritual number of years - the Akhaian originally Eight -
then Aryanized Ten - Apollo the Aryanized Akhaian had a `Ninth-Year Ritual' at
Delphi - confusing the academics - as performed not every Eighth Year but as a
Ritual of Destruction at the end of the Ninth Year of the Decade - thus in the
Tenth Year there was no Salvation - `the Oracles are Silent' - the Games held
twice in Time for Dharam and Kam - and then in the final Year - the Tenth of War
and Destruction in Homer - abandoning the City to the former Creator of Peace -
he went out on his Ritual of Conquest - and now for Death in Battle - showing
Faith in his own Salvation - thus Kalki - Tenth Avatar of Vishnu - acts with War
590 and Destruction as Akhaian Creator - the historical example is the Tenth Nanak -
Founder of the Khalsa - the Lord of Steel - Guru Gobindsinghji - Warrior Guru of
the Sikhs - himself leading his forces in Battle - dwelling ever in camps -
This Warrior Principle of Time had a vast effect on human development - at first
- as expressing Peace - change took place annually - and there were only small
changes - little additions alterations renovations - but basically the structure
remained the same - a static Society - then the establishment of the Principle
of War brought a fundamental change to the Ritual - Creation still in Peace -
Destruction as by the Captain of the Gate was in War - Ritually a Symbol of the
600 Creation (as in the Ninth-Year Ritual of Delphi) or an actual part was Destroyed
with Fire and Sword - then Rebuilt with the Creation - not as reproducing the
old - but thus given full scope for modernization - and expression of artistic
creativity - now the introduction of Time still allowed the small annual changes
during the years of Peace - with however a further Destruction of War at the end
of Time - as the sack of Troy - the Citadel on the Peak Destroyed with Fire and
Sword - thus with the next Time the new Warrior Creator was free to innovate and
even change the structure - and this was emphasized with the later Demi-gods and
the alternation of Kretan and Aryan with their different Principles - giving a
dynamism to the Society - and accelerating the development as seen materially
610 even today -
Secondly Aryans - a Warrior Caste like the Akhaians - appearing about 1700 BC -
also from the Caucasus (Western academics insist they came to Greece from the
North - with not a shred of evidence in support - only hot air - bad arguments -
chauvinism) - under Ares Indra Mars - in the King-List Pelops hands over to
Atreus the Shepherd-King - as a development to counter the Akhaians - as the
irregular Bowmen - as Kam of Dharam - with their individual initiative - now
taking over the organization of the Red Guards - and representing Warrior Kam -
and as the Head represented the Bowmen's Precinct - the Giants were Bearded for
620 Dharam - the Long Hair of Apollo and Absalom declaring Aryan Kam - the Akhaians
as Arth combining the Long Hair and Beard - as the Spartans (and Sikhs) - thus
the King-List has Atreus Dead - Second word - as his Nirvana of Kam - and now
expressed as a Ritual of Loot - they could charge - smash through the defence -
seize Gold Women Cattle - and return - and also abandon their own poor land -
taking over a rich City - causing a clash between Aryan and Akhaian - resolved
in Greece at least by a modus vivendi - Ares as Aryan Creator - the Akhaian (as
Apollo - the Name related to `Pelops') as General outside - the basis of the
Double Kingship as in Sparta - one staying at home as Ares - the other leading
the troops to Battle as Apollo - thus for the Homeric Lykians in this Tenth Year
630 Glaukos-Ares defers in Battle to Sarpedon-Apollo - and now deliberately choosing
Battle with far more deaths they emphasized Salvation - rejecting the Moon-God
of Nirvana - the High Aryan God Rising as Sun-God - and from the Bowmen's Rite -
represented by Birds of Peace - establishing Salvation of Kam with the Symbol of
predatory Bird - primarily Eagle (Hawk in Egypt) - Vulture for the preliminary
Salvation of Dharam (of Kam) - then Akhaianized - Akhaian Lion-Warriors as Aryan
Dharam - and transformed for Salvation of Peace - as the `High Aryan Sun-God' -
while the Bowmen emphasized the Bow of Dharam for Destruction - the Aryan took
for himself the Arrow or Javelin of Kam - the Aryan Spear identified as the new
Aryan Flame of Salvation - as Saffron (as bhaikshyam - BG II 5 - Arjun is saying
640 if he does not fight he should become a bhikku `Buddhist monk' of Peace - both
wearing the same Saffron) - and Kam as Feminine Principle these fierce Warriors
took on Women's Dress - wearing the Skirt - as in Aryan and Aryanized Cultures -
Greek Roman Scottish - as Jews as Kam (of Dharam) cover their heads like Semitic
Women - the Aryans took as their principal Symbol the Akhaian Chariot of Arth -
as transformed for War and Salvation - and representing the Aryan Precinct - and
as in identification the City - as now also expressing the Principle of War -
the Aryans as Kam could bear arms within the City-wall - and Aryan Kam Ritually
higher than Bowman's Kam (of Dharam) the Aryan Precinct was established higher
than the Bowman's Hill-top - on a Mountain-Peak - as at Mycenae Grave Circle `A'
650 - as of Atreus - the Akhaian Fortress - as the Temple of Thymbraian Apollo -
established low as Guard as the Foot - the Aryan City - as Troy - as the Sun on
high - as the Head - as in the Archery Test in the Mahabharata Arjun sees only
the Head - the Precinct of Kam - as a small Bird the Bowmen's Kam of Dharam -
appropriately Destroyed with an Aryan Arrow to establish the true Aryan Precinct
of Kam - and the entire Culture was Aryanized - transformed for the Aryan Rite -
the Black Dogs of Nirvana of Bowmen now Flame-Coloured for Salvation (kelainai -
Aga 462 - not `Black' - and phaio- - Ch 1049 - clearly related to English `Bay'
as another Flame colour - Lex `grey' from Platonic `mix blue and white' - Plato
however says they are Works of God - not to be emulated by human hands - as
660 relationships of Ritual not of the laboratory - the classicists are resolutely
determined not to recognize Ritual and so fail - Colour is of great importance
in Ritual - Skt varna `colour' - ie the Ritual Colour - gives the Caste) - so in
the end Yudhisthira invited on the Chariot of Salvation insisted his Dog goes
first - as the necessary preliminary Bowmen's Rite of (Kam of) Dharam -
The Aryan Creator had special status - earlier Creators represented one of the
Principles - Titanic Creator of Dharam - Moon-Creator of Kam - Akhaian of Arth -
now declaring his higher status the Aryan Creator took into himself all Three
Principles - as Risen above the Creation - as the Maharaja - identifying himself
670 with the High Ritual - and for his Initiation a new High Ritual was established
- the Aryan Rising as Lord of Death interrupts - taking over the High Semitic
Ritual of Full Moon Libra - Destroying the Moon-God wearing his Fleece as Ram -
for Nirvana - then Rising below as Semitic Lord of Death - as Greek Hades `Ram'
- as Yama in India - the next Night the Warrior - identifying himself as Hades -
with the Gold Mask of Mycenae - Mask of Beatitude as of the Buddha declaring the
Risen God - Holding a Shepherd's Staff - wearing the Fleece - decked with Aryan
Gold as Golden Fleece - as Golden Ram (giving the Name of the Hindu Demi-god) -
Rises transformed as High Aryan Sun-God of the Principle of Peace - establishing
the new Aryan High Ritual (Ritual of Laxmi) - as declared with the Aryan Glow -
680 Arth of Kam - just Burning (beside the low Akhaian Pyre of Salvation and high
Kretan Pyre of Nirvana) - identified as Gold - the Heart of the Creation - the
Arrow-Spear in the Heart as the Aryan Rite - then transforming himself Rises as
the Son - identified as the Aryan Glow - wearing the Golden Fleece as now the
Golden Lamb - holding the Golden Apple as at once Titanic Creator - as the Aryan
Creator - as Paris of the Golden Apple - and Yudhisthira Son of Yama the Lord of
Death in Indian Myth (the Pandavas then representing the Three Principles - as
Bhima of Dharam - Arjun of Kam - Twins as Arth) - the Aryans brought down Gold
from the High Ritual - for the first time making it available in general - the
Gold identified as the Red of the Titanic Creator - as also the Colour of Arth
690 as the Creation - the Aryan Creator was thus presented as Arth - Red becoming
the Aryan Colour - as of the Aryan Chariot - and later taken over by the Aryan
Warriors - emphasizing at once the original Red Guard -
Emerging from the Caucasus the Aryans Conquered most of the known world - as
represented by Ares in Greece - Eagle standard of the Romans - the Name Indra in
Central Europe - Siegfried Slaying the Monster and winning the Gold presents the
Aryan Ritual of Loot - the Charioted Invasion of China from the West (beginning
Chinese History) - Shepherd-Kings of Egypt - and open-air Temple (Aryan Ritual)
of Yazilikaya shows `Hittites' (`Khatti' as Khatri - Warrior Caste of Punjab -
700 Indo-European cuneiform is garbled) as Aryans - and as the Name Maharaja Dasrath
of Mitanni - Father of Nefretiti (`Aphrodite' - Egyptian vowels unclear - Aryan
Goddess of Daktylic Salvation - Egyptian Ritual prefix - as the personal Name of
Amonhotep III - Nimmuria then Immuria) - setting the Aryanized Rite in Egypt -
the Name primarily associated with Iran and India - true Aryan Culture no longer
exists - represented today by Zoroastrians - Zoroaster rejected Indra (Father of
Arjun) and the Aryan Gods of Kam (Skt sura) - establishing the Akhaianized Gods
of Dharam (Skt asura) - thus retaining the Vulture Rite - and by the Kshatriyas
- the Hindu Warrior Caste - Kuru dominance Akhaianized the Aryans - in a famous
scene Maharaja Dasrath of Ayodhya tells the `Daktylic' Goddess `the Feet with
710 the Head I Touch - as Thine' - bringing the Aryan Precinct of the Peak down to
the Daktylic Foot - declaring Acceptance of the Akhaianized Rite - as forming
the new Hinduism - remaining to this day - in Greece with Akhaian dominance the
Akhaian Rite prevailed - both as Daktylic - and as Aryanized - the Guards - as
Dasrath - declaring the Aryan Rite Daktylized and brought down - presented with
the Body in the Seven - Daktylic Antigone at the Feet - Daktylized Ismene at the
Head on the Ground - the Aryans however - as their Aryanized Rite - raised the
Daktylized Rite to the Peak - thus the Akhaian Lady of Salvation Athena has her
Parthenon on the Akropolis - the Messenian Twins sacrifice to Poseidon on a Peak
- Diomedes-Ares drags the dead Amazon Queen Penthesileia by the Foot - declaring
720 Akhaianized Foot raised to Aryan Peak - giving the correct Ritual of Salvation -
Akhaian Word of Salvation of Dharam raised and identified with Aryan Wings of
Salvation of Kam as the famous Winged Words of Homer (baffling the academics) -
as Symbolized with the Hermetic Winged Sandals - declaring Aryan Salvation Kam
of the Akhaianized Rite of Dharam - the Indian and Greek Epics both present a
War of Culture - Akhaian Aryan - different sides won - in India the Aryans - as
already Akhaianized - in Greece the Akhaians - represented by the King of Sparta
- as having the highest status in Hellas - India as basically Brahmanic-Titanic
with an Akhaianized Aryan aristocracy - Greece Semitic with an Aryanized Akhaian
aristocracy - Hesiod declares himself a simple shepherd-boy - misleading the
730 professors - it is correctly Initiation in the Theban Ritual of the High Aryan
Sun-God as Shepherd-King - Rising Priest of the highest rank - he says `taught
by the Muses' - so the professors declare he was self-taught - as confusion - in
those days there were no facilities for self-education - as Aiskhylos says he
was taught by Demeter - both declaring Priestly Education at the highest level -
Fourth the Demi-gods - as have completely baffled the professors - and thus been
ignored - though playing a vast role in the development of mankind - the Warrior
Castes engaged in their Battles for supremacy - establishing their Rituals and
Salvations - disregarded the Castes of Peace - as even the Warrior Creator still
740 Initiated for Nirvana - there was however one Warrior this side of the River -
the Kretan Captain - Destroyer-Lord of Salvation - Initiated with Divine status
in the High Titanic Ritual of Peace - his Pyre of Nirvana now Akhaianized - and
Daktylic Salvation given to the Kretan Guards - and as in regular contact with
Titanic Priests and Caste - he was aware of their deep desire for Salvation - so
about 1550 BC by consent Initiated by the Aryan Creator for Nirvana of Peace -
and Rising both Man and God - he declared himself the Demi-god - establishing
the High Principle of War - as now in the High Ritual - and as the High Lord of
War he was Supreme - Initiating the High Gods of Peace - the entire Culture thus
Akhaianized - and while Gods Died and Rose again - remaining ever - the Demi-god
750 Ruling for a Time - as the Decade - could not succeed himself - Rising as God he
went to his Nirvana as Man - and Ares - Rising as High Aryan Sun-God - again as
Aryan Demi-god - took over for the next Decade - alternating - as Kretan Time
and Aryan Time - the basis of the Spartan Double Kingship - and Two Hierophants
of Eleusis - as Kretan Aryan - representing Dharam Kam -
Hesiod presents first the Kretan Demi-god - developed from the Kretan Captain of
Salvation identified as Akhaian Guard Talos - and represented by the White Bull
- as Kadmos Minos Theseus - as Daktylic (Arth of) Dharam - as Kadmos of Akhaian
Thebes - establishing his Ritual with a quorum of Five Spartans - and the War of
760 Ares-Oidipous's Sheep - presented in the King-List with Ares-Atreus handing over
to Thyestes as Kretan Demi-god - as Lord of the Golden Lamb - with the right of
Initiating the Aryan Creator - thus Initiated also as Ares of Dharam - as Apollo
- getting at once power over the Aryan Caste - the Myth has them disputing the
Kingship and Lamb - as that the High Aryan Sun-God and Kretan Demi-god alternate
- Kretan Time of Dharam - Aryan Time of Kam - the Kretan Captain Rising Kretan
Demi-god - transforming the High Akhaian Ritual Full Moon Virgo - establishes
Five Days later - the Ritual Autumnal Equinox - the High Kretan Ritual of War -
as reestablishing the Fire of Destruction - received at the High Titanic Ritual
- and preserved in a Cave as the Glow of Nirvana - Source of Pyres - as the
770 Eternal Glow of Salvation - Symbol of the Risen God - Sign of his Divinity and
of his Salvation - just Burning - ever living - for the Nine Years of Peace of
the Decade - then extinguished - presenting his Humanity for the Tenth Year of
War and Destruction - no Salvation for the people - until the next Kretan Time -
and reestablishment of his Eternal Glow - then Rising as the Lord of Death - he
interrupted and took over the High Titanic Ritual of the Solstice - Destroying
the High Titanic God of Peace for his Nirvana - and transforming the Ritual for
the High Principle of War - and Salvation - established the Titan Kronos and the
Sun-God of War - Initiating the Gods of Peace - transforming himself - Rising as
the Son - identified as the Eternal Glow - as the Creator embodying the combined
780 Principles of War and Peace - as in turn with his Initiation by the Titanic God
as High Lord of Salvation - the Ancient Titanic Creator of Peace - performing
his Ritual of Death - as his Nirvana - on the Wooden Cross - and Resurrection -
Rising transformed as the new Titanic Creator-Lord of Salvation - as Titan - and
in his Ritual of Arth giving Initiation of Salvation to the Titanic Caste - as
in this Akhaianized Daktylic Salvation of Dharam - transformed for Peace - and
the Kretan Son - as the Ancient Titanic Rite - setting himself outside the Gate
as Captain of Peace - transformed his Kretan Pyre of Salvation - establishing a
new Kosmos of Dharam - giving Salvation to the Titanic Caste -
790 Thus in a famous badly misunderstood Fragment Herakleitos presents the Heraklean
Kosmos of Arth -
And this Kosmos - neither God nor Man did Make - ...
as a Fire - a Thing of Eternal Life -
the academics say self-sprung and translate `ever-living' - though this is later
contradicted - the Fire being extinguished - and go off on their cosmogonies etc
- aiei `ever' as derived from Aia - Isle of Salvation - means Eternal -
Who made it? - the Demi-god -
800 What is it? - the Pyre - the Akhaian Pyre of Salvation that side -
as transformed for Peace - as the Kosmos of Arth - the Hindu and Sikh Rites -
(Kosmos correctly more general as `Vehicle of Salvation of Dharam of Peace' -
as including other Vehicles - and not necessarily this Heraklean Kosmos) -
and Herakleitos declares `Mortal Immortals - Immortal Mortals' - as Demi-gods -
people of Salvation - emphasizing that both combine Mortality and Immortality -
as the basis of establishment of this new Salvation of Peace -
The Kretan Demi-god is Theseus - his double role given with a double Initiation
- appropriately in the Temple of Akhaian Athena - Poseidon for the Kretan role -
810 Aigeus for Ares of Dharam - his adventures on the way to Athens are his Ritual
of Succession - as transformation of Creators and Rituals of the various Castes
for the new Rite - also Aiakos `Lord of Aia' - and represented by Theban Kreon
in Aryan Time - the Skythians worshipping Ares as a Sword (Heraklean Rite) were
Akhaians Aryanized as Aryan Dharam - Hyksos Shepherd-kings of Egypt as Aryans -
as Atreus of the King-List - were not Akhaianized - Semitic Salvation rejected
by the Egyptian Priests - the ancient Moon-Culture prevailed giving only Nirvana
- no Salvation - this new Kosmos and Salvation of Dharam of Peace as originally
established only for the Titanic Caste - Kretan Time - Brahmans gave consent -
Moon-God did not - with no Salvation in Aryan Time - and Semitic Caste yearning
820 for Salvation - Prometheus gave this Titanic Rite of Dharam - transformed as
Bowmen's Dharam to the Semitic Caste - Kretans moved transformed for Bowmen's
Precinct - Standing as Guard of Kam - as Korybants (Boars) - so the Moon-God -
Akhaianized - identified as High Aryan Sun-God of Dharam - status as Demi-god -
as Pelasgian Zeus in Greece - eventually agreed - giving consent - and with
Dharam of Bowmen's Salvation - transformed Dharam of the Semitic Rite - giving
Salvation of Dharam to the Semitic Caste of Kam - the Dark River of Nirvana now
made Creative with Silver Eddies - reflecting the Sky - Akhaian Guard Ouranos -
set with the Stars of Salvation of the Moon-Culture - this Akhaianized Rite - as
the Sword in the Rock - inner chamber - Yazilikaya - presented by the Hittites -
830
The final development of the Kretan Demi-god is presented by Herakleitos in his
famous Fragment on `War' - as the Lord of the High Principle of War -
`The High Lord of War Rises Father of All - King of All' - `Father' as original
title of the Moon-God - taken over by High Semitic God - and Zeus-Hades - and
here - as Third word of Arth - the High Aryan Sun-God of Dharam - (thus with the
Rape Persephone cries `Father' - misleading the professors - as not calling to
her Ritual Father Kronian Zeus - but naming the criminal - as a requirement of
Attic Law) - and now appropriately the Name of the High God of the Christians -
840 and here presenting the Kretan Demi-god - interrupting and taking over the High
Semitic - and High Eleusinian Ritual as Daktylic Dharam - Rite of the Rose -
(thus with the Rape Persephone cries `Father' - misleading the professors - as
not referring to her Ritual Father Kronian Zeus - but to the criminal - as a
requirement of the Attic Law) - identified as Zeus-Hades - the King - Basileus
`Lion of the Base' - as the Akhaian Creator-Lord of Salvation - the Demi-god
transforms himself into the Son (as in parallel the Aryan Demi-god transforms
himself into Dionysos - Hades and Dionysos identified by Herakleitos - `some he
reveals as Gods - some as Men' - as the Warrior Creator - establishing his new
Creation - gives his Initiations - to the Gods of Peace - High Priests of the
850 different Castes - for Divine Resurrection - and to the people (as a quorum) -
`some he makes Slaves - some Free' - now Rising as Akhaian Captain - as Lord of
Salvation - he decides the Burial Ritual - Some - as those still following the
old Rite - for Nirvana - Some for Salvation - as emphasized by the word-order -
identifying - as Aiskhylos - Freedom and Salvation - and giving the true meaning
of the Mosaic statement `Set my people Free' - as from the Slavery of Nirvana of
the Moon-God - given the Freedom of Salvation of Adon -
Semitic Caste now yearned for complete Salvation - as also of Kam (of Dharam) -
as Bowmen's Salvation of Kam - declared with their White Flame on the Peak - so
860 about 1450 BC a High Aryan Sun-God - as Akhaianized - Rising Spring Equinox - as
Daktylized Creator Ares of Kam - Destroyed Full Moon Leo (Fall of Troy) - again
Adonis `Kretan Lord of Semitic Salvation of Dharam (of Kam)' (Anemone `Daktylic
Salvation of Wind (as Spirit)' - as Daktylic Dharam of Flame - Aryan Red) - as
Child of Kretan Demi-god of Kam Phoinix - Initiated at High Kretan Ritual of the
Equinox as Creator-Lord of Daktylic Salvation - Aryanized Captain of Korybants -
Destroyed Seventh Aries by a Boar - as Ares - or Apollo taking over as Captain -
both Rising as Sun-Gods perform Sacred Marriage with Lady of Daktylic Salvation
Aphrodite of the Rose - transforming Daktylic Dharam of Semitic Kam - giving the
Bowmen's Salvation of Flame as the Aryan Rite of the Rose to the Semitic Caste -
870 Maharaja Dasrath `Chariot of Ten' - Aryanized Akhaian Number with Aryan Twelve -
of Mitanni (as Mitra - Akhaian Bull with Aryan Ram) - as Dasrath of Ayodhya - as
this Daktylized High Aryan Sun-God of Kam accepting Aryanized Akhaian Symbols -
`Dasrath' `Vardhavira' declare Sanskrit the Language of the Demi-gods - earlier
`Abraham' showing Brahmans in the Mitanni capital Ur-kesh `City of the Mane' -
Greek and Latin being the Languages of the Brazen Race - in Der Mitannibrief -
basically original Aryan - one of the languages forming Classical Greek - the
Court Poet Vardhavira exhorts the Aryan Princess - Child of Dasrath of Mitanni -
as Bride - to establish - as over the Ancient Moon-Culture of Nirvana of Egypt -
this Aryan Rite of the Rose - Daktylized Salvation as Daktylic Dharam of Flame -
880 clearly she won over the Pharaonic Heir XVIII Dynasty - himself of Aryan stock -
thus with Marriage taking the Names Nefretiti (as (N)Aphrodite) - Akhen-aton -
his new `philosophy' as a high statement of this Aryanized Religion - the Rite -
being established by the Creator - as Adonis Ares - Kretan Aryan - Dharam Kam -
and the Aryan Rituals of the Hyksos Kings established - no Salvation of Peace -
the Kretan Adoneian Rite of Dharam - dispensing with the half-yearly change -
as not available - and as now irrelevant - and as Raised to the High Ritual -
establishing from the Name a new High Sun-God Adon (Aton of the Egyptologists) -
parallel to Pelasgian Zeus of Greece - Dharam to the High Aryan Sun-God of Kam -
was proclaimed for the Semitic people of Egypt -
890
Moses - pharaonic family (XVII Dynasty) - worshipping High Lord of Salvation -
High Sun-God Adon - his Vision as the Daktylic Section of the Bowmen - as first
established by Prometheus - giving the Titanic Salvation to the Semitic people -
taken over for the Wineless Hermetic Rite of Dharam - the Pelasgian Rite - again
Aryanized - with Wine Sacrament of Salvation - for the Akhaian Adoneian Rite -
and his `set my people Free' - as declared by Herakleitos (Fragment on War - the
Demi-god) - and Aiskhylos - `Eleusis' as both Freedom and Salvation - Slavery as
Guidance to Nirvana - Freedom Salvation - asked for this Salvation for the Jews
in Slavery - Adon as Adonai of the Jews - the Egyptian Moon-Priests of Nirvana
900 revolted - the Jews - outsiders of the Law of the ancient Semitic Moon-God Sin -
caught between ultra-nationalistic Priests - and Akhenaton and his Salvation -
had the Exodus - the God on Sinai - appearing with (Priest-made) `Thunder' - as
Akhaianized Destructive Dharam - of the High Aryan Sun-God of Kam - represented
by the High Bowmen's Flame on the Peak - identified as Lightning - appropriately
for the Daktylized Adoneian Rite - however the High God speaks through the Son
as Creator - indirectly - here as Lord of the Burning Bush - Bowmen's Dharam of
Peace transformed for War and Salvation - as Adonis `Apollo' - the Jews could
readily accept him - some three centuries earlier Abraham himself had come from
Ur-Kesh - then under the Chaldee - emphasized as Akhaians worshipping `Apollo' -
910 Aaron - First-born of Dharam and Salvation - set up in expectation Daktylized
Akhaianized Symbols of Salvation of Peace - the Golden Calf (beside Golden Lamb
of Atreus) - Akhaian Dharam - Aryanized High Titanic Child - as Creator-Lord of
Salvation Dionysos - and Brazen Serpent - Akhaian Viper as (Kam of) Dharam of
Destruction that side - appropriate for Daktylic Salvation - of Bowmen - and
Semitic Caste - Moses however - as then given Tablets - not of Warrior Bronze of
Salvation - but of Semitic Stone - declaring the Moon-God Sin and his Law of
Nirvana - appropriate for Mt Sinai - showing Anger - Destruction of Peace for
Nirvana - representing the refusal of Salvation - Destroyed them -
920 Mt Sinai - dedicated to Mesopotamian Moon-God Sin - Temple on the Peak (as on a
ziggurat) - as established earlier by the Jews themselves - the Egyptian Priests
would have barred a Temple in Egypt proper - with the establishment of Adon - as
represented by `Apollo' - was taken over for Salvation - as demanded by Moses -
the Moon-Priests of Sin subordinate but remaining powerful - Mt Sinai thus the
obvious place for the Jews to come for guidance after leaving Egypt - in Greece
High Aryan Sun-God of Kam took over in identity Hades - Moon-God of Salvation -
Yahweh-Adonai as Akhaianized Dharam of the High Aryan Sun-God of Kam - as Adon -
taking over in identification the Moon-God of Nirvana Sin - now represented as a
Pillar of Fire by Night - by Day a Pillar of White Smoke - the Pillar as Akhaian
930 Dharam (applied to Atlas) - as from Creation - in the Nirvana of Night - the
Pyre of Resurrection - the Akhaianized Rite of the Kretan Demi-god - and in turn
the White Smoke - representing the Spirit - declaring Resurrection of Dharam -
the Daktylic Rite - as Daktylic Precinct raised to Bowmen's - Adoneian Section -
as a separate Rite of Resurrection - presenting the Cloven Hoof of the Moon-God
- and as an Akhaian Battle of Conquest rages below - Moses on a hill-top giving
support - Raises his Arms - performing the Atlantic Rite of Dharam - transformed
for Bowmen's Kam - as Arm of Dharam - as Kheiron `War-Lord of the Arm' - Wing of
Kam - beside Akhaian Shoulder - with Brotherly help set as middle of Three (as
the Christian Crucifixion) - as Akhaianized as Arth - as - beside the Promethean
940 Salvation of Dharam - declaring the Akhaianized Adoneian Rite as Arth - again
after the Battle - before a Stream - Fighters drinking directly - as Daktylic
Initiation of Salvation - are rejected - only those raising the water to their
lips accepted - as Daktylic Initiation raised to Bowmen's Section - as the
Adoneian Rite - for the Jews however - as denied Initiation of Resurrection -
the Smoke was Dark - being given only the Destruction for Nirvana -
The `Promised' Land as it stands refers properly to Paradise ie Salvation - here
represented - as declared by Nefretiti-Aphrodite - by the Aryanized Adoneian
Daktylic Section - evidently Moses Guided the Jews out of Egypt for a Promised
950 Land of Salvation in the Hereafter - and failing on Sinai - tried to redeem his
Promise with a substitute Land of Salvation Here - preliminary Titanic Milk of
Dharam - Flame-coloured Honey as Wine of Peace for Kam (of Dharam) - small Bird
of the Bowmen transformed as Bee of Peace - as the Bowmen's Daktylic Initiation
transformed for the Semitic Caste - the Land of Milk and Honey of the Torah
presented Aryanized Salvation of Pelasgian Zeus - High Aryan Sun-God Zeus-Hades
of Dharam - and of the Aryanized Kretan Demi-god as Kadmos - the Phoinikian Rite
Aryanized as the Adoneian Rite - now subordinated to Moon-God Sin of Nirvana -
however a Jewish state is a Ritual absurdity - the Jews - as representing Kam -
Beauty Creativity - the Feminine Principle - and covering their heads as Women -
960 cannot form a State - as necessarily based on Justice and the Law - as Dharam -
the ancient State of Israel with a Jewish Kingship - was - as the Hindu State -
with a Maharaja of Kam - run by Priests as Dharam - as the Brahmans - and the
Judges of Israel - Semitized Priests like Abraham - Initiated for Judaism -
Titaness Aphrodite - as her Sacred Marriage with Ares - represents only Daktylic
Dharam of Flame - as the Rite of the Rose - so about 1350 BC the Titan Iasos -
Brahman of the Bowmen - Initiated for War as Red Guard of Dharam - Akhaianized
by Kretan Demi-god - then Aryanized - and in the Aryan High Ritual - now High
Aryan Sun-God of Kam - Initiated Aryan Child Jason (`Iasos' transformed for War)
970 - the equivalent of Ram - the Akhaianized Aryan Demi-god of India - established
the new Semitic Salvation of Flame - and as Kam - going beyond the Titanic Rite
as Dharam - he chose the Semitic Symbol of Kam - the Sheep - for his Salvation
of Peace - as Dharam of Flame - as now Daktylized (thus found on a Tree) as the
Fleece of Dharam - and Aryanized with Gold as the Golden Fleece - worn declaring
the High Aryan Sun-God of Kam - thus in the Tenth Year of War and Destruction -
Kretan Time - Rising New Moon Libra - he Sails Sixth Sagittarius - Semitic Ship
of Peace identified as Warship - Akhaian Voyage Aryanized - the various events
as transformations of Creators and Castes - as for Theseus - as his Ritual of
Succession - and Returning Destroys the Kretan Demi-god - now Man as Akhaian -
980 Tenth Libra - as Ram Destroying Ravan as Kretan Demi-god - the Hindu Dassehra -
and taking over transforms High Semitic Ritual of the Full Moon - establishing
Hades `Ram' as Moon-God of Salvation - and also the High Aryan Ritual - Hindu
High Ritual of Laxmi - Rising High Aryan Sun-God of Kam - Medea as High Aryan
Goddess of Salvation - and now establishing the Eleusinian Rite as Dharam -
Ruling for the whole Decade - this Akhaianized Rite of the Fleece also presented
with XIX Dynasty of Egypt - and implicit in the Hindu Demi-god Ram `Ram' -
The final step remained - so about 1300 BC a Kretan - as Captain of Korybants -
Initiated - as Jason - as Aryan of Kam - and by the High Semitic God for Nirvana
990 of Peace - and - as Meleagros - combining Rituals - declared himself the Aryan
Demi-god - Aryan Time - Hesiod has the Trojan War - the King-List Thyestes as
Leaving (the final word confuses the academics - not referring inappropriately
to Bearing the Sceptre - but to Thyestes - reverting to Man in his original role
as Captain - Bowed in the Atlantic Rite) - as Aryanized Akhaian Agamemnon takes
over (Priam `Supreme' Skt param - Aryan Demi-god as High Aryan Sun-God of Arth -
Heraklean Rite - Antenor as Kretan Demi-god of Kam - Aryan Time - Menelaos as
Aryanized Akhaian King) - as High Aryan Ritual Sixteenth Libra is performed -
the Aryan Demi-god interrupts - Slays High Aryan Sun-God Zeus-Hades as Father -
takes over as Antipater - establishing the High Principle of War - completing
1000 the High Marriage - then re-establishing the High Ritual Five days later as the
Aryan High Ritual of War - High Ritual of Eleusis - the Eleusinian Rite as Kam -
the High Aryan Spear - identified as Aryan Flame - now transformed - represented
as Golden Eagle - for the High Principle of War - giving Salvation of Flame - as
Kam to Dharam of the Golden Fleece - Daktylic Dharam as the Spear of Kaineus and
Parthenopaios - as more honoured than the Gods - as giving only Nirvana - and
Salvation of Peace - and completing the Semitic Salvation of Kam - as again with
the Heraklean transformation presented as the High Eleusinian Spear of Arth - as
the Ash-Spear of Priam - with Tenth Year Fall of Troy thrown ineffectually - as
Destruction of Aryan Salvation - establishing the Akhillean Rite - Kretan Time -
1010 and now the Aryan Demi-god as Zeus-Hades of Arth transforms himself as the Son -
identified as the Eternal Glow - as Dionysos of Arth - Eleusinian Triptolemos -
as Lord of both War and Peace - going out - Initiates the Warrior Creator - and
Creators of the states and communities - as Warrior in the Principle of Peace -
Creator of Peace in War - as then giving Initiation of Salvation to the Castes -
Pelasgian Milk as Kam replaced by Titanic Seed as Arth (the Five Loaves of the
Christians) - thus presented with the Jasonian and Odyssean Rites of Ploughing -
as preliminary Daktylic Initiation of Dharam - Wine-Initiation as Warrior Kam -
Semitic Lamb as Arth - transformed for Salvation of Peace - as Aryan-Eleusinian
Initiation of Arth - then going outside the City-Wall - the Demi-god as Dionysos
1020 - as identified by Herakleitos - finally establishes a new Pyre-Kosmos of Kam
and Arth - as in the Hindu State - the Brahman Initiating the Aryan as Creator -
Raja - Rises as Krishna (`Dark' as Dionysos) as Lord of Salvation outside - the
Aryans establishing Three Rites of Salvation of Dharam - as Rose Fleece Spear -
as of Aphrodite Jason Priam - as Daktylic Akhaianized and Aryanized Heraklean
Eleusinian - as Dharam Kam Arth -
In the Tenth Year of War and Destruction - Aryan Time - there is no Salvation -
Dionysos remains in his Nirvana - in his Grave in the Inner Chamber of Delphi -
while Agamemnon as Akhaianized Aryan Demi-god leads an Expedition abroad - the
1030 Fleet Sailing on the Deep Sea again - as for Jason - an Akhaian Rite Aryanized -
the Akhaian Rite of War and Conquest - to Defeat in Battle and Seize the City -
transformed for the Aryan Ritual of Loot - and Seizing Gold Women Cattle - the
Agamemnoneian Rite presented in the Oresteia - however the academics have little
understanding of the Play - they are barely scratching the surface - the basic
position needs to be explained - as the Omen - it is now unquestioned that the
Eagle is devouring a Hare - having no role in the Play - or in the Greek Myth -
Lexicon has the word linked to Deer - in Myth Agamemnon Destroys the Golden Hind
of Artemis - Agamemnon as Aryan Demi-god is Golden Eagle - and the Golden Hind
is also presented - Kassandra wearing Deer-horns (academics ask - where do hinds
1040 have horns? - only the reindeer - aha! - clear evidence that the Mycenaeans came
down from the North! - before congratulating themselves they can ask - where are
the Flesh-eating Mares of Diomedes - Eighth Labour? - both in fact representing
Ritual transformations for High Principle of War) - again presenting a chain of
mountain-beacons - one Name is just description - Aigiplankton - academics just
look blindly at the map and unanimously declare Geraneion - even though it quite
obviously doesn't fit the context - so explanations assumptions etc are made to
force a fit - No - this is not geography but Ritual - it is Aigialeus - visible
from the theatre - with practically the same meaning - and fitting the context
with precision - as the mountain-beacon seen by the Guard in the opening scene -
1050 why the circumlocution? - a concealing Pun - at Geraneion academics assume herds
of goats - No - the Name is `Wandering Goatskins' - where? - in the Orchestra -
the Chorus of Old Men are all wearing White Goatskins - and as emphasizing the
identity the Guard there on the Roof responds by lighting a Bonfire - what is
going on? - the High Ritual of Eleusis - the light to Aigialeus is also a light
to Eleusis - all that we know of the High Ritual is here - as clearly presented
with the whole Play - even from the antecedent Battle - the Name a triple Pun -
the whole audience has seen Aigialeus - the intelligent realize it represents
the Theatre - the Initiate (as Aga 39) will know it is Eleusis - the Chorus - as
Initiates wearing the Eleusinian Goatskins - as come for Salvation - presented
1060 as Wandering - as given Nirvana - Aiskhylos was Child of one of the Hierophants
(Popes) of Eleusis - the Kretan - representing the Aryan Demi-god of Dharam -
Tragedy `Goat-Song' is not Disaster or Catastrophe - it is Song of Salvation -
the trilogies regularly ending with establishment of Creator-Lord of Salvation
of Dharam Dionysos - and in the Eumenides Orestes in the final act transforms
into the Risen Dionysos - emphasized by his presence in the Cave of Delphi -
lying on the Gravestone of Dionysos - who then are the Eumenides? - Crones who
collect prepare the Body and perform the Pyre-Rite - and still found today as
the keening women of the Greek Rite - as dealing with the dead they are despised
1070 - but their role is an essential part of the Ritual of Salvation - thus Athena
says of them `dishonour-mourning' - as intended to be taken both ways - `You are
mourning in dishonour? - therefore I give you the dishonour of mourning' - and
the Chorus sings earlier of Dishonoured Ones chasing Dishonoured Offices - they
speak of drinking his Blood - Blood of Orestes is Wine of Dionysos - precisely
the same transformation as in the Christian Mass - Dionysos as Lord of Wine is -
as Christ - Lord of the Wine Sacrament - and Athena's final statement `Baptized
as the Phoinix' - as both for the Eumenides and for the Body - clearly presents
the Pyre of Salvation - the Red Eumenides as the Glow of the Kosmos of Arth -
declaring establishment of the Dionysian Rite - indeed as the Iliad the entire
1080 Oresteia is a panegyric of the Pyre -
In the Agamemnon through a long Play the High King appears once - speaks blandly
for a short while and crosses the stage - that is all - the professors baffled
(`tired old gentleman'! - Fraenkl) ask - why is the Play named after him? - in
fact this short moment represents the high peak of Western drama - the central
act of the Play - an awesome scene - overwhelming the audience - a demonstration
of the vast power and depth of the Dramatic Art - as the Queen gives her speech
positively `There is the Sea ...' - Agamemnon crossing the stage - counterpoints
each statement step by step - as rigorously organized in every detail - entering
1090 as Golden God - as Ares Plouton Lord of Gold - Gold Mask - Golden Apple - Golden
Fleece - Gold Winged Chariot - and slowly collapsing in complete Destruction -
as after the Victory of War now the Victory of Peace - going to spiritual Death
- leaving as Black Dog of Nirvana - this is the Tenth Year - the High Ritual is
presented in Destruction - the Classicists are blind - this is no `gentleman' -
here visibly presented is Aryan Demi-god Zeus-Agamemnon - the Lower Zeus Hades -
all references to Zeus declare Agamemnon - no realistic acting could possibly
present this scene - the Poet clearly presenting Death - spiritual as Nirvana -
natural - violent as the Slaying - all at the same moment - a triple coincidence
(`Did She Slay him?' - a good question) - and such is Art - the Poet indeed
1100 describes Nirvana (Aga 412-419) -
As of those of midnight darkness - those who set themselves apart -
One will Rise on High - of Silence - beyond Honour - beyond Blame -
He is reached above the Deep Sea - with the Longing and the Pain -
And a Form of Doom appears now - on the High Roofs as the King -
And the Grace of Golden Statues - becomes Hateful with this Lord -
As he looks with Eyes of Blankness - all the Beauty here is Lost -
(read hyperpontios - as ignorantly amended) -
1110 The Risen Dionysos is presented in the Eumenides - and completely missed by the
professors - they assume the Form of Klytemnestra speaks once early in the Play
and then vanishes - in fact she is present for almost the whole Play - with a
vital unspeaking role - as appropriate for one in Death - for the whole trial
the Akhaian Lady of Daktylic Salvation Athena Stands in the Centre - the Form on
the Right - with a Black Hood as Head - declaring the Blindness of Nirvana (`O
Night - Dark Mother - do you See these things?' - a good question! - as relying
not on Sight but on Insight - ex nihilo) - wielding - declaring her Akhaianized
transformation - as Hindu Goddess of Justice Durga - a Curved Sword (beside the
Straight Aryan Sword of Roman Justice) - in her Left hand - as Warrior Defeat -
1120 Ritually correct for Womanly Battle - as for Slaying - as Kretan Decapitation -
`Stroke for a Stroke' - of Orestes if she wins - her Right hand stretched out -
as holding the Scales set between the Pair - for weighing the vote - and clearly
representing Justice - here correctly the choice presented is between the Form
and Athena - Nirvana Salvation - Justice and Mercy - the Equal Vote - Ritually
presented with the Scales of Justice - declaring the Aryanized Risen God - as
Dharam of Kam - as the Creator-Lord of Salvation - as here Dionysos -
Again the Homeric Line academically translated -
1130 `Hateful to me is that one - like to the Gates of Hell' (IX 312) -
is correctly - the Greek genitive being primarily an ablative -
`As Foe with me - That Lord O Equally here - now Rises from Hades with Gates' -
the Equal Scales presents the Aryan Rite of Libra - and the Spring Equinox (the
Persian New Year) - as Equality between Night and Day - Nirvana and Salvation -
declaring the Resurrection of Ares - Dharam as Principle comes First - having
precedence over Kam - and all previous Creators - whether Dharam Kam Arth - all
1140 of Dharam - had been Lord of Dharam - now Ares as Lord of Kam could not have
precedence - so he declared Equality - as primarily between Dharam and Kam - as
between Sarpedon and Glaukos - and took over the Kingship - Akhilles as Dharam
is here asserting his Equality with Agamemnon as Kam - as then identified with
the Equal Scales declaring the Aryan Resurrection - word-order confirms these
are as always the Gates of Salvation - of Dharam (taken over into Christian Myth
as the Gates of Heaven - with St Peter holding the Keys) - thus Samson `Sun-God'
(the Divine Name - declaring Salvation) - as Aryanized Kretan Demi-god of Kam -
as with the Mortal Name Adonis - Aryan Time - carrying Gates to the Hill-top -
establishes the Akhaianized Daktylic Rite of the Bowmen - as the Adoneian Rite -
1150 Rite of the Palestinians before Moses - Samson as the original Kretan Demi-god -
Agamemnon - as Akhaian taking over as Aryan Demi-god and High Aryan Sun-God - as
establishing the Aryanized Rite - is Daktylized High Lord of Salvation of Kam -
Divine Child Akhilles represents Daktylized High Lord of Salvation of Dharam -
their antagonism as the quarrel over precedence between Aryan and Akhaian raised
to the High Ritual -
In the Second Play `Khoephoroi' the professors just assume that Elektra vanishes
half-way through the Play - in fact she is also onstage playing her unspeaking
role in effect for the whole play - as Orestes just before the Battle fears the
1160 Erinnyes of his Mother (Ch 899 924-5) - as the Cow-Goddess Demeter representing
the Ancient Rite - giving Nirvana without Salvation - and now wielding the Axe -
Elektra takes a polished Shield from the wall - and puts it on his arm the wrong
way round - as a Mirror - the Persean Rite - and as with the Gorgon - and Priam
- the Slaying as Decapitation with a Single Stroke - as the Kretan-Akhaian Rite
representing the Pyre of Salvation - and today the Ritual Slaughter of the Sikhs
(Saudis use it for criminals - based on the original Kretan Pyre of Nirvana) -
here as transformation for War and Salvation - Mother Rising as the Form - thus
the otherwise arbitrary exhortation of the Chorus to act as Perseus (Ch 831-2) -
and as explicitly stated by Agamemnon - presenting a basic rule of construction
1170 of the Play - `Lion turning the Shield' (Aga 825 - as out-flanking the Guard -
as rejected and `corrected' by academics with complete lack of understanding) -
Orestes as Lion (-n animal - -s Warrior) - now Ritually both sides of the Shield
- declaring both Defence and Attack - the Akhaian Rite - his averted face (also
presented with Perseus) representing Flight - as acting in both War and Peace -
Rite of the Demi-god - as the Pair in Seven Against Thebes - Gates of Daktylic
Salvation of the different Castes - Slaying each other - both have Victory -
both Defeat - as `Self-Slaughter' (autoktonos) - the professors are baffled -
and the single combat presents a fundamental principle of the Ritual of War -
One identifies himself as the Other - and Slaughter of the Other - for Death -
1180 being at once Slaughter of the Self - as Nirvana - presented as the Stigmata -
the Red Crown of Destruction - Bronze Greaves (Hept 676) as Blood on the Feet -
as Slayer with Blood on his Hands - and Slain with Spear-thrust in his Heart -
as Destruction of High Initiation of the Aryan Glow - completing his Nirvana -
and thus the Equal Scales - and Risen God -
The Kretan Demi-god in his final form is presented as Odysseus `Lord of Wrath' -
Name declaring the Rite - the Upanishads emphasize identity of Individual and
Universal - Wrath as both internal as Anger - external as the Pyre - the Kretan
- Akhaianized for Salvation - and transformed as Kosmos of Dharam - of Peace -
1190 called Hypsipylon `High Gates' as Gates of Daktylic Salvation raised to Bowmen's
Hill-top - as by Samson - as Dharam of Flame - the Adoneian Rite - Rite of the
Kretan Demi-god - first as peasent - ploughing with Ox and Ass - sowing Salt -
as the Ancient Titanic Creator-Captain - as Kretan Captain - Titanic Creator -
both giving Nirvana - no Salvation - thus Sowing sterile Salt - as Chalk-White
Cow-Goddess Demeter of Destruction - against regenerative Seed - as presenting
Kretan Nirvana of Dharam this side - as Akhilles (Od XI 489-91) states he would
rather be serf of a poor man than King of the Dead - preferring his Nirvana of
Dharam to Aryan Resurrection of Kam - as appropriate for the Kretan Demi-god in
Aryan Time - ploughing stopped - at Tenth Furrow - as Tenth Year - with Child
1200 Telemakhos `Battle Far Away' - that side - as War of Salvation - as Trojan War -
as Initiation of War for Salvation of Peace - Rite of the Kretan Demi-god - the
Three of the Embassy - Agamemnon as Aryan Demi-god - Menelaos King of Sparta -
Palamedes of Semitic Salvation of Dharam (-medes for Jasonian Rite of Medea) -
as Lords of Salvation - Arth Dharam Kam - giving the Three Initiations necessary
for his Resurrection - and transformation as Kretan Demi-god of Kam - the final
development of Prometheus - establishing the Kretan Rite for the Semitic Caste -
as transformed for Salvation of Flame - Dharam of the Spear - Aryanized Rite -
as the Promethean Rite transformed for the Aryan Demi-god - Aryan Time - and the
Epic declaring his pre-eminence for the Kretan Rite - and acknowledging the
1210 dominance of Salvation of Dharam - and the Semitic Caste in the Greek Polity -
again as Theseus given Double Initiation - in Titanic Salvation of Dharam - as
Titanic Thigh this side - Korybantic Boar-mark - as Kretan Bull transformed for
Daktylic Salvation of the Semitic Caste that side - represented by Hermes - and
Dharam of Bowman's Salvation of Flame - by Sisyphos - as Aiolian Creator-Lord of
Salvation - Daktylized Bowman - as Lord of the Wind - as the Adoneian Anemone -
thus giving Daktylic Salvation of Flame to the Semitic Caste - and his Return -
Kretan Time - presents - as the Thesean Rite - transformation of the different
Creators and Castes for his new Rite - and his Initiations - Aryan Destruction
by Kirke - Daktylic Dharam by Kalypso as Aryanized Kore - Phaiakian as Semitic
1220 Daktylic Dharam by Nausikaa - Rite of the Rose - reaching home in rags penniless
- as declaring his Nirvana - and Athena then gives him his final Initiation - in
Aryanized Akhaian Daktylic Dharam - as Dharam of the Flame - the Adoneian Rite -
as transformed for the Akhaianized Aryan Rite of the Spear - the Agamemnoneian
Rite - for Resurrection as Aryanized Kretan Demi-god - Tenth-Year Kretan Time -
then as the original Captain he performs his Ritual of Destruction of the City -
Suitors as Akhaianized Kretans Korybants of Dharam - with his Arrows of Flame -
The Fifth Race of Iron (Steel) - as completely misunderstood by the professors -
as Silver of Resurrection of the Moon-God transformed for War and Salvation - is
1230 not in the King-List as it did not Rule - the Demi-god had the Kingship within
the Wall - this new Race as Commander of the Guard - GOC-in-C - Destroyer-Lord
of Salvation - remained ever outside - as the ancient Titanic Rite of Creator
and Captain raised to the High Ritual - as the Priests organized developments -
even the history - as presented with the Hesiodic Races - expressed the Ritual
system - in turn Titanic Gold of the High Ritual - Moon-God of Silver of (Kam
of) Dharam - Warrior Bronze of Kam - Demi-gods of Arth - now the Race of Steel -
also with the status of Demi-god - as Divine Child - while the ancient Captain
of the Gate simply administered rules made by the Creator - this Divine Child
declared a new Principle of Salvation - a Universal Rite - and acting in War for
1240 the Destruction of the City - appointed the new Creator - Initiated in his new
Principle - and expressed in the new Creation - thus establishing one Ritual of
Salvation of Dharam through the whole Empire - as declared with the Dionysian
Pyre-Kosmos - the one for all the Castes - both War and Peace - Titanic Semitic
Akhaian Aryan - the Greek Myth gives Two Names - Akhilles as the Akhaian Divine
Child - Herakles as Titanic Divine Child - each with his own Principle - Kretan
Time - and Aryan Time - as based on the Akhaian Pyre of Salvation - and Daktylic
Salvation of Dharam - Dharam Kam -
Herakles - original Daktyl - representing the Captain of the Gate - as at the
1250 High Titanic Ritual of the Solstice - transformed for High Principle of War - by
Titan Kronos as Kronian Zeus - as Sun-God of War - Initiated as Akhaianized for
Salvation of Peace - his Rite declared with his Name `Akhaianized Daktylic
Salvation of Hera' - Titanic Heifer as Lady of Salvation of Daktylic Precinct -
and Section - as the Akhaian Pyre of Salvation Daktylized and transformed for
the Daktylic Section - as the Daktylic Rite of the Kretan Demi-god raised to the
higher level of Divine Child - Akhaian emphasis on War leading to transformation
of High Eleusinian Ritual - and Semitic Salvation of Peace - Kosmos of Dharam
becoming Kosmos of Arth - Semitic Caste as Sheep could wear the White Goatskin
of Salvation - the Aigis - as a Creative Shield - Dharam of Bowmen's Rite - with
1260 Initiation of Wine - now of Dionysos of Arth (his Double Birth - first at Kretan
Equinox as Dharam - then carried over to Heraklean Solstice as Arth) - as Rising
the Lord of Wine - Kosmos of Arth given to all - both Titanic and Semitic - also
Warriors - declaring a new Universal `Catholic' Rite - as superimposed over all
other Rituals - and supreme - the visitations of Herakles are widespread - each
declaring establishment of his new Daktylic Salvation of Arth - principal Rite
of Classical Greece - Herakleitos as his Name presenting this Heraklean Rite -
his Myth is detailed - Twelve Labours as transformation of the principal Rites -
Warrior Dharam Kam Arth of the Four Castes - Titanic Semitic Akhaian Aryan - the
precise dates can be established from the Ritual Calendar (the academics - not
1270 realising its significance - have just ignored it) - each with a different day
month Olympian - both the Odyssean and Heraklean Resurrections are in Peace -
the Father Laertes with his vegetable plot - Herakles as Doorman of Olympos - as
Captain of Peace - giving High Initiation of new Creator-Lords of Salvation in
the Royal Caste - in India as Karan (Greek `Kronos') - Son of the Sun-God - in
the Mahabharata Archery Test seeing the whole Bird as Arth - as appropriate to
his status as Divine Child -
Akhilles - Child of Peleus `Lion of the Sword' - Telamon as staying in Aigina -
Peleus taking over Iolkos - both as Kretan Demi-god - Dharam Kam - Kretan Time -
1280 Peleus as Kretan alternating with Aryan Jason at Iolkos - the Name `Viper-Lion'
declaring the Akhaian Rite - as now Daktylized - and raised to the higher level
of Divine Child - giving the High Initiation to the Creator-Lords of Salvation -
in the Salvation of Arth - the Resurrection of War - representing the highest
spiritual achievement of Man - without parallel elsewhere - the entire Iliad -
constructed in accordance with the Ritual Calendar - as a panegyric of the Pyre
(as the Oresteia) - is dedicated to the Akhillean Rite - the First word Wrath -
as both internal and external - Individual and Universal - as `Odysseus' - the
different words with similar meanings for the different Rituals - Kretan - and
here the Semitic Pyre-Rite of Salvation - the word related to `Moon' - `Sing' as
1290 Semitic-Bowman Song of Salvatiom - as Kam of Dharam (beside the Daktylic Word) -
the Third word presenting the Goddess of Salvation of Arth - the Three words as
Pyre-Rite Salvation Goddess - Dharam Kam Arth - the Iliad directed precisely to
the final act and climax - the Pyre of Hektor - declaring establishment of the
Akhillean Rite - thus the awesome scene when Priam in his robes as High Priest -
wearing the Golden Fleece - transformed (theoeides) as the High Aryan Sun-God of
Arth - Heraklean Rite - identified as Hades - thus his Charioteer Hermes - the
High Priest of the Caste - goes to Akhilles - `Feel awe for the Gods Akhilles' -
the Gods before - Priam and Hermes - as even the High Lord of Salvation - God
the Father himself - come for his Salvation - Initiation in the Akhillean Rite -
1300 thus could he build the Akhillean Pyre - again as the Foot-Race represented
Salvation of Dharam - the Daktylic Rite - and as in this Tenth Year Aryan Troy
will be Destroyed by Akhaian Fire and Sword - Hektor makes Akhilles chase Three
times round the City - Arth of Dharam - the Akhaianized Daktylic Rite - as at
once transformed as the Akhillean Rite - performing his role as Guard even with
his Death - establishing the Akhillean Salvation of Troy - as presented with the
Kretan Demi-god of Troy Antenor - and - baffling the commentators - the famous
Wooden Horse - Akhaian Horse - Titanic Wood - Bronze Warriors - Akhaian Belly of
War - presenting the Akhaian Pyre of Salvation - now transformed for Peace - as
the Pyre of the Akhaians now for the first time given to the people - declaring
1310 the new Akhillean Creator-Lord of Daktylic Salvation - the Wall breached - as
Destruction of Heraklean Daktylic Salvation of Arth - for establishment of the
Akhillean Rite - and too large for the Gates - as thus also declared higher than
the Heraklean - as indeed the highest Religion the world has ever known - and
after the Tenth Year of War - for the new Decade as Kretan Time - the people -
as distinct from the Aryan Lords - welcome their new Salvation with Joy -
The whole approach and theme of the Iliad is summed up in a Homeric Line -
Akhilles tells Lykaon (as academic translation) -
1320 But on thee - as on me - stands Death - and Destiny most strong - (XXI 110) -
a commonplace statement that does not need Homer - the high Priestly translation
giving a deeper Ritual meaning to the first word `alla' - the disjunctive giving
the first step of the Resurrection (its meaning as a substantive) - implying as
after Destruction now the Salvation - as `Having destroyed the Old I will now
talk of the New' - translated here simply as Strangely - it does not affect the
rest of the Line - the academics then use the flying preposition as applied to
both pronouns - strictly applying only to the first - the final word is the key
- they do not know what it means - just giving a vague sense of power - in fact
1330 presenting the Warrior Pyre of Salvation - here as the Akhillean Rite - thus -
Strangely on thee - O as even with me - now Rises the Lord here of Death -
As even the Lady of Destiny here - as Queen of the Pyre of War -
Homer as all the Poets gives primacy to the higher Ritual level - presented with
strict correctness - giving the deeper meaning - as also that even peasants
(professors) without the Priestly Education could have some understanding -
The Lykaonian role must be understood - as Creator-Lord of Daktylic Salvation of
1340 Semitic Bowmen - irregulars with the true Warrior Castes Kretan Akhaian Aryan -
he was captured collecting wood for a specific subsidiary part of the Chariot -
representing his precise auxiliary role in the Warrior structure - represented
as the Aryan Chariot - the Ritual began with Destruction this side - for Death -
as Nirvana of Kam (of Dharam) - of the Moon-God as Lord of Death - the Salvation
in three stages - First the Moon-God allows the Resurrection - Lady of Destiny -
originally as Demeter this side - now with the Demi-gods developed that side as
Lady of Salvation - as the Kretan Captain this side - decides the Rite - as then
completed by the Creator-Lord of Salvation - as Pan of the Goatskin - as Creator
representing Peace - now the Rite Akhaianized for War - by Captain of Korybants
1350 as Lord of Salvation - the original Dog of Nirvana - transformed for Salvation
as Erinys of Dharam - now again for War with the Wolf-Symbol - giving the Name -
`Warrior-Lord of Salvation of the Wolf' - as Lord of Salvation of Dharam of the
entire Semitic Caste - as including both Bowmen and people - this Semitic Ritual
had a Pyre-Rite but no Pyre - as now declared with the new Akhillean Rite -
Akhilles is here telling Lykaon `I am not denying you your Salvation - as I Rise
as the Lord of Death - I Rise even as Lady of Destiny - and transformed for the
Akhaian Pyre of War - as Guard - representing the Lord of Salvation - completing
the Rite - and your Salvation is now transformed for the higher Akhillean Rite -
1360 for your Resurrection of Arth - of War - as given by me - as Akhilles himself' -
an extremely important point - Apostles receiving Initiation from Christ himself
have highest status in Christianity - as in Bhavabhuti's Uttararamcharitam the
Sword of Ram leaving his hand - as acting in both War and Peace - decapitates a
Brahman - his status - as Lykaon - as Creator-Lord of Salvation - and as on the
Ground of Nirvana - the Head - representing Salvation of Dharam - declares `Many
the honours I received in my life - but the greatest honour was that I achieved
my Nirvana through the Sword of the Demi-god Ram' - as at once transformation
for the new Rite and Salvation of Ram - and Akhilles is here saying `This is the
greatest possible gift you can be given - and I give it to you now' - and killed
1370 him - Akhilles is considered All-Man - in fact as Dionysos he is the Man-Woman -
combining in himself the Male and Female Principles - War and Peace - not as an
effeminate weakling like Dionysos but with the development All-Man and at once
All-Woman - so found in the Woman's section - he had a statue wearing a woman's
earring - thus can he declare himself also Lady of Destiny representing Peace -
There was no possibility of letting Lykaon live - this the Tenth Year - the Epic
heroes - Divine Kings - the Creator-Lords of Salvation of the different Castes -
all came to fight until they were killed - going to their Deaths like Christ -
for the Salvation of Mankind - the Amazon - Lady of Daktylic Salvation of Dharam
1380 of the Aryan Rite - with Heraklean transformation appearing as female Warrior -
as Akhaian Athena - now representing the High Principle of War - accompanies the
Army - her role is in the Burial Ritual - the Warriors come to Fight and Die -
the final demonstration of Faith in their own Salvation - as visibly declared by
this Priestess of War - Lykaon's tenure is over - there is now no Salvation of
Peace - he is here to kill and be killed - giving the true basis of the famous
misunderstood Herakleitian Fragment on the River - `Self' here as in its primary
meaning declaring the Bounding River of Death and Resurrection - Man can only
step into it Once - as Death or Salvation - a few - as famously Sisyphos crossed
the Akheron - step into it Twice - First to return as Creator-Lord of Salvation
1390 - giving Salvation to others - Second for their own Salvation - as here Lykaon -
The Ritual construction of the Line is very clear - as in turn Resurrection of
Dharam (as of the Creator) - Lykaon as Creator - Akhilles as Destroyer - Lord of
Death - Lady of Salvation - the Akhillean Pyre giving the Resurrection of Arth -
the Ritual rules are deeper - the Six words as Dharam Kam Arth Dharam Kam Arth -
presenting in strict historical sequence Titanic Semitic Akhaian Aryan (Hades as
High Aryan Sun-God) Demi-god and Divine Child - these Ritual rules have primary
importance not just in Homer but in the entire body of Poetry - they define Art
- and not to be altered `metri gr' and all that nonsense - and Ritual order is
1400 shown not just in the Line but in the sequence of Lines - indeed in the whole -
the construction being almost architectural with each element laying a course -
the Temple being completed - and at once Destroyed - with the final word -
A simple example of sequence is in the Homeric scene of Akhilles and Patroklos -
as at once illustrating the Rituals (XVI 5-6) -
Him - Seeing - Compassions - Sufficient of Foot - Divine O Akhilles Arise -
As even for Him - giving Cosmic the Sound - the Winged Words he Utters Towards -
1410 The Lines climax in the famous Winged Words - as have baffled academics - the
Daktylized Akhaian Ritual of Salvation - declared with the Word - presented with
Water - as Amritsar `Lake of Immortality' - and so for the Fallen at Thermopylai
Simonides says `Flows for the Eternal' - and Rhesis - correctly `Flowing Word' -
was set low as at the Daktylic Foot as Dharam - the Aryans coming later - with
the Symbol of predatory Bird as Eagle - emphasizing Wings - as wafting the Soul
to Heaven - set their Ritual of Resurrection high - on the Peak as Kam - however
Akhaian dominance - and Heraklean supremacy - transformed the Aryan Ritual for
the Daktylized Akhaianized Rite - and thus also based on the Word of Salvation -
was identified with the Wings - and expressed as Winged Words - the adjective
1420 being necessary - the elements as Kam Dharam of this Akhaianized Aryan Rite -
and as distinguished from the Flowing Word of the Akhaians -
The Akhillean Rite supreme - reorganizing all other Rituals - Akhilles himself -
as his original Akhaian Initiation - adhered to the transformed Akhaian Burial
Rite for his own Salvation - his Ritual thus completed at the Daktylic Foot -
without the subsequent Aryan step of the Peak - as expressed with his regular
adjective `Sufficient of Foot' - Patroklos - Child of Kretan Captain as Demi-god
- represents Heraklean Daktylic Rite (-klos) transformed for Semitic Salvation
(patro-) - as Korybant of Arth - his Game of Dice - as transformed for War - as
1430 Destruction of Semitic Creator of Dharam of Peace - as thus ready to Rise as the
Kretan Demi-god of Kam - establishing his Semitic Rite of Arth - the First Line
as First the orginal Korybantic Guard of Dharam - Daktylic Rite - See - the Eye
- identified as Bowman's (Dharam of) Flame - for Korybant of Kam - Compassion as
Destruction of Peace - as the Moon-God Guiding the people - ambiguously as Sin
to Nirvana - and as transformed for Salvation - Foot for the Daktylized Akhaian
Rite - as now presenting Korybant of Arth - Divine as Initiation in the Aryan
High Ritual - finally Akhilles - now representing Kretan Demi-god of Kam - as
Peleus - and as Divine Child - the sequence as Daktylic Bowman Semitic Akhaian
Aryan Akhillean as Demi-god - in strict order - presenting in turn Resurrection
1440 of Dharam - Resurrection of Kam - Nirvana - Resurrection (of Dharam) of Arth -
High Initiation - Demi-god - declaring the Ritual sequence of the Way - Leading
Patroklos to his Death and Resurrection as Kretan Demi-god of Kam - Patroklos
then as in identity wearing the Akhillean Armour takes his Kretan role - it must
be Destroyed - as Death for Patroklos - and then only can Akhilles Rise in his
new role as Akhaian Divine Child - the Line as Dharam Kam Arth Dharam Kam Arth -
emphasizing Compassion for Patroklos - as Destruction for Nirvana - and the new
Akhillean Salvation of the Divine Child -
Then the Second Line presents the Resurrection - and anomaly that an Akhaian -
1450 as emphasized with the Foot - is giving the new transformed Aryan Salvation -
thus declaring the supremacy of the Akhillean Rite - the First word as Patroklos
as both Dharam and Kam - declaring his roles as both Kretan and Semitic - and as
combining roles - for Arth - now being Initiated as Kretan Demi-god of Kam -
thus the Cosmic Sound - given by the Creator - completing Initiation - declaring
Guidance to Destruction and Nirvana - and here appropriately given by Akhilles -
as declaring Initiation complete - and now sending even Patroklos to his Death -
all are there to Die - then the Resurrection - the Word of Dharam as transformed
for the Rite of Kam - then Wings of Kam - Akhilles is Uttering Winged Words - as
with the Initiation of Death declaring the Salvation - they are again the Goal -
1460 given at the Burial Ritual for Resurrection - a parallel is the Guru Gobindsingh
- surrounded by Mughal forces - a hopeless position - sending his two elder sons
in turn to lead the attack - one as setting out asked for water - and the answer
`Where you are going you will have plenty of sweet water' - as the Flowing Word
- declaring his Salvation (the younger sons - both young children - captured -
were asked to convert - and on their refusal bricked up alive - even as the last
course was being laid came the final defiant No) - the final word has not been
understood - Towards does not refer to Patroklos - but - precisely as presented
in Homer - to the new Akhillean Pyre - giving the highest Resurrection of Arth -
as he eventually received - the Line as again Dharam-Kam Arth Dharam Kam Arth -
1470 and as the regular sequence - Daktylic-Bowman Semitic Akhaian Aryan Akhillean -
Akhilles made two requests of Zeus for Patroklos - the professors say he granted
one and withheld the other - No - the Divine Child could not be refused - and in
turn would only request what would be granted - Zeus granted both - one in Life
as Here - the other in Death as in the Hereafter (the meaning of Nodding Up) -
Akhilles is sending Patroklos to his Death - he asked not that he returns alive
but unmutilated (`for Saving' ie Salvation) - as even after the degradations the
body of Hektor - as evidently necessary for the highest Akhillean Resurrection -
as Resurrection of War beside Heraklean Resurrection of Peace - so the Priests
1480 refused to accept it - and the Akhillean Rite as too high did not survive -
India had no Aryan Demi-god - the final step as the High Aryan Sun-God of Kam -
as Jason - presented as Ram `Ram' - as not an individual but a title - declaring
the Ritual - as performed late Second Millennium BC by the Maharaja of Ayodhya -
as pre-eminent among the Kshatriyas - Akhaianized Aryans of Northern India - the
Ayodhya temple as seat of the Aryan High Ritual (long forgotten by the Brahmans)
- and Birth-Initiation of the Royal Child in his role as Ram - as the Iliad the
Ramayanam is all Ritual - his early feat was breaking the Bow of Shiva - Semitic
Dharam of Destruction - for Nirvana - no Salvation - so Destroyed - and replaced
1490 by the Bow of Ram - declaring - as the Apollonian Bow - Salvation of Dharam for
the people - role of High Aryan Sun-God of Kam - Kretan Demi-god - presented in
the Mahabharata as King of Kuru-Akhaians Duryodhan `Lord of War of Destruction'
(the annual Ritual of Destruction - as Akhaian Battle of Dharam) - Kretan Time -
is as Akhaian Captain - Aryan Time - Ravan `Roaring' as a Lion - his troops as
`Rakshasas' - now declared Demons - etymologically Guard - and while Aryans had
their Citadel on the Peak - defended by the slopes - as at Troy - the Akhaian
Fortress-Temple - set low on the plain - with no natural defence - was guarded
by a Moat - as River Ocean encircling the City - establishing the Akhaian Symbol
of the Isle - as Ravan's Fortress-Isle of Lanka `City of the Lance' - against
1500 Aryan Missile - Javelin Arrow of Kam - wielded as Dharam by the Akhaian Guard -
and here as with Jason the entire Ritual - with the Fortress - took place in a
limited area around the City - and as a High Ritual Ram in turn Initiated the
Rajas of other subordinate states - giving it imperial status - and later - as
for Jason - the Poets developed and extended the performance - identifying Lanka
as the island of that Name today - as covering the whole continent - emphasizing
the vastness of the Ritual - declaring a Cosmic event -
The Ritual was simply the `Tenth-Year' War for the transference of power from
Kuru-Akhaian to Aryan-Pandava - and establishment of Salvation for the People -
1510 as in Greece by Initiating the people in War - in the Heraklean Myth presented
as the Ritual Arming of the Women of Thebes - here the peaceful Monkey - Symbol
of the ordinary peaceful Titanic Tree-People of Dharam - of the Golden Race -
and still specially venerated in the Ayodhya area - is presented acting in War -
Hanuman as Blue Kretan Captain - his Fiery Tail the Pyre of Nirvana - as now
with this Ritual Akhaianized Initiated transformed as Creator-Lord of Salvation
- like the Captain of the Korybants - as God of the people - the power of the
Ramayanam is the establishment of Salvation for all mankind -
Of course at the end of Aryan Time there was a return Ritual Battle - where the
1520 alternate Kuru Demi-god - some Maharaja in the Punjab - his High Kretan Ritual
at the Equinox - overthrew the Aryans - taking over the High Kingship in turn
(as the Exile of Ram - and of the Pandavas) - the Kurus with Warrior Dharam were
dominant - having precedence over both Brahmans of Dharam of Peace - and Aryans
of Warrior Kam - and resented by both - and having no differences they combined
for the Mahabharata War - Kurus still had the power - but seeing the people were
against them voluntarily surrendered the rule - and in the end - matched against
Duryodhana - Ritually superior Kretan Demi-god of the Kurus - Bhima as Kretan
Captain of the Aryans could only win by violating the rules - declaring at once
the overthrow of the Wisdom of War - as necessary for establishment of the new
1530 Hindu Polity - with the Brahmanic Dharam of Peace - represented in the Gita by
Krishna and Arjun in their Aryan Chariot-Creation - as established with Aryan
Maharaja of Kam - and Brahman Minister of Dharam - the Kurus thrown out - the
Kuru Demi-god and his High Ritual abandoned and forgotten - with a penalty -
without Guards India could not keep out invaders and so fell again and again
through history -
Now there was only the High Aryan Sun-God Ares of Kam - however as Akhaianized -
and with the status of Demi-god - so he took over the role of Kretan Demi-god -
of greater importance in this Brahmanic Society - giving the anomaly that the
1540 Aryan then Initiated the Titanic (Brahmanic) People in the Salvation of Dharam -
as presented with the Monkey-Head of Hanuman (and Elephant-Head of Ganesh) - the
Brahmans rejecting the Warrior Wisdom rejected also the High Principle of War -
Aryan High Ritual still expressing the High Principle of Peace - Aryans agreed -
the High Ritual of Eleusis and of the Sun-God of War of the Solstice abandoned -
Ram still performed his Ritual - stopping short of the final Eleusinian Rite -
as now completed with the Aryan High Ritual of Laxmi - Ram `Ram' as a title also
of the High Aryan Sun-God as Lord of the Golden Fleece - as taking over the role
of Vishnu - ancient Titanic Creator raised to the High Ritual - Initiating the
Child as Raja - as Creator-Lord of Salvation - and with no High Ritual of War -
1550 both Ram and the Child substituting the Warrior Initiations of the Aryan Rite -
thus Krishna - as the Greek Dionysos - as High Initiate - regularly presented as
Lord of Dwarka `City of the Door' - as the Greek Gate of Dharam of War - as held
by the original Captain of the Gate - now transformed for Salvation of Peace -
could take over - and still with the Akhaianized Rite of the overthrown Kurus -
establish a new Pyre of Salvation - as Kosmos of (Arth of) Dharam - celebrated
the next New Moon - of Scorpio - with a Fire-Festival - the Hindu Divali -
The role of Ram is given by his titles - as in a Line of his Epic -
1560 aadidevo - mahaabaahur - harir - naaraayana: - prabhu: -
`First of Gods' - Demi-god in High Ritual - High Creator - Initiating the Gods -
`Vast of Arms' - his Bow of Salvation - as Kuru Destruction - as Lord of War -
as Creator of Dharam -
`Golden' - Aryan Maharaja - High Initiate - as Lord of Gold - Creator of Kam -
`Child of Ancient Creator' - Brahmanic Heir - Creator of Arth - Lord of Peace -
`Lord of Salvation' - Bhumi as Land of Salvation - as Krishna-Dionysos -
as Arth Dharam Kam Arth Dharam - the first word - presenting the Demi-god - and
1570 implicitly the High Ritual of War - Initiations now at the Aryan High Ritual -
then Creation as the Three Principles - Akhaian Aryan Titanic (as the regular
Greek order) - the final word as the Resurrrection - the Salvation of Dharam -
thus the strict Ritual sequence - first the Demi-god and High Ritual of Arth -
Arms as Bowmen's Dharam - Akhaianized as Kheiron `Warrior Lord of the Arm' -
beside Wings of Kam - and now declaring the Aryanized Akhaian Daktylic Rite -
the Bow of Destruction - for Nirvana - and Salvation - represented by Apollo -
as presenting the Kurus - as the Warrior Guard - and as the Lords of Salvation -
then representing Ares-Indra - the Golden God - here as High Child and Creator -
Brahmanic (Titanic) Creator - Bhumi (Gk Khthon) as Land of Salvation of Dharam -
1580 as in turn Demi-god Kuru Aryan Brahman Krishna - thus presenting Universal Man -
The Christian Ritual is in origin Eleusinian - as recognized anciently - however
remaining implicit due to the Oath of Secrecy at Initiation - clearly the Jew -
Heir to the House of David - went to Alexandria for Education - and Initiated in
the Lesser Ritual - as also performed there - the High Ritual only in Eleusis
(leading to the Great Schism of the Christian Church - unknowingly the Orthodox
declare the High Ritual - Catholic the Lesser) - took the appropriate Greek Name
Jesus (Iasos - Titan of Kam - of the Bowmen) - an ancient reference to Christ as
the Bastard of a Greek Soldier is Ritually correct - the Soldier as Hades -
1590 Bastardy not as Lesser Child - the True Child Dionysos incorporating in himself
the Rituals of all the Castes - the Christian limited to the Semitic - but for
an unauthorised performance of the Ritual - and as Herakles visited - remaining
appropriately in the ante-chamber - Eleusis represents the Heraklean Rite - as
also followed in Troy - the Christian God the Father is Hades - identified as
Aryan Demi-god and High Aryan Sun-God - and if the Christians would give him a
Name it is Priam - the equivalent of Adon the God of Israel - Priam with Aryan -
Adon with Akhaian Symbols -
As the Titanic Caste was given Salvation of Dharam first - the Titanic Rite then
1600 transformed for the Semitic - the Semitic Ritual of Death and Resurrection - the
Moon-Creator of Nirvana as Sin going to his Nirvana - and Rising transformed as
Creator-Lord of Salvation of Dharam - was a transformation of the Titanic - as
initially the Kretanized Rite represented by Prometheus - and Pelasgian Zeus -
the final form Aryanized with the Aryan Demi-god - and Rite of the Spear - both
Titanic and Semitic Rituals giving Salvation of Dharam - the Titanic as Dharam -
emphasizing Destruction - directed to the Kosmos - as of Dionysos - as Dharam of
Dharam - the Semitic - as the Bowmen's - as Kam - emphasizing Resurrection - to
Daktylic Section of Bowmen - presented with Samsonian Gates on the Hill-top - as
the Aryanized Akhaian Rite of Dharam - the Adoneian Rite - as Kam of Dharam -
1610 and as again transformed for the Aryan Demi-god - and Universal Heraklean Rite -
as Arth of Dharam - the Apollonian Rite -
The Birth of Christ is Ritual - the Angel Announcing the Birth as Hermes - of
the Aryanized Daktylic Rite transformed as Daktylic Section of the Bowmen - as
representing the final Apollonian Rite - Ass and Cow - Milkless (as Stable - not
Byre) - as the Ancient Titanic Sun-God-Creator of Nirvana - Cow-Goddess of the
Full Moon - Dharam Kam - as the original Titanic Sacred Marriage - declaring the
Titanic Child as Initiated Creator of Peace - parallel to Odyssean Ox and Ass -
as Destruction Nirvana - no Salvation - the preliminary Initiation of Nirvana -
1620 presented as Titanic Dharam - to Kam of the Semitic Creator as Moon-God Sin - as
necessary for Resurrection of Salvation - and establishment of Semitic Salvation
of Dharam - the miracles simply presenting his new Ritual - Walking on Water -
as Divine Resurrection from the Lake - as Creator-Lord of Daktylic Salvation -
the Loaves and Fishes represent in turn Seed of Titanic Salvation of Dharam -
Five as Arth - declaring the Aryanized Rite - as preliminary Daktylic Rite - and
Silver Eddies of River Ocean - reflecting Ouranian Stars of Semitic Salvation -
Two for Kam - presenting Semitic Daktylic Rite of Dharam - the Pandoric Rite -
as Initiations of Dharam Kam - a quorum representing the multitude - the Three -
all representing Arth of Dharam - as the Aryanized Rite - as Arth Dharam Kam -
1630 then Water into Wine as transformation of the Water-Initiation of Nirvana - by
Kretan Demi-god as Baptism - by High Aryan Sun-God of Kam as Aryan Wine - both
giving Daktylic Salvation of Dharam - and appropriately at a Marriage - as the
Sacred Marriage - at Ritual of Arth - giving Initiation of Daktylic Salvation -
then Raising the Dead - as transformation of the Semitic Death of Nirvana - as
the Christian Resurrection - Titanic Salvation of Dharam given to the Semitic -
the sequence presenting the Risen God as Creator - Dharam Kam Arth Salvation -
The Christian Ritual is not found directly - the Poets sang only of Salvation -
declaring the Rituals of War - as primary - and directed to Salvation of Peace -
1640 their little interest in Rituals of Peace associated with Dionysos - however the
Crucifixion of Prometheus presents an earlier version - as then - with Heraklean
transformation - Rising as Dionysos - as Creator-Lord of Daktylic Salvation -
Aryan Time - offering - like Christ - Salvation of Dharam to the Semitic Caste -
and in the Oresteia Aiskhylos with Agamemnon gives the High Ritual of Eleusis -
the other Plays as Lesser Ritual - as Ritual of War - parallel to the Christian
Ritual of Peace - culminating in the Risen Dionysos - the Cross - as explicitly
declared (Frogs) for Eleusis as mystodokos `Mystic Cross' - as a High Symbol of
the Greek Culture - that the classicists resolutely refuse to recognize - here
the Four-Armed Cross representing the Kretan Pyre - now transformed as Akhaian
1650 (Heraklean) Pyre of Salvation - as in Marathon's Precinct (Aiskhylean Epitaph) -
Doubled as Spartan Dokana - and Swastika representing the High Akhaian Glow -
identified as Kretan Eternal Glow - the Three-Armed Cross as Arth - representing
as Arth of Dharam the ancient Titanic Tree of Nirvana - and Titanic Creator -
now transformed for Salvation - clearly presented as the Egyptian Ankh `Staff of
Life' ie Salvation - here the Staff of Pylades `Doorman' as Hermes - the Ritual
giving complete Destruction for Nirvana - presented with the Crown of Thorns -
against Creative Leaves of the Risen God - Orestes wearing the Red Viper-Crown
of Destruction - as Dharam - Bronze Nails as Kretan Dagger of Peace - as Ritual
of Destruction - Blood as Destruction of Kam - Four Limbs as Arth - Cross on the
1660 Hill-top (where Samson sets the Gates) declaring Daktylic Rite transformed for
Bowmen's Section - as Orestes rises to the Palace on the Hill - Spear-Thrust on
the Right side - the Ritual Heart - representing the Glow - appropriately by
Aryan Roman Soldier - declaring - as the Twelve Apostles - the Aryanized Rite -
completing Destruction for Nirvana - as the preliminary Slaughter of Unarmed
Aigisthos - in White Goatskin Aigis - Shaking with Fear - as the shivering White
Goat of Delphi - Destroyed as preliminary of the Apollonian Ritual - as Myrtilos
of the Akhaian Pelopian Rite - as Destruction of Principle and Ritual of Peace -
and transformation for War (as at the Founding of the Sikh Khalsa - as Warrior
Caste - the Guru Gobindsingh slaughtered Five White Goats) - and wading through
1670 Blood - Blood on his Feet - to Battle with Klytemnestra - as Cow-Goddess Demeter
wielding the Titanic Axe - representing Daktylic Salvation of Bowmen - and now
Slain as Destruction of the Bowmen's Rite - as at once Aryan Blood-Initiation -
and transformation for the Aryanized Rite - and Daktylic Salvation of Kam - both
Slayings thus necessary - and now as Eteokles Orestes appears with the stigmata
- as declaring his Self-Slaughter - and as with the Aryan Equal Scales - his
Death and Resurrection as Creator-Lord of Salvation Dionysos -
The Christian as Lesser is Alone - Orestes as True Heir is a Pair with Elektra -
the various events of the Way of the Ritual Destruction of Christ - are present
1680 also in the Ritual of Orestes - Agony in the Garden - as Destruction of Dharam -
presented at length in the Second Play - Scourging - associated with Nemesis -
Semitic Goddess of Destruction for Daktylic Salvation - as Destruction of Kam -
not as a thrashing but Ritual - as reflected in the Frogs (antecedent Battle to
Equal Vote the whole Play a parody of the Oresteia) - Four Strokes on Dionysos -
Three for Elektra - given with his Staff by Pylades (Double Thud - Kh 375-6) -
for complete Ritual Destruction - the Stigmata declaring Destruction of Arth -
completing Nirvana - as declared - as Orestes in the Cave of Delphi - with the
Body in the Sepulchre - as Rock Cave - with Stone of Semitic Nirvana of Dharam -
and beside Akhaian Athena - Lady of Daktylic Salvation of Peace Mary Magdalene -
1690 removing the Stone - performs - for the Semitized Titanic Creator as Sun-God -
the Ritual of Resurrection - appropriately at Dawn -
The Symbols - as Wine of Initiation - transformation of Paschal Lamb of Nirvana
into the Lamb of God for Salvation - show this Ritual was performed only for the
Salvation of the Semitic People - and primarily for the Jews - however - mainly
due to Pauline confusion - it was then proclaimed for all mankind - with active
proselytism causing mass disruption of mainly backward societies everywhere -
the Eleusinian Oath of Secrecy barring full disclosure - the Initiates - knowing
the truth - stood resolutely by their high Religion - even in the face of hard
1700 oppression - that even the Roman governor refused to accept the decrees - so
ironically about 400 AD the Christian Fathers treacherously did a deal with the
Visigoths - opened the Gates - allowing them to enter looting rampaging through
Greece - specifically for the Destruction of Eleusis - and so perished the High
and Ancient Culture of Greece - leaving an ignorant half-baked religion called
Christianity - fittingly the Visigoths then went on and sacked Rome (they are
now established as the Spanish aristocracy) - and there still exists one of the
saddest letters ever written - about 1600 AD - as `When I was a child my
grandfather told me - that after the Turkish conquest the Christian Fathers -
given the power - collected all the documents of the ancient Greek poetry - and
1710 destroyed them - so perished the works of Sappho Alkaios Ibykos Anakreon ....' -
Islam is an ad hoc hybrid religion also presenting the ancient Greek Salvation -
while the Mediterranean region of the Middle East - as Semites descended from
the elder son of Abraham - thus as Dharam to Jewish Kam - as Aaron the elder
brother of Moses - had Salvation before 1400 BC - the time of Maharaja Dasrath
of Mitanni - the Land of Milk and Honey declaring the Aryanized Hermetic Rite -
identified as the Adoneian Rite of Nefertiti - distant Mecca still retained the
ancient Religion of the Moon-God - giving Death without Salvation - represented
with a Black Meteorite in a Cave (Ka'aba) - then 7th Century AD an extraordinary
1720 illiterate local Arab of the merchant caste - on his travels - came across an
isolated settlement of the Greek Diaspora - still worshipping Sun-God Hermes and
following the Akhaianized (Kadmeian - no Honey) Hermetic Rite - and staying -
given Initiation in this exotic new Religion of the Sun-God of Salvation - then
returning - presenting the Sun-God Hermes as his Semitic equivalent Archangel
Gabriel - and anomalously grafting this Daktylic Sun-Salvation of Dharam (giving
the similarity of the Vision of Moses and the Muslim Paradise) onto the ancient
Nirvana of Kam - and with his own innovations - he proclaimed his new Religion -
`Allah' based on Greek alla (`Strangely' above) - the Moon-God as Lord of Death
1730 transformed - for Resurrection as `Lord of Salvation' - Initiation of the Word -
Houris as Greek Horai - Maidens of Daktylic Salvation of Semitic Caste - after
the Burial performing the Ritual of Resurrection in the Daktylic Precinct - the
Garden of Eden of the Jews - basis of the Muslim Paradise - and Hermetic Rite -
as the Garden of Hesperides - with Daktylic Spring - and Streams of Salvation -
and Akhaianized - Adam and Eve driven out - the Sword-Armed Angel set as Guard -
representing Adam as Titanic Creator - Aryan Time - transformed as Hermes of the
Aryanized Akhaianized Rite - and expressed in the Sword of Islam - Arab Army on
Horseback - wielding the Sword - charging forth on an Expedition of Conquest -
as the Angel in Attack - are simply performing the Akhaian Rite - and as Angel
1740 in Defence also expressd in Judaism - with its Failure to achieve Salvation -
Islam and Judaism both represent the Akhaianized Daktylic Rite - as Kadmeian of
Dharam - and Adoneian as Arth - and all the Three major Salvations of today -
Hindu Muslim Christian - give Daktylic Salvation of Dharam - as Rites of Dharam
Kam Arth - as in turn related to Dionysian (giving him a trip to India) - and
based on Hermetic - and Apollonian (appropriate for the Adoneian God of Moses)
Rites - emphasizing the Precincts Kretan-Akhaian Daktylic Bowman-Aryan -
Today the High Ritual is no longer performed anywhere - even the Brahmans - with
the surviving Magi the last representatives of the ancient Priesthood - have now
1750 forgotten it - all that remains is the Veda - repository of the ancient Wisdom -
as beautifully expressed in the Kathopanishad - the Child - as in his Nirvana -
gone to the abode of Yama - representing the ancient Moon-God as Lord of Death -
transformed for Salvation as Hades - and granted a boon asks `Teach me O Death
of Death' - Yama starts - this was not on the agenda - taking instant evasive
action - and offers instead -
Whatever Desires - of Hold as Destroys -
as Rise in the World here of Mortal Men - ...
And these Rise as Maidens - with Chariots - and Lutes -
1760 the like of which not to be Held by Men -
Be served thou with these - as the Gift here from me -
O Child Without Spirit - nor ask of Death -
`Hold as Destroys' presents the Captain - transformed for Peace - as Krishna -
and then the savants just assume arbitrary objects of desire - in fact they are
the great Symbols of Salvation - the Child is indeed being offered the highest
role available in this world - Resurrection as Creator-Lord of Salvation - and
he turns it down -
1770 Since even as Cosmic the Life here is short -
O thine the Conveyance - the Song and Dance -
restating the most ancient rule - that all Culture is directed towards Death -
Yama yields - and so is presented - the Lord of Death himself declaring - the
Wisdom of the High Ritual - as today the High Wisdom for all mankind -
About a thousand years ago European scholars discovered the Greek works - first
in translations from Arabic - then after the 13th Century Rape of Constantinople
(Fourth Crusade!) they had original texts - no commentaries - so the academics
1780 came out - little men with tiny minds - vast ignorance - fathered their puerile
ideas on the Ancient Greeks - and insolently imposed them upon the world - the
children have murdered their parents and taken over the House - and irreverence
incompetence irresponsibility - teenage values - are now honoured - academics
improvised - expressing their prejudices - liberal democratic anti-clerical -
blinkered and misled by the Judaeo-Christian tradition and its false propaganda
that Salvation was the property of the Christian God - as compounded with their
blind worship of secular liberalism and democracy - as they insist on finding in
the Greek texts - being indeed the antithesis of the ancient Priestly system -
when the Greeks said Barbarian they meant Foreigner - when they meant Barbarian
1790 they said Secular (godless) - and so leading to the meaningless superficialities
and trivialities of today - the barbarism called Liberal Democracy - academics
just look at niggling little points - spend their time discussing other people's
views - citations ad nauseam - with the citations even considered more important
than the points at issue - as just expressing the liberal democratic Cult of the
Individual - they no longer worship God - so they worship themselves - and then
reaching the wrong conclusion - error upon error upon error - with bad arguments
errors become evidence to `prove' other errors - this is scholarship gone mad -
the Classics faculty has lost its way - they have no idea what they are doing -
as now intellectually bankrupt - their vast administrative work useful - their
1800 understanding is Nil - the mountain laboured ... not even a mouse - the faculty
should be scrapped - and start again as here - the whole structure presented as
the Culture of Ancient Greece is just a house of cards on a foundation of sand -
ignorance and darkness are the true basis of the modern Western civilization -
Renaissance - Enlightenment - Liberal Democracy - Human Rights and blah - as an
insult to the Culture of Man (the real Western achievements of last millennium
found rather in mathematics science engineering - all arising from the discovery
of Indian mathematics - brought to Europe by Portuguese Jesuits - and including
the decimal system - but chauvinistically this is covered up) -
1810 The classicists have completely failed in their understanding primarily because
of their complete ignorance of the ancient Priestly system - even denying its
existence (a Classics professor even made the asinine statement `The Greeks had
no symbolism') - so starting from complete ignorance they never went beyond it -
this is Religion Art Culture - but for the classicists these are just words used
meaninglessly - approached from a level of barbarism and so reduced to barbarism
- as expressed in all this liberal democratic human-rights nonsense of today -
the complete lack of standards seen in the rubbish (even literal!) - based on an
imbecile idea of poetic inspiration - presented as art and culture in the West -
as without Dharam - without Kam - as utter sterility - everything is reduced to
1820 gross materialism - and self-gratification - then given a gloss and grotesquely
renamed the Renaissance - as indeed material success and spiritual catastrophe -
and the sterile cloud-cuckoo Human Rights are a fraud on the people - the true
Human Rights being irresponsibility hypocrisy lies cheating abuse corruption -
these are the Fundamental Freedoms - the Universal Rights of Man - corruption
financial and intellectual is indeed inherent in Liberal Democracy - corruption
is very popular - very liberal - very democratic - as even to the highest levels
in politics academia police - even including the judiciary - the English legal
system is institutionalised abuse - English judges - not very bright - not very
competent - are trained in a lack of integrity - as probably the most corrupt
1830 irresponsible body of men in this world - shamelessly deciding black is white -
as exemplified by the British House of Lords in the deliberate murder of William
Joyce - a good demonstration of liberal democratic justice - extending even to
the highest representative of Human Rights - the European Court in Strasburg -
as evolved indeed from that masquerade - an insult to Justice - called the
Nuremburg Trials - all covered up with massive liberal democratic propaganda -
Western philosophy is simply a disgrace - they don't know even the meaning of
the word - beginning with their gross blunder on the Kosmos of Herakleitos -
destroying one of the pillars of Western philosophy - presenting the obvious as
1840 it were a revelation - as just banalities - a few bright ideas as an intelligent
teenager would have - all puffed up with complicated language - they gape at the
star in fashion for a few years - then go on to the next one - if this modern
Western philosophy were scrapped the world would not notice the difference - and
even the First step of Culture - division between men and women - Man as Dharam
- representing Intelligence - as Wisdom and the Law - Woman as Kam - embodying
Emotion - as Grace and Beauty within - is now rejected for a grotesque Unisex -
without Law without Grace without Beauty - as an empty meaningless barbarism -
this division - as emphasized over more than a hundred thousand years - is now
deep in the human psyche - it has become genetic - and with extreme folly they
1850 are now trying to re-evolve the human race -
England - the originator and high representative of this new system - is rotten
to the core - summing up the worthlessness of Liberal Democracy - the only thing
to do with the modern Western civilization is to scrap it - and throw it on the
dung-heaps of history - but still it is lauded to the skies - as the clerical
alternative is unmentionable - the classicists have responsibility - all this
arising from the prestige of Ancient Greece - the contrast is with Justice and
the Equal Scales declaring the Risen God - Creator-Lord of Salvation Dionysos -
and the vast benefit of Salvation has not been realised - encouraging the people
1860 to sacrifice the present for the future - dedicating themselves to an ideal -
furthering the development and evolution of the human race - instead tomorrow is
now forgotten - the present emphasized - they all want maximum benefit today -
and the earth is raped - and that fantastic experiment stretching over more than
a myriad generations is now ended - the vast achievements of Culture corrupted
perverted abused destroyed - as the world sinks back into the original barbarism
- the primaeval slime -
The ancient Priests are treated as morons - in fact they had intelligence far
beyond anything today - the academics are less than pygmies in the comparison -
1870 so have completely failed to understand them - in the study of ancient texts the
classicists assume there is no background - taking the worm's eye view they will
never leave the ground - there was in fact a vast organized system - based on
Principle Symbol Ritual - hard logical precise - embodiment of the philosophy
and Principles of the Culture - applied rigorously - correctly using the eagle's
eye - as here - expressing the Wisdom of the ancient Priests - they can present
the Cosmic Scheme - as Orpheus Sang only of the Creation of the World - it was
the Priestly Education - the Priests everywhere - with their common descent from
the First Priest - had a similar system and training (not Christian `priests' -
as usurping an ancient Name with little understanding of its true significance -
1880 as having a bogus degree today - as a sufficient reason for persecuting the
early Christians) - and as everything was written by Priests this Priestly
system was at once incorporated in the work - if the system is known everything
is understood - if not nothing is understood - the academic approach is like
treating Schrodinger's Equation as a work of Modern Art - and this high Priestly
system is the real High Culture of Mankind -
The Upanishad says the Artist Creates a Work of Art as God Creating the World -
as following the same Principles - even to the individual Life - as each with
complete subordination of individuality plays his role in the Cosmic Scheme -
1890 the whole Creation as a Living Work of Art - true Art reaches to the depths of
the Spirit - Universal in scope - presenting the entire Culture - Universality
is not taking arbitrary names and words from other Cultures and throwing them
into a mix - but all elements of Society - the different Castes - presented in a
cohesive framework - as can only be through Principle Symbol Ritual and formal
stylised action - as the Tragic Poets expressing the true meaning of a Work of
Art demonstrate in Greek Tragedy - Aiskhylos - at the height of his powers as
the short democratic experiment of Athens began - an unmitigated disaster -
ruining the City as never again playing a role in history - dedicated his Plays
to opposing that Democracy - primarily by declaring the vast achievements of the
1900 Ancient Culture - and his greatest Trilogy - so the only one preserved - was the
Oresteia - and the object of this high peak of Western Drama was indeed to take
a flying kick in the face of that Democracy - thus Agamemnon crosses the Stage -
and as the Queen ends her speech with an invocation of the High God Zeus - there
is Zeus - as a Black Dog - face buried in Dung - the High God kowtowing before
his own people - as the High King bowing low to his own subjects - God is Dead -
We the People are now the gods - We the People are now the rulers - thus does
the Poet show his deepest contempt for the secular (godless) liberal democracy -
There! THAT is your Religion - your Politics - then the Chorus tells Kassandra
`I Pity thee' - an obvious statement - poor girl! - her City Destroyed - Family
1910 Slaughtered - herself Raped and Enslaved - however She is also the Golden Hind -
as High Goddess of Wisdom - Embodiment of Divine Compassion - thus the enormity
of the statement - that Man sets his compassion on the Compassion of God for Man
- There! THAT is your Culture - and with the Slaying the Chorus rush towards the
Stage - stop bicker return - achieving nothing - There! THAT is your Democracy -
again with disgust he shows a frenzied Chorus entering the stage - dripping with
a reddish ooze - ugly depraved faces - obscene cries - maniacal laughter -
lascivious couplings - crying `I' `I' `I' - as themselves the gods - worshipping
themselves - There! THAT is your Freedom - as without Spirit - without Soul -
there is nothing else - and thus with the Tomb of Dionysos - God is Dead - he
1920 presents the Cosmic Nirvana - and now with Liberal Democracy at its height - and
on the verge of Destruction - as clerics and gurus denounce the degeneration of
the West - they are only repeating what was said in the beginning when it was
first being established - and in contrast Aiskhylos presents the true meaning of
Freedom - with the Risen Dionysos - Salvation (they begged him to stay but he
refused - having damned the system he left Athens never to return - honour him
among the greatest of men) -
Even Sophokles like Aiskhylos left Athens before his end - both wishing to Die -
not in an Athenian Barbarism but in a Land of Salvation - he had made his views
1930 clear - the Athenian Democracy was unacceptable - in his most famous passage -
in the Antigone - the Play that made his name - she as Lady of Destruction for
Nirvana - as Titanic Demeter Akhaianized - addressing the Demi-god - declares -
Nor did I think your laws so strong - so as to enable you -
As being a Man - to then override - the unwritten Laws of God -
And these are not to be overthrown - for not at all are they -
Just of Today - and of Yesterday - but Live Eternally -
And No-one Knows of the power whence - these things have been Revealed -
1940 No-one - the Name taken by Odysseus - is Yama the Lord of Death - as setting -
against the liberal democratic barbarism - the Sanatan Dharam - the Ancient Law
- the Law of Salvation - the Evolution of Man -
----------------------------------------------------------------------------------------
