T H E C O S M I C R I T U A L
Chapter 8 The Rite of Israel Chapter 9 Time Chapter 10 The Symbolism Chapter 8 The Rite of Israel The ritual Tenth Commandment `Thou shalt not Seethe a Kid in the Mother's Milk' is so important that it is mentioned three times in the Torah - it has been much discussed but no-one really understands it - the anthropologists are baffled - the rabbis treat it as contempt for the Divine Creation - as Sin at the deepest level - as thus subsuming and leading to the disregard and even transgression of the other Commandments as against murder and adultery - however if this was the 10 intention the Commandment could have been expressed far more clearly - there is no obvious connexion with this interpretation - which in any case leaves out the specific details eg why a Kid every time - and not a Lamb? - again some rabbis consider it a Rite but cannot specify its origin - however it is taken as the basis of the Jewish prohibition on eating meat and milk in the same meal - again this is not obvious as the Rite specifically bars mother's milk - other goat's milk evidently being quite acceptable - any connexion is thus quite vague - The Talmud is in two parts - there are laws (and rituals) which are ancient - and interpretations which represent the rabbinical tradition beginning Fifth 20 Century AD ie there is no continuous tradition going back to the Temple and the Priests - but instead a complete break lasting centuries - precisely as with the Ancient Greeks - with no tradition the Western Classicists began anew about a thousand years ago - both rabbis and Classicists basing themselves on the same principle - as stated by Maimonides - that the interpretation should not go beyond the text - we simply take it as it stands - in fact these are isolated fragments of a vast organized Culture - and without knowledge of that underlying Culture it is impossible to understand the texts as eg devotional poetry without knowledge of Christianity - or indeed India without knowledge of Hinduism - and this last gives the proof - the Europeans took exactly the same Maimonidaean 30 approach towards India and understood nothing - as we can easily see - and so also with the Greek Culture and ancient Judaism - a vast unwritten knowledge formed the Education of the ancient Priests - and everything written (Priests did all the writing) assumed this knowledge - which is where the Maimonidaean approach goes wrong - Modern Art relies on superficial individual interpretations based on emotions and neuroses - it is not Art but just Amusement - while in the ancient Myth and Ritual as expressing true Culture the rabbis and Classicists can find deeper and deeper meanings - however as just vague generalized statements expressing again 40 personal prejudices and emotions - as these are different and even contradictory in different people this approach only causes chaos - true development requires accepted rules as based firmly on principle - emotion as subordinate can only be expressed within the limits of these rules and principles - the ancient Art and Culture were indeed based on principle - deep powerful and vast - as precisely why they could yield the deep meanings of these rabbis and Classicists - Ritual like Language and Mathematics is always organized with precision - on a specific basis for a specific purpose - one can still play superficial games giving different personal interpretations - but always it has - as Modern Art 50 does not have - one fundamental meaning - as necessarily including every detail of the Rite - if anything is omitted it isn't correct - and the rabbis do not explain why it is specifically a kid - why boiled - why milk - why the mother - in normal cooking this has no special value - and for this highly organized system - a naive simplistic rabbinical approach is just not good enough - this is not a textbook of Ritual - only with sufficient detail as required for the immediate purpose - other outside Rites or Rules can be brought in as required - and the meaning must be complete - dealing with the whole - or it will fail. However there are no direct sources - this fundamental meaning can only be found 60 by rediscovering and reestablishing the ancient system in its principles and organization - and this is possible as there was really only one Priesthood in Antiquity - all with the same High Education - following the same rules with the same Symbolism - while expressing themselves differently in different guises as reflecting the immediate society - somewhere the Bible states that the Hebrews having none of their own kidnapped a passing Priest and forced him to officiate for them - as with his training acting with appropriate Rituals - all carefully devised for specific ends - just as this Rite of the Kid - and indeed we can see precisely how he did it by restoring the High Education and presenting again the ancient system - thus a study of the Principles of the ancient Indian Culture - and Greek Tragedy - as giving the basis of the ancient Symbolism - and also the different Mythologies - can lead to a correct understanding of Antiquity - and 70 every detail was organized in accordance with the Principles as declaring that Symbolism - there was nothing else - Symbolism was the Culture expressing the Creation of God - the secular was only barbarism - then through the Principles and Symbolism - as expressed in the Cosmic Ritual - setting a particular Rite in the context of the whole vast Culture - one can know the fundamental meaning. Thus we have to consider all the related questions to understand the Rite - as precisely why did they separate the Sheep and the Goats - why is Christ the Lamb and not Kid of God - what is the relationship to the Golden Calf (Dionysos) - what is the significance of the Cloven Hoof - and the Feet of Clay - why are 80 Second Sons as Shem Abel Jacob Moses given preeminence in the Jewish Myth - why are both Esau and Philistine as `Redman' - again Yahweh is primarily known for two things - he was regularly getting Wroth (Wrath is also the First word of the Iliad) - and he was extremely Jealous - what was his Jealousy about? - first as everything is Symbol the rabbinical explanations - eg as related to Murder - ignore the specific relevance of the Kid - as opposed to the Paschal Lamb given to the people - thus in the division of Sheep and Goats - Sheep represent the ordinary Jewish people living in the City - then who are the Goats? - simply the Semitic Warriors - specifically the Bowmen - living outside the Walls - like the Philistines - who are again Kretan Guards - Aryanized as Akhaians - not hostile 90 but on the same side - the Ritual opposition strictly limited to the Kingship - as won by David of the Slingshot - a Weapon not of Warriors but of the people. Why the distinction? - for Yahweh of the Wrath and Jealousy read the Prometheus Myth - Zeus was Wroth that he gave the things of God to man - thus the Jealousy of Yahweh - what Divine prerogative was given to man? - in one word Salvation - originally only God Rose from the Dead as Divine Resurrection - now Resurrection is available to all - though limited as Salvation - as first established at the beginning of the Bronze Age with the Principle and Ritual of War - as given only to the Warriors - and Late Bronze Age the Demi-gods extended it to the people - 100 Zeus eventually reconciled himself to this - but Yahweh - his Semitic equivalent (both as High Bowman God - represented by the Flame on the Peak as Kam - taking over the whole Society - the Burning Bush - lower on the Mountain - representing the Akhaians as Apollo as Warrior Kam of Dharam) refused - insisting as ever on rejection - thus declaring his Jealousy - Resurrection as the Divine prerogative will remain exclusively with the Gods - and will NOT be given to Man - the abominations of Judaism are the honours of Salvation - The denial of Salvation was inherent in the Semitic caste - the contribution of 110 the Moon-God to the development of civilization was originally established mid- Third Millennium BC - specifically for the development of international trade - leading to a vast expansion in the second half of the millennium - deliberately encouraged by setting the mercantile caste - represented by `the great caravans that cross the plain' and `merchant-princes of Bagdad' - supreme in the Society - and even today international trade and finance is the forte of the Jews - however this also meant individuals spending long years in foreign cities - thus Arab as Dharam based primarily at home - Jew as Kam based and operating abroad - if Jews today complain of their being only as small minorities in other lands - this is their role - as established in the Beginning with the First Initiation - 120 and specifically to ensure that they and their accumulated wealth would return for the benefit of their own City - the Moon-God also insisted on a Burial at home as this side - Ritually precluding any possibility of Salvation that side. Some Jews insist that Jews are already saved - this is playing with words - it refers to the original annual system of a Ritual Cosmic Destruction - followed by a Ritual of Creation reestablishing the Society - and is irrelevant - here Salvation is used in the Christian sense ie of the individual - and this is barred to the Jews - the Kid represents this Salvation - and the entire Rite is a Sacrament and Initiation as thus with extraordinary rules - as the Christians 130 emphasize to achieve Salvation one must first Die - and Yahweh gives the Jewish people Death without Salvation - Destroys but does not Save - as the Wrath - given the Symbol of the Paschal Lamb - Passover as the Crossing of the River of Death for Resurrection establishing the Semitic Creator of Destruction - as represented by this Lamb - the proper Sacrament and Initiation of the Jews - Christ therefore as Creator-Lord of Salvation is appropriately the Lamb of God - the same Symbol - in deliberate identity - for the Jewish people - transforming the Paschal Lamb of Destruction into the Christian Lamb of Salvation - this is the Beast represented by the Number 666 - the figures presenting in turn Dharam Kam Arth - Six representing the Creator-God of the Bowmen as Semitic Warriors 140 of Salvation (Sixty thus representing the High Bowman God as Zeus - the Number seen even today on the clock) - and as Goats represent Warrior-Bowmen - dividing Sheep and Goats separates those who only have Death from those who also have Salvation - and the major part of the Jewish Rite is precisely to emphasize Destruction and Death as the Wrath of God - as also expressing the Jealousy - the hard wall of separation from Salvation - thus given the Symbol of the Cloven Hoof - the Foot representing the Tomb of Salvation - thus also the Feet of Clay presents Jewish Earth-burial of Death transformed for Earth-burial of Salvation in Christianity - and precisely because they do not recognise that Salvation is ancient - as the background of the Torah - the rabbis are confused and in effect 150 talking rubbish - The original ritual structure of this Semitic Culture of Kam set the mercantile Semitic caste - as dedicated to the acquisition of Wealth - as Kam - the Semitic Guard - as sterile Destroyers represented by Cain - were then Dharam - and the Shepherds outside as also the Hunters and Bowmen - as represented by Abel - all acting Creatively for acquisition of Wealth - were Arth - and for this Culture of Kam - the Shepherd-Bowman having the Power also held the Kingship as Semitic Creator of Destruction - Abel is thus identified with the Paschal Lamb - when Cain asks `Am I my Brother's Keeper?' it is a good question - his role is indeed 160 to Guard the City and Semitic Creator as here Abel - however he Guards against (foreign) Hunters and Bowmen - as here again represented by Abel - and as Dharam Kam Arth are Ritually First Second Third - Abel here is Second Son as Younger Brother of the First-Born Cain - a relationship based on Initiation rather than Blood - thus also Esau (Greek Aison `Warrior-Lord of Bronze') as First-Born of Dharam remained Akhaian Guard - while the Younger Jacob as Second Son of Kam - representing the Bowmen - also took over the Kingship - the Egyptian Slaughter of the First-Born declaring the Destruction of the Guard - Judaism left intact but helpless - these Three castes are also presented as the Sons of Noah - in turn Shem Ham Japhet - here Ham as First-Born of Dharam represents the Guard - 170 Shem as Second of Kam the Merchants - Japhet as Third of Arth the Bowman - Shem set first in the sequence - reflecting the Semitic primacy of Kam - thus Aaron - First-born brother of Moses - still representing the Akhaian Guard - sets the Golden Calf and Brazen Serpent - High Symbols of Salvation - declaring in Greece Dionysos - Divine Child as Creator-Lord of Salvation - and the Akhaians - Arth and Dharam beside the Semitic Kam of Moses - and while Christianity emphasizes Salvation - both these - as still expressed in Hinduism and Sikhism - emphasize Destruction - appropriately for the Jews - and against the Destruction of Yahweh for Death - present Dionysian Destruction for Salvation. 180 The Kid - as equivalent of the Christian Lamb - represents as the Greek God Pan the Creator-Lord of Salvation of the Semitic Bowmen of Kam - indeed Salvation had already been given to the people of the Promised Land - the Sacraments of Initiation being precisely the famous Milk and Honey - associated in Greece with Hera and Aristaios - Daktyl and Bowman - Dharam and Kam - as then subordinated by the Jews - the Kid represents the Daktylic Rite of Kam - of the Bowmen - Hera as Heifer presents Cow's Milk as Dharam - here `Mother's Milk simply declares Goat's Milk of Daktylic Kam - appropriate for Bowmen - Fire (Cooking) and Meat declare the Warrior Rite and Sacrament - as Odysseus slays Cows of Helios for the Sacrament (of Peace) for Warriors - against Bread of Peace of the Christian 190 Rite - the Sacrament completing the Initiation of Salvation - thus barred to the Jews - this Initiation as ritual Birth gives Destruction and Death - declaring the identity of Birth and Death - again Death identified as Birth - the precise description of Salvation as Rebirth (as the famous Fragment of Alkmaion - and Omen beginning the Oresteia - the Hind giving Birth - the young at once Eaten by the Eagle-Vulture) - as the Christ himself - Initiated by John the Baptist - went at once to his Death - Ritually declaring himself Lord of Salvation - here the Rite of the Kid gives Initiation of Salvation of the Semitic Bowmen. However Ritual presents its own World of Symbolism - the Temple - natural events 200 as Birth are not recognized - Birth as Initiation and Milk the Sacrament - and Mother is ambiguous - the Greek Myth is explicit - she is Demeter - Cow-Goddess of Destruction of Peace - in the role of Dharam - the Daughter Kore represents the creative Daktylic Rite of Dharam - Titanic caste - however with Heraklean Daktylization transformed (`Rape') and renamed Persephone - Lady of Salvation - Daktylic Rite of Kam - Bowmen's caste - associated with the Goat - the Kid as Bowmen's Creator-Lord of Salvation - her original Daktylic role of Dharam taken by Hera as Heifer - also associated with Milk - the Rite combining the Three - Pyre of Demeter as Destroyer - Milk of Initiation of Salvation - as Persephone performing a Ritual of Resurrection - Kid as Bowman Creator-Lord of Salvation - 210 the Sacrament completing the Resurrection - Dharam Kam Arth - in the Christian Ritual represented in turn by Caiaphas the High Priest as Yahweh the Destroyer - Mary Magdalene as Lady of Salvation - Christ as Creator-Lord of Salvation - as Sacrament of Peace - presenting the relationship between the Three Beasts of Salvation - Titanic Calf of Dharam as Dionysos of the Pyre and Destruction - and representing other Cultures as Akhaian and Hindu - Kid of Kam of Semitic Bowmen emphasizing Salvation - Lamb of Arth - as Semitic Creator of Peace - as again Horse of Arth - as Akhaian Creator of War - this Rite of the Kid as Creator-Lord of Salvation also found in the Greek Culture - Classical Sicilian graves with `Orphic' Gold plates dedicated to Persephone - the inscription presenting a Rite 220 completed with `a Kid - I have Fallen to Milk' - as implying Resurrection - and identification as Kid - emphasized with the Gold - declaring Divine Resurrection as Creator-Lord of Salvation - Bowmen's Rite. Restating a most ancient Principle the God of Genesis declared that the Word Created the World - when the Temple was still operative every New Year the High Priest entered the Holy of Holies - an inner chamber lined with Sheepskins as the Anaktoron at Eleusis - there alone whispered - as appropriate for the High Ritual - the Holy Unspeakable Name of God - this was the Word - now forgotten - even Creation has been forgotten as the Jews do not realise its true structure - 230 Judaism today is only a superficial remnant just performing Rituals without understanding - the rabbis - with no proper education - remain ignorant of the principles - while the ancient Priests of Israel - with their High Education - could change and modernise the Creation with the annual New Year Ritual - Jews of today cannot - and Liberal and Reform synagogues - as not established by the Word - cannot be Divine Creations - and without exception represent only error. For individual deities the Destruction reflected their powers and Symbols - and thus in turn the deity can be understood. In the Jewish Myth Adam - Born First - in the Garden - declaring him - as with the Lingam - eating the Apple - Rising 240 Daktylic Lord of Salvation of the Titanic (Brahmanic) Culture - as given by the Kretan Demi-god - as ritual ancestor of Krishna and Christ - and correctly the Christ identifies himself as Adam - and giving his Banishment by the Jewish God as Sin - rejecting Salvation - the Garden of Salvation barred with a Sword-Armed Angel - a Korybant - Kretan transformed for Kam - at the Gate. Adam primarily presents the role of the Titan Atlas - as establishing Daktylic Salvation for the Titanic people in the Semitic Culture - as beside First Daktyl of Dharam Paionios `Of the Healing Stroke' - the Kretan Rite of the Sword where Healing is Salvation - and Aloeid of Dharam Otos `Ear' (hearing the Word) - with 250 the Blue Titanic Guard of Destruction this side (represented indeed by the Woady Ancient Britons on the River-bank) - he represents the Daktyls of Kam - for the Daktylic Rite in the Semitic Culture - Eve in turn - formed from Adam's Rib - as protecting the Heart - is simply the Chief Priestess tending the Glow - the Holy of Holies - Adam indeed presents a fundamental principle of ancient ritual - he eats the Fruit of the Tree of Knowledge to Rise Daktylic Lord of Dharam in the Semitic Culture - Initiating the Guards (giving indeed the First Initiation of his Successor the Sword-Armed Angel as Semitic Captain of the Gate) - but he is barred from eating of the Tree of Life - to Rise for the establishment also of the Semitic Precinct of Salvation (now the prerogative of the Bowman-Creator) - 260 for him there is no Sacred Marriage of Arth - as the Ritually Superior Semitic Moon-God intervenes - he surrenders his Principles Powers Rituals - and as Midas drinking Bull's Blood sinks back into his Nirvana - and the Moon-God as Semitic Creator then exercises power over the Titanic people. Adam - representing Dharam like Atlas - is necessary for establishment of the primary Daktylic Salvation of the Titanic people - as barred for the Semitic people by the Moon-God Sin - the Moon-Creator then performing the Ritual of Creation. Adam is represented on Olympos by the Sword-Armed Angel Hermes. Like Judaism the original Rite of Mecca declared Nirvana of the Moon-God without Salvation - as represented by the Black Meteorite in the Ka'aba - clearly Mohammed during his travels found a surviving 270 Greek community still following the Akhaianized Daktylic Salvation as given by the God Hermes - Initiated - and returning he grafted on to that Nirvana of Kam his new Salvation of Dharam - as dictated by the Archangel Gabriel - the Semitic equivalent of Hermes - the Name Allah being then clearly derived from the Greek disjunctive `alla' - Ritually declaring the things of Daktylic Resurrection - as thus giving the meaning `Lord of Salvation of Dharam'. Absalom spends Three years away as in the Precinct of the Bowmen as the Creation as Arth - Two in the Ante-chamber - as associated Precinct of the Semitic Guard as Kam - together presenting the Daktylic Salvation of the Semitic Warriors - 280 and then Four at the Gate - where sat the Magistrates Guiding to Nirvana of the Moon-God (giving the true meaning and function of Justice) - himself as Lord of Dharam - as `Magistrate' of Peace as Brahman - the Kretan Four declaring the Captain of the Gate - like the Titanic Creator Guiding to Nirvana for Daktylic Salvation - as given to the Titanic people by the Kretan Demi-god - but still denied by the Moon-God to the Semitic People - thus he cannot act - the Ritual Numbers presenting in correct order Arth Kam Dharam (Kretan) - as Bowman-Creator combining in himself the complete Daktylic Rite of Kam - Bowman Guard Kretan Peace (Titanic) - as declared by the Kretan Demi-god for the Kretanized Semitic Culture - and after Nine years of Peace comes the Tenth year of War - he Escapes 290 riding a Mule - declaring the Sterility of Nirvana as Dharam - his Hair caught up in the branches of an Oak-tree - as Destruction of his Salvation as Kam (as parallel to Samson) - and he is finally Destroyed with first Three Darts to his Heart (ritually on the right side - as with the Christian God) - as Destruction of his Resurrection as Arth - and finished off by Ten Armoured Soldiers as the Guards as Destruction of his Principle of War as Bowman - as the regular Ritual Dharam Destroying Kam - the Four elements as in turn Dharam Kam Arth Salvation. The Mule - as against Akhaian Horse and Titanic Ass - represents Kretans in the Semitic Culture - the original Blue Kretan Guard of Destruction - as entirely 300 subordinate - without any Ritual of Creation - representing Sterility and Death of Nirvana - as Dharam - Absalom Destroys his Brother who has Raped his Sister - the Brother is Kretan Captain - Rape the Ritual of the Guard declaring Victory in Battle - the original Guard Kretan and Semitic Married within the caste as Ritually the Sister - while later Guards regularly Married from the overthrown caste - and this is Bowman Destroying Red Guard - Kam Destroying Dharam as the Semitic Rite - to establish supremacy over the Guards - the Four-Footed running Mule of his Escape - presenting the transformed Daktylic Foot-Race - and loss of the Mule - and his Hair caught up in the Tree - declare loss of his Salvation of Dharam - as of the Akhaianized Kretan Captain. 310 The Tree was a Titanic Symbol - and the Oak-Tree as of Pelasgian Zeus and Dodona declares the Daktylic Rite of Kam - as of Kretanized Semitic Warriors - Hair - associated primarily with the Head as Symbol of the Creative Dharam - cropped for the original Kretans - the sterile Titanic Blue Guard of Dharam - was grown long by the Bowman - declaring the Daktylic Rite of Kam - the Aiolian Rite - the Head representing Bowman's Precinct on the Peak - the Flowing Hair identified with the Daktylic Stream of Salvation (as the Bhagirathi `Vehicle of Salvation' pouring from the Head of Shiva) - and for the Rite of the Moon-God the Jewish Yarmulka - while declaring the feminine Principle of Kam - primarily represents 320 Baldness as rejection of Daktylic Salvation of Kam - The Akhaians established the Uncut Hair as Symbol of the Daktylic Rite of Arth - as the Mane of the White Horse of Arth and of the Lion of Kam (both in Arth) - Ritually Red-Gold as Fiery (as of Orestes) - now including the entire Body Hair (as the Sikh Kesh) - identified - against the Destructive Flames of the Pyre - with the Glow of Salvation - thus the Akhaianized Rite - unifying Symbols - established the Golden Stream of the Daktylic Precinct - and Golden Hair of Daktylic Salvation of Bowmen - with the original sterile Kretans Akhaianized and transformed for Daktylic Salvation with the Heraklean Rite - the Blue Horse as 330 Melanippos and Arion - as now representing the Daktylic Precinct - given the Blue Hair of Dharam - as Poseidon - as also Myrmidons and Spartans (famously `on the sea-wet sand' before Thermopylai) - and Absalom as Initiated in the Akhaianized Kretan Law (`Nazirite' - also the Rite of Samson) - his principal Rite the Akhaianized Daktylic Salvation - the Head representing the Kretanized Bowmen's Precinct - Daktylic Rite thus set on the Peak - the Bowmen's Rite was Daktylized - taking over the Symbol of Hair on the Head - the Giants as Dharam emphasizing the Beard - and here with the Branches (Trunk of Dharam - Leaves of Arth) and Golden Hair both representing Kam (in turn of Dharam and of Kam) - the Two in Entanglement presenting appropriately - as a Self-Destruction - the loss 340 of Daktylic Salvation of Kam for Nirvana - The Heart as the Divine Glow and High Flame of the Aryan Rite represent the High Ritual - and Divine Resurrection of the Creator and Lord of Salvation - as Arth raised to the High Ritual as Kam of Arth - now presenting the High Initiation of the Aryanized Bowman as Creator-Lord of Salvation - as represented by Apollo - Absalom in this Tenth Year of War taking over the Kingship as Bowman-Creator of Salvation - as thus unacceptable to the Moon-God. Again as presented in the Myth of Jacob and Esau - the Principle of Peace must 350 be supreme - the Warriors subordinate - thus beside the Bronze-tipped Arrow of Kam of Eros - representing the Daktylic Rite of the Aryans - with his Bow of Dharam setting Flame in the Heart for Salvation - the Bowless Darts as without Dharam representing appropriately Kam of Destruction of Peace - as of David as Semitic Creator of Nirvana - here Three for Arth - thus correctly Arth of Kam of Destruction - as Kam Destroying Arth - Destroy the Heart - and - as the Chariot of Oinomaos - Bowman-Creator of Salvation - Destroying his Divine Resurrection - his Salvation of Arth - for his Nirvana - his Death Symbolically raised in the air - representing Kam of Arth - beside Ground of Dharam and Tree-top of Kam - hanging as Bowman as (Arth of) Kam - as beside the Christian God as Daktyl and 360 (Dharam of) Arth supported on his Cross - these Three Rites completing the Destruction of his role as Lord of Salvation. However with Destruction of Peace complete - there still remained his Principle of War - so - as beside the Kretan Four of Nirvana - Ten as Number of War - also of Daktylic Salvation - Armoured Soldiers as Akhaian Guard - Decapitation of the Sword finishing him off - as correctly Dharam Destroying Kam - completing his Nirvana and Death - of Dharam of War and of Kam of Peace - while the Mule - as representing the Titanic Culture - and Daktylic Hair - as outside the Law of the Moon-God - perform Self-Destruction - the Darts of Peace and Soldiers represent 370 Destruction of Peace and War - thus also Salvation with his Aryanized Rite - and Divine Resurrection in a subordinate role - the Bowman-Creator was recognized and accepted within the Culture of the Moon-God. With the Mosaic Law the Moon-God reestablished himself as Semitic Creator of Peace - as David - and while the Salvations of the Guards Kretan Mule and Hair of Semitic Daktyls - as outside the Law - perform Self-Destruction for Nirvana - the Moon-God acknowledged the Bowmen as Sons of Japhet - the phrase `dwelt in the tents' has baffled the rabbis - tents were the regular dwellings of Bowmen - living outside while dominating the Creation - and dedicated to Salvation - the 380 Risen God of the Bowmen - as Zeus in Greece - transformed himself - identified as the Moon-God of Israel - establishing his Tent of Resurrection as a temporary Temple of Kam - set with Red Sheepskin as Dharam of Kam (of Arth) - and while accepting the Nirvana of the Moon-God - the Bowmen with a further Initiation (as the Kid Seethed in the Mother's Milk of the Semitic Guards - Pan performing the original Rite) added to it Salvation - The Moon-God in the High Ritual establishing Divine Resurrection and the Heart - Initiated the Bowman-Creator for Nirvana - the Semitic King David - Defeating the Akhaian Guard Goliath (`Lord of the Daktylic Word' - as the Mitanni phrase) 390 and reasserting the power of the Moon-God as Creator of Peace and Nirvana - can say with ritual correctness `Absalom my Son my Son' as most dear to him - the Bowman-Creator - as now also representing Salvation - Initiates in turn the Bowmen for first Nirvana of the Moon-God - and then for his individual Daktylic Salvation of Kam - and with the Destruction of the Heart completing his Rite of Nirvana - Initiation of the Moon-God - Absalom is given the Rite of the Sword of Arth (of Dharam) - representing the Pyre - for his Salvation - the Lamentations of David are simply - as even today in the Greek Rite - a part of the Rite of Salvation - himself - with Cosmic Destruction and Nirvana there is no-one else - as Lord of Death - giving Salvation to the Lord of Salvation - necessarily for 400 the aim of the Ritual - that Rising transformed - subordinate to the Moon-God - and Initiated again as Lord of Salvation - this Daktylized Bowman-Creator would establish and represent the supremacy of the Moon-God over the Warriors. The Ritual can now be understood - in the Tenth year - as dedicated to War and Destruction - the Rituals of Peace and so of Creation are not performed - the Creation and Anti-Creation are identified - thus against the Creator of Kam of Peace represented by David as Lord of Death - Rising Bowman-Creator and Lord of Salvation - and now for his original Semitic role before the Aryans took over - reasserting his ancient prerogative declared himself Semitic Creator of Peace - however he is not established - there is no Sacred Marriage - thus as still in his original Rite he is Destroyed. Absalom now represents the Semitic Warriors *- 410 Bowmen of Attack as Kam - Raiders with a Ritual of Loot as Smash Grab and Run - thus they are Shieldless and ritually unable to Defend - and so trained to run away when attacked (thus as Epeios called cowardly) - they avoid direct Battle with the stronger Guards - the Red Semitic Guards as Kam (of Dharam) had their Ritual of giving chase and retrieving the Loot - as here the City itself - as anciently seized in the Ritual of Creation - prevention of Theft being Rite of the Blue Titanic Guards - with a static role wearing Armour (as the Spartans) - as Lootless being Ritually Mercenaries - these - as the original Kretans and Ritually older - were the Soldiers left with David - thus now - as beginning the Tenth Year - theyt are all acting correctly in accordance with their Rituals - 420 however the Semitic Culture of Kam declared the ritual superiority of the Bowmen and Loot - thus when Absalom advances - David rather than fight a losing battle retreats - yielding the City - acknowledging the new Creator - the Warriors both sides are no longer in their ritual states - while for Absalom as after Battle and Victory there is Peace for his Ritual of Creation - for David this was the regular Tenth-Year Ritual of Destruction by the Kretan Captain - the Creative Rituals no longer operated - David could attack in turn with his Blue Kretans - as after the Destruction of the Semitic Culture performing the old Titanic Rite of Destruction - as by the Kretan Captain as Lord of Destruction - the Semitic Bowmen in the City - ritually unable to Defend as also now representing Peace - 430 both for Absalom's Ritual of Creation and as in the Titanic City - are Ritually Destroyed for Nirvana - in turn they can only Flee as their Rite of Salvation - as following the Revolt indeed necessary for transformation and Reinitiation in the new Davidian Creation. Absalom is represented on Olympos by Apollo. Samson - Initiated in the Akhaianized Titanic Law - with his (Semitic) Name of the Sun-God of Peace - and Daktylic Hair - Seven Locks - as Creative Glow (as in Kh) - the Number of Helios as Sun-God of War and of the Pleiades - as the Seven Against Thebes - giving Daktylic Salvation - Heraklean Rite - beside the Single Lock of Nisos and the Brahmans today - declaring the Akhaianized Titanic 440 Culture (as Lady of Daktylic Salvation Persephone alternatively presented eating One and Seven Pomegranate Seeds) - presents the Fiery Sun-God as Titan and Lord of Salvation (beside Moon-God as Lord of Death) - Samson as Judge represents the original people of the Land of Milk and Honey - as taking over and exercising the power over Israel - as regularly in the Tenth Year of War and Destruction - the Philistines as Akhaian Guard - beside Israel of the Moon-God - represent Salvation (phil-) - Akhaianized Daktylic Rite. Samson is presented Destroying the Host - a Thousand - Number of Kronos and Atlas - of Destruction and Death - declaring the Blue Kretan Guard - with the Jaw-bone of an Ass (cf Kh 325) - as the Mouth of the Pyre of Destruction for Nirvana this side - however the Titanic 450 Ass - as of Kronos Midas and Pharaoh (showing the Titanic basis of the Egyptian Culture) - represents Daktylic Salvation that side - then he sets the Gates (of Daktylic Salvation) on a hill-top as Kam - as offered to Israel and rejected - then he is Destroyed - first shorn of his Daktylic Hair of Salvation as (Dharam of) Dharam - then as Oidipous-Ares - as Destruction of (Dharam of) Kam Blinded - the Semitic Eye a regular Symbol of Flame - Destruction and Dharam represented by the Left Eye - as Flames wielded by the Erinnyes - Salvation by the Right Eye of Kam - as now the Flame on the Peak at Sinai - as Pyre of Salvation of Ares of Dharam - set in the Precinct that side for establishment of Lord of Salvation - as beside the Third Eye - as of Shiva - established in the High Ritual as Glow 460 of Divine Resurrection - Eternal Glow at Delphi - extinguished in Destruction - and declaring the Nirvana of God - here as the Cosmic Glow of the Creator - the Three in order of establishment as Dharam - the Left Eye of Destruction - Kam - Right Eye of Salvation (as Samson asks for recompense for one Eye Here - the other Hereafter - as in a misunderstood passage of the Iliad Zeus grants the Prayers of Akhilles for Patroklos) - Arth - Cosmic Glow of Creation - as in the Tenth Year transformed for Destruction and identified with the Kosmos - the Pyre of Peace - Samson is Creator of Dharam - and Lord of Daktylic Salvation of the Titanic people - as the ancient Titanic Creator transformed for Salvation (as the Hindu Rite today) - and finally as Destruction of (Dharam of) Arth Samson is 470 bound to the central Pillar of the Temple of the Philistines (confirming their identity as Akhaians) as in the Atlantic Rite in Destruction. Samson as Akhaian Brahman - nor cutting the Hair of Salvation of Dharam - nor drinking Wine as Bowmen's Initiation of Kam (both as the Sikhs today) - and instead receiving Initiation of Honey (the Sikh Prasad) - the Rite of Aristaios (representing Apollo as Ares of Dharam) - with preliminary Brahmanic Initiation of Milk of Dharam - declaring Salvation of Kam of Peace - as a Judge of Israel - Destroying for Nirvana - here also for Resurrection and Reinitiation of Honey in the Akhaianized Rite - thus arise the different Rituals - Adam of Daktylic Rite 480 of Dharam - representing Daktylic Precinct as Daktyl-Creator - Semitic Rite - performs the Marriage of Dharam for Initiation of Kretans - also the preliminary Initiation of Dharam of Salvation of Semitic Warriors - going to his Nirvana - Absalom of Daktylic Rite of Kam - the Aiolian Rite - representing the Bowmen's Precinct as Bowman-Creator - performs Marriage of Kam - completing Initiation of Salvation of Semitic Warriors - then declaring himself Semitic Creator - takes over the City and is Destroyed - Samson of Daktylic Rite of Arth - representing Precinct of the Pyre as Creator-Lord of Salvation - Heraklean Rite - Initiating the People - presented primarily as Judge of Israel - Semitic Creator of Dharam of Nirvana - with a Triple role performs Three Marriages - all with Philistines 490 as emphasizing Salvation - the Bride Ritually the Lady of Daktylic Salvation - the First and principal Marriage of Dharam of the Ritual of Creation presents Samson as Judge of Israel - in the first stage of Dharam giving the Akhaianized Initiation of Honey to the Semitic People of Salvation - in the second of Kam to Semitic Warriors - the third stage of Arth as the Consummation is the principal Initiation of Nirvana of the Moon-God - now however Samson as Sun-God - the Name emphasizing he is Creator of Salvation - cannot perform this final Rite - and with the answer of his Riddle he is Destroyed for his Nirvana (Oidipous alone - giving the answer - declares his superior power - and the Sphinx is Destroyed without Resurrection - while Samson himself giving the answer thus retains his 500 power and his Resurrection) - he hands over to the High Priest of the Moon-God - who then fulfills his role as Moon-Creator Guiding to Nirvana - However appearing again in the Tenth Year as Lord of Destruction - Samson - for the Semitic City - Destroys the Semitic Initiates of Nirvana - Ritually Thirty as the Number of the Moon-God - as completing the Rite of the Moon-God - and he himself goes to his Semitic Nirvana of Kam - as now presented with his Bonds - however the Destruction as by him and not by the High Priest declares at once Salvation in his Akhaianized Rite - and his Titanic Rite still remains - thus he Rises again as now in a Titanic city - and Destroys with the Kosmos for Nirvana 510 the Titanic Initiates - a Thousand - the Number of Kronos and Atlas - then comes the Second Marriage of Kam with a Prostitute (as the Magdalene in the Christian Ritual) - as declaring the Lady of Salvation - as the Hesperides - the Payment - as the Silver Coin set in the Mouth of the Greek Dead for the Boatman Kharon - giving Salvation - here declaring the Lord of Salvation - the Philistines thus assemble for the regular Initiation of Salvation - now associated with Semitic Bowmen and Kam - they have their Initiation ritually at Dawn - however Samson Rises in the Darkness as in the First stage as Dharam - and in this Tenth Year of War and Destruction there is no Initiation - emphasized by the uprooting as Destruction of the City-Gates - the Gates of Daktylic Salvation of Dharam (as 520 regularly in the Greek Myth) for the Titanic people - then Forty miles away - Number of E-a (Gk Aia) Lord of the Daktylic Lake of Salvation - sets them on a Hill-top - establishing the Daktylic Rite of Kam - now for the Semitic people - giving Salvation to the Thirty of Nirvana he has Destroyed - as during Battle for the Promised Land Moses - between two others as presenting Arth - set on a Hill-top - Arms upraised as upholding the Sky - as the Atlantic Rite raised for Kam - the Promethean Rite as Creative Kam (of Dharam) - gives positive support to the Invading Army of Kam. Samson and Moses both thus represent the Akhaianized Daktylic Rite of Dharam as raised for Kam - Samson's Akhaianized role still remains - and he performs his 530 Third Sacred Marriage of Arth - for establishment as Creator-Lord of Salvation of Dharam - now with Delilah as Helen-Aphrodite - Akhaianized Lady of Daktylic Salvation - for Salvation of the Titanic Thousand - again with the Betrayal of his Rite of Salvation he is Destroyed - Delilah for his Hair and Titanic role (as Helen acts for Destruction of Deiphobos as Captain) - as Dharam of Dharam - then his Eyes for his Semitic role - as Kam of Dharam - finally by the Akhaian Philistines in the Atlantic role in Destruction - as Arth of Dharam - then the ritual Annihilation. The Titanic Creator after his Ritual of Creation performs his regular Rite of 540 Dharam with his Symbol of Support - as Brahman of the Creative Dharam declaring his role of Peace - as Atlas Upholding the Created World - then - Tenth Year - abandoning his Creative Powers - he performs his Rite of Destruction of Peace - the Creation set in Cosmic Nirvana - as at once for his own Nirvana of Dharam - with the same Atlantic Symbol - now in Destruction - Samson as in the Tenth Year has indeed performed this Rite - with the Destruction of the Host as the Titanic Kretan Guard for Cosmic Nirvana as Dharam - Destroying at once his own Titanic role - Glow of Salvation become Kosmos of Destruction - Creator as Destroyer - and Destruction of Creator-Lord of Salvation - Titanic Golden Hair of Salvation by Delilah of the Sacred Marriage as Dharam - Eyes of Kam - then Bound (as the 550 Aloeids) as in identification with the Pillar - and the final act presents the Blind Bound Samson Rising for his Rite as Lord of Destruction of Peace for the Akhaian Precinct-Temple - for his Nirvana of Arth - the Double Destruction of the Warriors in the Precinct emphasizing that the Moon-God Ruling in the City has no power over Salvation - and indeed - as the Gods in general representing Peace - cannot Destroy the Guards outside - as the Aloeids and Giants' Revolt of Greek Myth - as following the Double Destruction of David and Absalom necessary for their Nirvana. Samson is represented on Olympos by Herakles (and Dionysos). The Daktyls `Fingers' are Flames of the Hephaistian Fire as the Hand - and as 560 Fire transforms base ore into pure metal - so the Pyre transforms corrupt flesh into pure spirit - as represented by the Daktyls - established with the Titanic Culture of Dharam - giving Salvation of Dharam of Peace - the Akhaian Culture of Arth then set War and Destruction with the Pyre - the Akhaianized Daktylic Rite giving Salvation of Dharam of War (as for Hindus and Sikhs today) - the Semitic (as the Christians) and Aryan Cultures of Kam giving Resurrection of Peace. The Titanic Culture establishing the High Ritual - with the High Titanic God as Kronos - established the Blue Kretan Guards - and as an alter ego the Daktyls of Salvation of Dharam - as at first solely for the Kretans - then with the Kretan 570 Demi-god also for the Titanic people in Kretan Time. This arrangement however caused problems - and discontent - so the younger Titans arose in Aryan Time - extending the Salvation of Dharam to the Titanic people - and now also to the Semitic people of Kam - with a complete relationship between the Daktyls and younger Titans - both being organized to represent the Principles - and at once the Succession of Cultures - thus Atlas taking on his role as Daktyl-Creator Rises as Lord of Salvation of Dharam for the Titanic people - Prometheus for the Semitic people - Epimetheus the Semitic Guard - Iasos establishes the Kretanized Bowman-Creator of Dharam - Daktylic Rite of the Bowmen - Menoitios represents the Captain of the Gate establishing the Anti-Creation and Pyre of Destruction - 580 now Rising as Lord of Salvation - establishing the Kosmos of the Titanic and again of the Semitic people - thus representing in turn the Cultures Titanic Semitic Akhaian Aryan and (Kretan) Demi-god - the Titan Iasos (given a special place in the Jewish Myth) establishing for the first time Daktylic Salvation for the Semitic People - also transformed the Kosmos as the Semitic Kosmos - as in turn Ares of Dharam for the Akhaianized Rite - while the Titanic abode of the Dead Tartaros `Deep Crossing' (as for Salvation) was reestablished beside the Semitic Precinct of the Moon-God of Salvation as the new Eleusinian Precinct. Jewish Myth has Samson Adam Absalom - Judge-Creator of Dharam Daktyl Bowman - 580 Dharam Kam Arth - as Titans Atlas Prometheus Iasos - while Epimetheus Menoitios represent the Guards of Salvation - Semitic Kretan - Red Blue - Kam Dharam - the Daktyls - Herakles Paionios Epimedes Iasios Akesidas - associated with younger Titans as Atlas Prometheus Epimetheus Iasos Menoitios - as represented on Olympos by - Herakles Hermes Apollo (Silver Bow) Apollo (Ares of Dharam) Dionysos - presenting Captain of the Gate and Kretan Guard - then Daktylic Salvations of Daktyls - Semitic Guard - Bowmen and Bowman-Creator - Kretan Demi-god - apart from Semitic Creator of Daktylic Salvation - Aiolian Rite of the people - 590 as Lord of Kretan Pyre of Destruction of Dharam (prototype of Fires of Hell) - Salvation as Dharam - Salvation as Kam - Divine Resurrection as Creator-Lord of Salvation as Arth - Kretan Demi-god - as the Cultures Titanic-Kretan Daktyl Semitic Bowman and Kretan Demi-god - the Principles Arth (as Destruction) Dharam Kam Arth Dharam (as Salvation) - as established on the Fourth Fifth - Fifth Sixth - Twenty-First of the Month - The Titans all representing War are outside the regular Rituals of Peace - their overthrow by Zeus - as also the Jewish Myth declaring the superiority of Peace - 600 and their subordinate role in the Semitic Culture - and appropriately Prometheus and Epimetheus as Semitic Titans of Salvation supported Zeus - while Atlas and Menoitios as Daktylic Titans of Destruction fought against him - however as anciently the Titan Kronos as Lord of Salvation seized the power - the Brahman representing Creative Dharam taking over as Titanic Creator of Dharam of Peace - as now Atlas performs the role of Daktyl-Creator - as in turn the Bowman-Creator and then the Semitic Guard seized the power - taking over the role of Semitic Creator. The Myths of Epimetheus Meleagros Little Ajax give the ancient Rite - the Kretan Demi-god first arose - establishing Daktylic Salvation of Peace for the Titanic People - as then extended to the Semitic People - Kretan Time - and 610 again the Akhaian Guard took over as Semitic Creator - establishing - as in the Myths of Atalanta and Pandora - the Kretanized Rite of Dharam (Aiolian) for the Semitic People - Aryan Time - finally the Aryan took over as Semitic Creator - establishing the Aryanized Rite for the Semitic people - However there was a counter-revolution by the Priests of the Moon-God - as - unlike Samson - still Initiating for Nirvana of the Moon-God - and David - as of Kam of Peace - overthrew the Akhaian Guard Goliath - the Missile of Kam as the Semitic Stone of Nirvana (thus the emphasis on the Tablets of Stone) - as beside the Spear Javelin Arrow of Salvation - and as Lord of Nirvana and Salvation - 620 taking over the Principle of Peace - performed as Moon-Creator of Kam the Ritual of Creation (thus too was Absalom the Son of David) - giving Salvation for all - except as with the ancient Rite of the Moon-God Sin for the Jewish people (the abominations of Israel are the honours of Salvation - the Triple Six declaring the Creator-Lord of Salvation - the Beast as the Golden Calf Dionysos - Akhaian Viper as the Brazen Serpent - the Christian Feet of Clay). Thus while both David and Jesus were Born in Bethlehem `House of Bread' - David was Born in the City as Moon-Creator - Jesus with the Kretan Rite - as in a Cave outside - as Lord of Salvation - as the traditional genealogy of Judaism - Abraham representing the High Ritual as High God of Dharam - and Brahman as Daktyl-Creator representing 630 the Titanic Culture - the Ram is the Father as High Moon-God of Kam and Peace - and original Semitic Creator of Nirvana - Esau `the Red (or Brazen) One' (Greek Aison) as Elder of Dharam is Akhaian Guard of Arth (as Tydeus) and subordinate - Jacob the Second of Kam - his Wrestling of Dharam - and Thigh injury of Kam - as Odysseus's Boar-mark - as the preliminary Semitic Initiation - David in his role as Moon-Creator - the basis of the genealogy - the Three as Dharam Kam Arth of the Semitic Culture. Chapter 9 Time 640 The different Rituals of Creation and Destruction were performed in accordance with the cycle of the Year - and the ancient literature cannot be understood without a proper understanding of the Calender - as the Cosmic Principle was the organizing principle - so the Calendar was the organizing system of the ancient Culture. The Year is taken as beginning with the third New Moon after the Summer Solstice - the New Moon in Virgo taken here as the First of September - with the High Rituals of Fire of the Blue Guards - as the original Titanic or Okeanian on the Fourth - the Day of the Kretan Captain and Titanic Destruction - Poseidonian on the Fifth - Helios on the Seventh - Akhaians on the Eighth - as taken over by Herakles for the Full Moon High Ritual - Akhaianized Rite - on the Sixteenth - 650 the Fiery Glow as the Symbol of the Kretans - Five days later with the Equinox - the Twenty-First - was performed the High Ritual of the Kretan Demi-god. The First of October begins the Semitic-Aryan Ritual of Warrior Salvation - on the Fourth the Semitized Kretans - the Korybants - on the Fifth the Daktyls and Semitic Guards - and when Jason appears and meets his Father Aison `Warrior-Lord of the Law of Bronze' - the Akhaian taking over as the Akhaianized High Semitic Sun-God - Aiolian Rite - Sixth the Bowmen - Seventh their Initiation of Peace - Tenth as Day of the Semitic Captain and Semitic Destruction - and Ritual of the Aryanized Akhaians as Aryan Guards as Apollo - when Jason confronts Pelias - and 660 Twelvth the Initiation of the Aryans as the High Aryan Ritual. The Thirteenth as the Day of Resurrection - and the Semitic High Ritual of Peace associated with Hades - as also the Day of Jason's Return - took place with the Full Moon as on the Fifteenth of October (beginning with Sunset as including the Night of the Fourteenth) - the Aryan High Ritual of Flame still expressing Peace was performed the next night as still with the Full Moon on the Sixteenth - the High Ritual of Laxmi in India - then the High Ritual of Aryan Demi-god - High Ritual of Eleusis - now expressing the High Principle of War - performed Five Days later on the Twenty-First. 670 In India no doubt the High Ritual of Ram also took place on this day - but would have been abolished with the Mahabharata War - establishing the supremacy of the Brahmanical Principle of Peace. This led - beginning with the following New Moon of Scorpio (Sting in Tail of the Scorpion as Fiery Tail of Monkey-god Hanuman in the Ramayana - representing the Kretan Pyre of Peace - the Kosmos - established last in the Ritual of Creation) as First of November - as the Last (of October - Day of the Dead) identified with the First - Death with Birth - the declaration of Salvation - as Divali of India - pagan celebrations in the West (as original Guy Fawkes Night in England) - to the Fire-Creation of Peace of Hephaistos - now 680 taken over declaring the Kosmos of the Daktylic Rite - whether original Kretan - or as a preliminary of the later Guards - leading to the Sacred Marriage with Aphrodite on the Fifth - as also the Day of the Foot-race of Atalanta - both as Lady of Daktylic Salvation - Aphrodite with Hermes - for Daktylic Initiation of Kretan and Semitic Guards - Atalanta of the Akhaianized Rite - in turn with the Full Moon to the High Daktylic Marriage and Initiation of Peace of the Titanic caste - then also of the Semitic caste - this Full Moon is taken as the Birthday of the Founder of Sikhism Guru Nanak - as a declaration of the Daktylic basis of the Religion. 690 This Hephaistian Creation was Destroyed at the end of the month - and with the New Moon of Sagittarius as the First of December the Titan Kronos Rose for the performance of the High Titanic Ritual of Peace. This was reestablished on the Twenty-First - ritually the Winter Solstice (Pind I viii 44 - dikhomenis doesn't necessarily mean the Full Moon) - by the Kretan Demi-god - Aryanized Rite - as Ares of Dharam - as the High Titanic Ritual of War - and of the High Marriage of of Peleus and Thetis and the Birth of Akhilles - and also of Kadmos and Birth of Dionysos - as the original Birthday of Christ - dedicated by the Latins to Sol Invictus - as Titan Kronos as Sun-God transformed for this new High Ritual as High Sun-God of War - later identified with Zeus as Kronian Zeus - High God of 700 the Kretan Demi-god as Kadmos - in India this is Karan (Gk Kronos) - explicitly Son of Titanic Sun-God Savitar - but with the overthrow of the Kurus his Rituals were no longer performed. The Double Birth of Dionysos is the Fire of the Rite of the Equinox preserved - and combined with Fire of the Rite of the Solstice for Birth-Initiation - as the transformation of Kretan Captain into Dionysos - combining the Principles of War and Peace. The months thus represent the Warrior Salvations in turn - September (Virgo) of Titanic Guard - Akhaian - and Kretan Demi-god - Semitic-Aryan October (Libra) of Hades as Aryan Demi-god - Daktylic November (Scorpio) the Kretanized 710 Rites primarily for the Semitic People - December (Sagittarius) of High Titanic Sun-God - also the Divine Child (Herakles Akhilles) - and Akhaianized Daktylic Rites primarily for the Titanic caste - In January (Capricorn) - Januarius at the Door as Guard - Double-Headed as Kam of Dharam - presents the Kretanized Rites of the Semitic Guard of the Goat (as in Aga) - Rising on the Fifth Day as the original White Goat of Salvation of the Principle of Peace - as declared by Pan and Semitic Zeus - and giving the Ritual Birthday of the Guru Gobindsingh - Founder of the Sikh Khalsa - with the Horn of Dharam as the Creative Principle - thus called the Horn of Plenty - this White 720 Goat as Semitic Guard of Peace was - as the Delphic Ritual of Seventh March - first set Shivering as Sign of Resurrection - then Destroyed - Decapitated - the Kretan Rite - for Resurrection and transformation combining Rites of Guard and Bowman - as reestablishment of the Akhaian Principle of War - and Akhaians - and the Oracle of Apollo - this Ritual is performed annually on Baisakhi - Fourteenth April - by the Sikhs. The original Titanic Ritual of Creation begins with the New Moon in Aquarius (as the First of February) - the Chinese New Year - however it was taken over by the Semitic Culture as then in turn Kretanized - the Latin Lupercal of the Fifteenth 730 of February as the Semitic Full Moon shows the transformation of the Semitic Salvations for the Akhaianized Daktylic Rite of the Kretan Demi-god as Ares of Dharam - the New Moon of Pisces marks the Destruction of the original Titanic Creation of Nirvana with the establishment of the Kretan Guard - and then the Semitized Ritual was performed beginning with the Crescent Moon and culminating on the Full Moon of the Fifteenth of March with the Daktylic Sacred Marriage of Salvation - the Greek Anthesteria as Festival of the Rose - the Holi of Indiaxx*xx (Red Water of Initiation). The Titanic Culture while establishing the preeminence of Gold - as declared 740 with the Golden Race - set it only in the High Ritual - and the Sacred Marriage of Nirvana - originally on the Third Day - was with the Silver Moon-Goddess as of the Crescent Moon - as then with the Semitized Titanic Culture become Goddess of the Full Moon as Lady of Daktylic Salvation - as Hera - as the true role of Klytemnestra in the First Play - presenting a fundamental conflict - Agamemnon Risen as Golden Aryan Demi-god - again as Golden Ares - is come for the High Warrior Ritual - and is confronted by Klytemnestra as Silver Goddess of the Full Moon Risen for the Titanic Ritual of Creation - with the contrast of the Warrior and Man presenting Peace - the Lady of Peace presenting War - and Klytemnestra - referring to the Dead Pair as a Fish-dish (Aga 1047) - is simply declaring the 750 Zodiac Symbol Pisces - as the Christian God walking on the Waters is Aquarius - and then feeding the multitude with Five Loaves and Two Fishes presents Pisces - as identifying himself with the Daktylic Rite. The true Semitic Ritual as directed only to Nirvana had no Lady of Salvation - however there was still a Sacred Marriage of Initiation (as in the Samsonian Rite) with the Full Moon following the Equinox - the Jewish Passover - the Ram Symbol as Aries was primarily Semitic - declaring the High Moon-God - and even when transformed as Hades wearing the Golden Fleece - however with Destruction of the Temple this Ritual was no longer performed. The Semitic Ritual was then 760 taken over for the Creation of War - Ram and Golden Fleece assumed by the High Aryan God - as again Kretanized and transformed Rising as High Aryan Sun-God - the High Ritual performed for Ares Rising with the Equinox - Persian New Year. The original Akhaian Warrior Ritual was performed beginning the next New Moon - Moon - as First of April - the Hindu New Year - by Akhaian Pelops - the Pelopian Rite showing Destruction of Semitic and Daktylic Creators Oinomaos Myrtilos - with establishment of the Akhaian Creator of War for Destruction - Semitic and later Warriors Initiated early in the month - the Sacred Marriage establishing the Akhaian Creation as on the Sixteenth of April - taken over by the Aryans - as Kretanized - for the Daktylic Sacred Marriage of Ares and Aphrodite - and 770 finally transformed for Dionysos as Lord of Salvation - Initiating Ares as still the Aryan Creator. The Rituals of Midas and Christ are performed with the waxing Moon - and also the Passion Death and Resurrection of Dionysos - all three - as all the Creators - Rising on the Thirteenth Day - Akhaian Day of Resurrection - Day of Pelops - giving Indian Baisakhi (set in the Christian Calendar Fourteenth April - as following the Hindu New Year's Day) - then comes the Ritual of Death and Resurrection for establishment as Creator and Lord of Salvation - ready for the Sacred Marriage - with different Rituals the Resurrection was on different Days - and on the Third Day - Fifteenth of the Full Moon - and Sacred Marriage of Peace - declaring Arth and the Creation - Myrtilos Midas Christ without any 780 performance of the Rite go back at once into their Nirvana - while Dionysos establishing his Salvation performs a Sacred Marriage of War - Initiating the Aryan Creator - the Goat-God of (Kam of) Dharam also Rose on the Fifth Day - and as in January for Guru Gobindsingh as Akhaian Creator and Lord of Salvation - was at once Destroyed for his Nirvana - for Initiation and establishment of the Akhaians as the Sikh Khalsa - Finally at the Tail-end of the Ritual - for the Kretans - declaring the identity of the End and Beginning - appropriately for Salvation (the basis of Alkmaion's famous Fragment) - on the First of May - ritually the New Moon - the Day of the 790 Fire-God - in Taurus - Bull as Akhaian Guard - representing the Kretan Pyre of Destruction - now transformed for Salvation - with the other Warriors Initiated and their Salvations established on their Ritual Days in April - and the People with the Aryan Sacred Marriage of the Full Moon - the Ritual was now completed with the Initiation and establishment of the Blue Kretan Guard - and with them - completing the Daktylic Rite of Peace - establishment of the Akhaianized Kosmos giving Destruction for Nirvana and Salvation - as the May Day Ritual of Europe. The Red King of May is Lord of Salvation - as Semitic Captain of the Red Guard - Initiated by Ares of Dharam as Kretan Demi-god - taking over as Semitic Creator 800 of Salvation - Akhaianized Aiolian Rite of Peace - and establishing the Kosmos - the White May Queen representing the Daktylic Rite - as the Akhaianized Aiolian Rite given to the People - as Daktylic Lady of Salvation - the Goddess of Dawn as Hera - the Green Jack (Green - as in Islamic flags - the Semitic colour of Creative Dharam - as beside Titanic-Akhaian Blue) as Lord of Creative Dharam - acting for Nirvana - as the original Semitic Creator of the poor Hill-tribes - organizing Theft from the rich Titanic Traders and Farmers of the Valleys and Plains - now Kretanized and transformed for Salvation - the Three as Apollo Hera Hermes (thus Lord of Thieves - and properly called a Knave) - as parallel to Pelops Hippodameia Myrtilos - Dharam Kam Arth - as representing in turn the 810 Semitic Guard as Red Guard as Dharam - Daktyl as Kam - Creator of Peace - and now presenting the Kosmos - all set outside the Wall and entering the Town only for this Day - the Ritual centred on the Village Green as Market-place of Arth outside the Wall (where was set the Head of Medusa and the Kadmeian Glow - both declaring the Kosmos) - as the Titanic Precinct of Destruction (the principal Titanic Rite being Shopkeeper - the Indian Baniya) - declaring establishment of the Wall and Salvation (the basis of the preservation of this Ritual). The Name is found as Greek Maia - Mother of Hermes and Daughter of Atlas - declaring the Kretan Rite in the Semitic Culture - also as Maya - Hindu Goddess of Illusion - and through the Phoenicians giving the Name of the Mayas of Central America - 820 all as Semitic Goddess of Daktylic Salvation - Illusion declaring the Symbolism expressed as the Created World. Indeed the entire Oresteia is just Symbolism - as a panegyric of the Pyre - the scenes presenting Illusion after Illusion - all concealing the Vehicle and Rite of Salvation. The Semitic Rituals were related to the Titanic Rituals to show superiority - and set roughly with the Equinoxes - the closest New Moon for the High Ritual - first Full Moon following for the Creation - however the later Warrior Rituals were more definite - taking the New Moon following for both Rituals - thus the Passover took place with the Full Moon following the Daktylic Ritual of Pisces 830 or of Aries - and evidently in Aries when the Ritual of Golgotha was performed - misleading the Christians - Christian Easter - representing the Semitic element in the Warrior Ritual - necessarily took place with the Full Moon following the first New Moon after the Equinox - as with the Orthodox Church. The original Semitic Creation as Kam lasted Six months (Ritual Number of Bowmen) and was then Destroyed - the Aryan Creation as Arth lasted Five months (Ritual Number of Warrior Arth) - as associated in turn with the Warrior castes - Aries for the Creator (originally as Semitic Creator) and Aryans of Kam - Taurus for the Akhaian Guard as (Dharam of) Arth - Gemini as the Twins represents primarily 840 Blue Kretan and Red Guard as Dharam Kam - presenting the original Titanic Rite of Destruction of Peace (as represented by Bottom the Weaver with the Ass's Head of Kronian Destruction of Dharam - with Semitic Fairies of Salvation of Kam - giving the ritual basis of Shakespeare's Midsummer Night's Dream) - as finally transformed into the Divine Child as Herakles and Akhilles - Cancer for Semitic Guard as Kam - Leo for Akhaians of Arth - as based on the ritual and history as expressed in the sequence of Precincts - and declaring the precedence. The Aryan Creation was Destroyed - Full Moon of August - by the Akhaians - thus when Klytemnestra - appearing as Titanic Full Moon of Peace - declares as her 850 first word that Troy has fallen (Aga 267) - she is identifying herself with the Akhaian Full Moon of Leo as Lioness of War. The Akhaians were Destroyed in turn New Moon of Virgo - the Annihilation completed with Destruction of the Goddess of the High Ritual - the Rape of Persephone - with the Death of the High God - presented as Rape of Kassandra - and Death of Agamemnon - finally the underlyin*g Semitic Creation Destroyed Tenth of September - as ready for the annual cycle to begin again with the Olympic Games. Thus primarily Three Creations were set up and Destroyed every year - the Hephaistian Fire-Creation of Bronze as Dharam - Titanic Silver Sun-Creation of Kam - and Aryan Golden Warrior Creation of Arth associated with Fire and Sun - giving the bases of the Three Plays. Thus First 860 Play Agamemnon as Demi-god and Ares presented as Lord of Fire and Peace - with the Murder the Fire goes out - and with ritual correctness in the Second Play as in the Semitic Creation of Peace there is no Fire - as then reestablished in the Third Play with the Risen Dionysos. The Games were always associated with the New Year Ritual - whether High in the autumn or of Creation in the spring. They are often called Funeral Games - but this only referred to the original Lord of Peace who was Destroyed - the Funeral declaring the Divine Resurrection of the Stranger - always a Warrior - taking over the powers and Rituals as the new Lord of War and Peace - the Games were 870 thus established by and always remained the prerogative of the Warriors - the original function being to decide from the new crop of youth the roles as the different Lords of Salvation for the Creative High Ritual which followed - the Games thus expressing Destruction - as with anti-clockwise races in the Olympic stadium - each Contest presenting a Symbol of Salvation of a Warrior caste - and only those Initiated in that caste being allowed to take part - however all the Warriors were given the Daktylic Initiation - even if only as a preliminary - and while Destruction as of the Pyre represented War - the Salvation of Dharam expressed the Principle of Peace - the Games themselves tappropriately combinin*g the Principles as Contests of Peace - 880 The Games as emphasizing Salvation were first established in the Titanic Culture as the Daktylic Rite - the original High Titanic Ritual of Sagittarius performed by Titan Kronos Initiated Captain of the Gate as Lord of the Pyre - and at once Lord of Salvation (as Titan Ocean - as also Titan Atlas) - and then transforming himself as the Son - taking over as Daktyl-Creator - then the Semitic Culture - emphasizing the Ritual and Principles of the Moon-God - demanded separation of Destruction and Salvation - as declared with the Cloven Hoof - and establishment by Titan Kronos of the High Ritual of the Guards - originally set following the New Moon of Virgo on the Fourth as the Kretan Day - for Initiation of Captain of 890 the Gate as Lord of the Pyre (as the Daktyl Herakles) - and the Games were then established as a separate annual ritual for selection and Initiation of the Lord of Salvation - as at once the Daktyl-Creator as Paionios representing the Titan Prometheus - as then to be Destroyed as Adam - the Semitic Moon-Creator of Peace taking over the Rituals and exercising power over the Guards - each successive Conquest applying this procedure to the overthrown Culture - with establishment of a new Contest for selection and Initiation of the temporary Creator. The Myth has the Games beginning with the Foot-Race run by Daktyls or Kouretes - they are the same. The Daktyls `Fingers' of the Hand of Fire were themselves as 900 individual Flames - evidently through a Rite of Initiation where they held the fingers of the Smith-God (as in the degree ceremony at Cambridge University) - and it is from these Smiths that the First Guards with the Symbol of the Brazen Dagger were established - and Aiskhylos refers to Warrior Youth in their Rite of Initiation as Sons of Hephaistos (Eum 13). The Name as derived from Kar- - the same root giving Kronos (`Lord of the Kretan Law of Salvation with the Symbol of the Ear') - was originally Karu which changed to the Indian Kuru and gave rise to Kretan (and Creation) - as also to Kourete and Korybant - both shown wielding the Sword - anciently identified (the professors of course know better as the first were in Crete - the second in `Asia') - and the Names are simply different 910 corruptions of original Karavant- - standard Sanskrit participle - indeed they represent the same Warrior clan - the distinction being Kourete represents the Destructive Warrior aspect as Guard - Daktyl the Creative aspect of Salvation and Peace. At some stage - the Myth of Atalanta points to Ares of Dharam - the Foot-Race was taken over for establishment also of Daktylic Lady of Salvation o*f Peace as Hera - this was a later independent Ritual set on the Fifth Day of the Hephaistion Creation - as preliminary to Daktylic Rite of the Titanic caste - Full Moon of Scorpio - even if it preceded the late establishment of the Games proper at Olympia - 920 The Foot-Race has not been understood - the Foot of the Individual is identified with the Foot as Foundation of the Created World. The Foundation was the Death of Nirvana - as hard immovable and thus a sure foundation - the Foot however is movable and as moving in Nirvana it also declares Salvation as of Dharam as the Kretan Rite represented by the Blue Oceanids - thus the Single Hoof as of the Ass and Horse declares the Single Ritual of Nirvana for Salvation - while the Cloven Hoof of the Moon-God declared different Rituals as for Nirvana and for Salvation - thus Yahweh insisted on the Cloven Hoof for the Jews - while at the same time denying them the Ritual of Salvation as exclusively for the Warriors - the Feet of Clay then declared the transformation of the Semitic Earth-Burial of 930 Nirvana for Daktylic Salvation as the original Christian Rite - thus the Kick - so prominent in Greek Myth (as of Pelops and Myrtilos) declared Destruction of Salvation as for final Nirvana - while `Swiftness of Foot' - regular description of Akhilles identifying him as Kretan - presented also the Salvation - as union of opposites - of Death and Life - declaring the Risen God. Swiftness as Symbol of the Daktylic Rite presents Wind - as the Spirit of the Salvation of Dharam - and the Akhillean word-order - Foot Swift Akhilles - correctly sets first the Foot for Nirvana and original Kretan Salvation - then Swiftness of Salvation as the Daktylic Rite - then his Name as Akhaianized Lord of Salvation of the Kretan Demi-god - presenting the Salvations of Dharam Kam Arth - as the Daktylic Rite 940 set in turn in the Precincts Ocean Daktylic Akhaian - the standard `Sufficient of Foot' simply declares the regular Kretan-Daktylic Rite as Dharam - as not then going on to the Aryan Rite of Kam - Akhilles is the Akhaian Divine Child. The Idaian Daktyls represented by Herakles are correctly set as Dharam for the Semitic Guard as Kam - the Fifth Daktyl Akesidas `Lord of the Cure' - primarily as in the Oresteia the Cure of Death - and thus associated with Disease (as with Kheiron Philoktetes) - represented Salvation - the principle derived from the Rite of the Smith - a Purification as of Bronze through the Fire of Cremation. However there is an ambiguity in the Aiskhylean word - for Buddhists the Cure o*f 950 Life declaring Nirvana. With Wrestling - Shoulder set on the Ground declaring Destruction of Creative Dharam - as of Atlas Upholding the Sky on his Shoulder - thus presents the Guard Kretan and Akhaian - and Boxing - directed only against the Head - as the Kretanized Aryan Precinct - making Unconscious as Death - as Destruction of Kam - the Javelin (Bronze-tipped for War - beside the Darts of Absalom) thrown as Bowless Kam - present Destruction and Salvation - as Dharam Kam of the Kretanized Aryan Rite - Archery with the Bow as Dharam - emphasizing the Feathered Arrow - presents the true Warrior Kam of the Aryans - the Archery contest of the Mahabharata has Kretanized Aryan Arjun - with his Arrow of Kam - correctly Shooting the Head of the Bird on the Tree - as Precinct on the Peak - 960 Bowmen's Dharam - Semitic Kam - Titanic Arth - Dharam Kam Arth - Kam Destroying Dharam - as was indeed achieved in the War - the Chariot-Race sets Swiftness in the Cosmic Chariot - declaring Arth - of the Aryan Creator-Lord of Salvation - and all presenting the Daktylic Rite in the different Cultures. The first celebration of the Games - as only the Foot-race of the Daktyls - can be set after the Hephaistian Initiation - New Moon Scorpio - on the Fifth Day - establishing the new Creator-Lord of Salvation - the winner Paionios `Healer' as Salvation - as representing Apollo - as ready for the Ritual of the Full Moon - giving Salvation to the Titanic people - the next celebration - as by Kretanized 970 Moon-God Endymion - Sixth Libra - Day of Bowmen - winner of Daktylic Foot-Race - as Creator-Lord of Salvation Epeios - Shieldless Bowman and so called cowardly as avoiding close combat - `Lord of the Word' as Daktylic Word of Salvation of the Kretanized Bowmen - represented by Fourth Daktyl Iasios - with Titan Iasos - as ready for the High Semitic Ritual of the Full Moon Libra - giving Salvation to the Semitic people - then Lord of Akhaians Pelops - establishing the Warrior concept of Time - giving a period of Eight years - as at once Hundred Months of the High Semitic God - instituted the Chariot-Race as the Akhaian celebration - Eighth Virgo - the winner of the Foot-race now represented by the Fifth Daktyl Akesidas - and Titan Menoitios - for the Akhaian High Ritual - Full Moon Virgo - 980 as the primary High Ritual of the Guards - the Heralds could proclaim a truce - as accepted by all the Greek Warriors - so also there was no Aryan celebration - the next change took place with the Aryanized Kretan Demi-god - as the Akhaian celebration was transformed for Peace - and set on the Tenth Day - appropriately the Day completing Annihilation of the Semitic Creation - the new High Ritual of the Demi-god established on the Twenty-First - now Akhaian Lords could Initiate the People for Salvation of Peace - the next and greatest celebration was by the Divine Child Herakles - establishing the Games in their final form - as for the new Heraklean Daktylized Salvation - emphasizing the transformation of the Rite of the Moon-God of Nirvana for Daktylic Salvation of Peace - as now given to the 990 Semitic People. The Games were spread over Five days - Number of the Daktyls and of Aryan Arth - culminating in the Full Moon - as ritually correct - and parallel to the Warrior Ritual of Creation - the Sacred Marriage of Peace regularly taking place on the Full Moon of the Fifteenth - as when `Brahman' Myrtilos insisted on his right of Marriage and was Destroyed - Pelops as Stranger - Rising after Purification for the Warrior Rite - set on the Sixteenth Day - Games beginning after the Semitic Annihilation of the Tenth Day - the Day Demeter finds the High Akhaian God as Keleos - just Risen and established with the original Pelopian Rite - the Games 1000 begin - the Akhaian Rite transformed for Peace - and Salvation of the Demi-god. In this Warrior High Ritual of the Sixteenth Gods of Peace were established - Seventeenth was the Day of Semitic Salvation - the Day Noah's Ark rested on the Peak of Ararat - the Eighteenth becomes the Day the Titanic Divine Child gives his Daktylic Salvation of Peace to the Semitic caste. However in turn the new celebration followed Time of the Demi-god and was thus performed every Ten Years. Subsequently with the First Olympiad the Games were reorganized and performed twice during Time - as also the Pythian Games two centuries later - no reason has been given but one ritual explanation could be 1010 that for some reason the High God of the Guards halved Time - but this is ruled out as the Septerion remained a Ninth-Year Ritual and the Pythian Games were clearly established for the return and ritual reinstallation of Apollo for the next Time. Evidently this was an attempt to reconcile Guard and Aryan - the main Ritual at the beginning of Time remaining wholly Kretan and of the Demi-god - while a secondary ritual incorporating Aryan elements and associated with the subordinate High Aryan Sun-God Ares of Dharam was performed in the middle (as with the Thesean Rite of Athens) - the two as Dharam Kam - appropriate for the Heraklean Rite of Arth - and establishing national Games - allowing attendance not merely of the Guards but of all the Warrior castes. 1020 The Olympics were called Fifth-Year Games - and within its own terms this means that it took place every Fifth Year - so also in the Agamemnon when the Chorus and the Herald say Tenth it is the Tenth and not the Ninth - with the ambiguity that the Chorus enters at the end of the Ninth Year - as for the Annihilation of the Culture of Peace for the Year of War - `this' being anticipatory - or at the end of the Tenth - as now presenting the Aryan High Ritual of Destruction at the end of Time - the Games however took place at the beginning of the Fifth Year - following the Aryan and Semitic Destructions - for the High Ritual of Creation of the Akhaians - the emphasis on the Games simply declaring that having given 1030 up the Creation to the Aryans - the Akhaians remained only as Guard outside - thus beside the Septerion there was no specific Akhaian Ritual of Destruction - the Aryan Destruction with the Full Moon of Leo taking that role also for the Akhaians - it only remained to complete the Annihilation with the New Moon with the Destruction of the High Goddess represented by Persephone - further Olympia itself was Semitic representing primarily the Daktylic Precinct - beside Olympos as the Bowmen's Precinct - it was not a Mycenaean site and had no Akhaian role - thus the Semitic Annihilation of early September - and the first Games as the Foot-race run by the Daktyls for the establishment of Salvation - were taken over as the preliminary Destruction and for the succeeding Games of the Akhaian 1040 Rite - and thus while regularly the Ritual of Destruction was performed as the Septerion at the end of the previous year - here the entire Ritual took place after the First of September as in the New Year - now the Fifth Year - as being transformed into the First Year of the new Time - thus as recorded the Olympic Games in fact took place every Four years - Time as Eight Years - as appropriate for the original Akhaian Rite of Pelops who reestablished these Games - and the designation is ritually interpreted as the identification of the Eight-Year cycle and Pelopian Games with the higher celebrations of Herakles with Time as the Decade (as the Labours were organized to present both Akhaian Ten and Aryan Twelve) - thus emphasizing the Ritual basis of the Games as performed following 1050 the Destruction as a preliminary of the High Ritual - the prominence of Olympia simply reflecting the final supremacy of the Daktylic Rite in Greece - as thus becoming the seat of the High Kingship of Peace - then taken over by Pelops and the original Akhaians - for establishment of their High Ritual - for Initiation of the Akhaian Creator of War - reestablishment of the Akhaians - and declaring the new Time - Generally Time for the Greeks was Ten Years - the Decade - as the Number of the Aryanized Akhaians represented by Apollo - and of Herakles - thus in Delphi as the seat of Apollo the Septerion was performed at the end of the Ninth Year - as 1060 declaring the Tenth Year of War and Destruction when the Oracle was Silent - and Time remained the Decade - Apollo was however Initiated in Aryan High Ritual in in Tempe - reestablished in Delphi with the Lesser Ritual performed in April - and repeated annually every spring - reestablishing Apollo after the Dionysian interlude - the Pythian Games were however as the Olympic Games performed in the autumn - in September - as also leading to the Akhaian High Ritual - with the Serpent Python representing the preliminary Semitic Destruction - and thus as at Olympia these Games presented the original Akhaian Time of Eight Years - which remained an important element of the Greek Culture - the two Games alternating at two-year intervals - 1070 The Third-Year Nemean Games were performed in August - mythically established by the Seven against Thebes on their way to the Aryan Destruction - Full Moon Leo - Lykourgos representing Apollo of the Akhaianized Daktylic Rite of Dharam - the Child Opheltes `Lord of the Debt' - as Redeemer - as the Semitic Creator-Lord of Salvation - as the Daktylic Rite of Dharam represented by Hypsipyle - and as on the Seventh of August - Day of Zeus and of Helios - beside the Daktylic Spring - Destroyed by the Snake for Nirvana - the Biting as by the Dragon's Teeth - the Dagger of the Akhaian Captain - the Games as preliminary to the Lesser Ritual of the Eighth Day - Akhaian Number - as Akhaian Day of Akhaian Month - the Day of 1080 the First Labour - Birthday of Krishna - as Apollo establishes the new Semitic Creator-Lord of Salvation of the Akhaianized Rite of Dharam - associated with the Nemean Lion representing the Akhaian Lord of Salvation - as invulnerable in Armour - so Destroyed in Peace for Heraklean Resurrection - the Seven following the Way in reverse - from Argos as Precinct of War to Nemea the Semitic Precinct for Thebes as the City - for Destruction and Nirvana - presenting the original Pelopian Rite - the Seven representing the Seven Years of Peace - Destruction of the City at the end of the Seventh Year - this Nemean Rite of the Seventh as the preliminary Semitic Destruction - and leading to the Akhaian New Year on First September - for establishment of the Akhaian Creator-Lord of Salvation - for the 1090 Eighth Year of War and Destruction - as Destroyed in turn late August the next Year - for a new cycle - the Semitic Creator-Lord of Salvation established again First September - these Games were thus simply related to the Eight-Year cycle - evidently the Semitic Creation was Destroyed end of the Seventh Year - Number of Helios - Semitic Sun-God - declaring Daktylic Rite of Kam - for Akhaian Eighth Year of War and Destruction - the next Year beginning again First September with the Games - reestablishing Peace and the new cycle - then the Aryans demanding a role - the Four-Year cycle was established - the Semitic Creation now Destroyed at the end of the Third Year - for the Fourth of War - the Games beginning the Fifth Year and the new cycle - 1100 The Third-Year Isthmian Games dedicated to Melikertes `Daktyl-Creator of Honey' as Lord of Daktylic Salvation of Kam - Aiolian Rite - were performed in April - with Destruction of a Semitic Creation of Peace - followed by a Dionysian Ritual for Resurrection transformation reestablishment as Creator-Lord of Salvation - Akhaianized Daktylic Rite - represented by the Dolphin - declaring the Aryanized Kretan Demi-god - and giving the Name Palaimon `Lord of Ancient Blood' - Lord of Arth - the Lesser Ritual - the basis of these Games - was also a New-Year Ritual (Spring Equinox is Persian New Year - Thirteenth April New Year for countries of the Indian Culture) - thus within its own terms the Ritual would be in the Third 1110 Year - evidently in the following Spring - parallel to the Nemean Rite. The Iliad implies a standard beginning of Time - as the Decade accepted over all Greece - however it is clear the Olympic and Pythian Games were kept apart - and given different beginnings of Time - here the Octade - divided into Quadrades - and the Scheme was evidently - Second Year - Pythian - Third Year - Spring - Isthmian - August - Nemean - Fifth - and First - Year - Olympic - as indeed presented with the sole established Olympiad. 1120 Chapter 10 Symbolism Everything brought into the Society was presented as a Symbol expressing the Principles - so also were abstractions as Numbers - and the Symbolism of Numbers is simply established - the Zero represented Death of Nirvana with the Symbol of the empty circle - as a Hearth with the Fire gone out - as the Greek Symbol of a Serpent biting its Tail and forming a Circle represents Death - the Serpent as Knowledge presented as Sterile - devoid of Kam - the meaning of Nirvana - the power of Nirvana is represented in the mathematical Zero (the Principle remained 1130 explicitly dominant only in Indian Religion - so the Zero could only be invented by Indian mathematicians) - and when that Sterility is replaced by Kam as Living Knowledge as Wisdom - Death leads to Salvation - and the Risen God - so simply - as in the Titanic Culture - with the Principles established in turn - Wisdom as Brahmanical Creative Dharam was One - also representing God as the High Titanic God establishing High Dharam - Kam was Two as limited by and including Dharam - Arth was Three - and the Material Symbol - as incorporating also Dharam Kam - itself represented all Three - as also the Creator - as the Titanic Creator establishing the Creation as Arth - again this Triad was applied to itself - the Triple Principle applied to each Principle - with Nine as Cosmic Number of 1140 Peace. Preserving the Unity - the Creation was originally set within a Circle - as ritually the City-Wall - and at once relating it to Death - then with the Principle of War a Fourth Principle was established - that of Kretans outside identified with the Wall - and so Four became the Kretan Number of Destructive Dharam - giving Nirvana and again Salvation - in turn the Circle was replaced by the Square - now giving the Four Directions - West East South North - and the Four Principles - Dharam Kam Arth Death and Salvation (as Soph Oid Col 1245-48 - Hom Od 5.331-2 - the Lines organized as presenting the Ritual from Nirvana to Salvation) - thus the first Foot-Race declaring Daktylic Salvation performed by Five Daktyl-Kouretes - Captain of the Gate and Cosmic Number of Four Kretans - 1150 as at once representatives of the Four Directions - Herakles as Captain-Lord of the Pyre this side - representing also the High Ritual - only Four ran - as the Four Principles made Creative and transformed for Salvation - the Fourth as the youngest Akesidas declaring with his Name the new Kretan Principle as Salvation of Peace (cf Kh 238) - the Fifth thus Herakles (as Daktyls `Fingers' - counting from the Little Finger as Hermes of Dharam - Herakles as the Thumb) - as now representing the Risen God - and at once as Captain of the Gate in his Creative aspect as Lord of Salvation - thus also Akhilles as transformed Captain called the Fifth - this Five - declaring the Daktylic Rite - gave the new Cosmic Number of War - the Number of Spartans in the Kadmeian Rite - and also of Aryan Arth - 1160 and of the Sikhs today. The Blue Kretan Guards identified with the Pyre as Destructive Dharam had Cosmic Number Four - and the Daktyls of Salvation the Number Five as Creative Dharam - Dharam of Dharam - so when the Semitic Culture took over - the Semitic Guards also had the Number Five - and the ruling Bowman-Creator as Kam of Dharam took the Number Six - giving the Six-pointed Star of David - Yellow as Kam of Peace - with Semitic Sun-God Helios and Semitic Pleiads of Daktylic Salvation - taking the Number Seven - then the Akhaians took over with at first the Number Eight as Arth of Dharam - setting Time as Eight Years - then with the Aryan takeover the 1170 Aryanized Akhaians raised the Number to Ten - the Number of the Chorus in the Agamemnon - establishing Time as the Decade - the Aryans themselves taking the Cosmic Number Twelve as High Kam - the Labours of Herakles ambiguously Ten and and Twelve - giving also the Days of the Month for establishment and Initiation. The Semitic Moon-God Initiated only for Nirvana - and for the Semitic Guard of Salvation - the Kretan Destruction of the Fourth was now transformed for their Destruction for Nirvana - with a separate Initiation of Salvation of Dharam - then with Heraklean Daktylization the Semitic Guard and their Lord of Salvation Pan - with the same Number as the Daktyls - were set as in a Semitized Daktylic 1180 Precinct - and the Daktylic Salvation of Peace set with Helios - Cosmic Number Seven - basis of the Seven Against Thebes - as establishing Daktylic Salvation of Peace for the People - and giving the title of Apollo Hebdomagetes `Leader as the Seventh' - However this Five represented Arth at the Divine level - the Arth in Unity - and at the human level of the Created World it was doubled to Ten - Cosmic Number of the Jews - and related to the Titanic Nine years of Peace and One of War - as of Destruction and Nirvana (ritual basis of the famous Teiresian statement on the 1190 Joys of Love - Nine for Woman and One for Man) - this Ten giving the Destruction of the Semitic Culture Tenth September - as Number of the Semitized Kretan Guard (as Aloeid Otos) - and Semitic Captain as Lord of Destruction (so of the Aloeid Ephialtes - and of Absalom) - this Cosmic Ten also as Ten of War - the Ten-Year cycle then giving the multiplier for the Creators - as declaring Universality - and for the High Ritual - representing also the Principle of War - Six of the Bowman-Creator giving Sixty for Semitic Zeus in his original form as High God of Bowmen of Kam (beside Kretan Poseidon of Dharam and Hades of Arth of the Semitic caste) - and role of Isaac in Jewish Myth as the Age of his Fatherhood - Five of the Creator became Fifty of the High Ritual - as of Aiolian Endymion and Danaos 1200 of the High Kretan Ritual - both of the Resurrection of Peace - also of Aigyptos representing the Akhaian High Ritual and Resurrection of War. The Fifty was associated with the High Ritusal of Helios - Akhaianized Rite - as multiplied by his Seven for his Three Hundred and Fifty Cattle - and Four of the Kretan Pyre and Captain of the Gate became Forty - as the Number of the Lord of Salvation transformed for the Demi-god - as of Khaldaian E-a (Gk Aia) - giving the Biblical Forty Days and Forty Nights - and Thirty-Nine lashes as the maximum penalty of the Jews - Forty declaring Salvation and Freedom for the criminal - and Ten as the Number of the Creator of Dharam - Twenty representing the Creator 1210 of Kam - as the Sacrifice of Twenty Red Bulls for Amykos (Jasonian Myth) - Red for the Aryan Rite - under the Aryan Creator as Lord of the Three Principles - again acting on itself the Ten of Semitic Captain Ephialtes gave a Hundred (as Hes Erg 130) - as Number of the High God as Zeus - transformed for the Demi-god as Semitic Sun-God of Dharam - as Klymenos of Semitic Orkhomenos - and thus the tribute of a Hundred Cattle - for Twenty years as Two Times - for the Aryanized Semitic Culture of Kam - in turn the Ten of Otos as Semitized Kretan Guard - and Daktyl-Creator as Titanic Sun-God of Dharam (as Mesopot- Sun-God U-tu) - gave Hundred as Number of Kronian Zeus as High Titanic Sun-God of War - the Fifty of the Divine Child appropriately half the Number the High God - 1220 Pelops establishing the Principle of War in the Ritual of Creation - the Numbers of Peace were doubled as combining War and Peace - for the new Warrior Creation. Thus for Akhaians as Aryanized Kretans - first - as Semitic Guard before them - the Salvation of the previous Warriors - the Seven of Helios - was transformed into Destruction for the new Warriors - as now the Number of the Akhaian Guard with the Symbol of the Bull as Dharam - and the Akhaian Number was Eight (Double Four - and Seven plus One) as Kam and Salvation - now Creation was Destroyed at the end of the Seventh Year - with the Eighth of War - the Akhaian Army going forth for War and Conquest - then when the Aryans - developed from the Semitic 1230 Bowmen - took over the Creation - the Semitic Ten was restored for Time - with Cosmic Destruction at the end of the Ninth Year (explicitly in the Septerion) - the Akhaians as Guard took over transforming the Ten of War for Salvation - as Akhaianized Dharam of Destruction for the Aryans - while for Aryans themselves Fourteen (twice Seven) was the true Aryan Dharam (as in the Ritual of Ram - but subordinated to Akhaian Ten of Apollo in Greece) - Twelve (twice Bowmen's Six) the Aryan Number of Kam and Salvation - and in the development original Ten of War and Destruction of the Kretans as Semitic Guard (giving the Number of the Chorus in the First Play) became in the Warrior system Eleven for the Daktylic Salvation of Dharam of the Akhaianized Rite (as the Twenty-Two Sons of Lykaon) - 1240 Twelve for Aryan Salvation of Kam - Thirteen (combining Ten of War and Titanic Three of the Creators) for the Akhaian Salvation of Arth - as the Day of Divine Resurrection - while Fifteen of the Sacred Marriage of the Full Moon - Number of the Moon-Goddess - giving the Number of the Chorus - Second and Third Plays - was transformed as Sixteen for Aryan Arth - as the Day of the Aryan Creator. The Demi-gods of Arth - giving Warrior Salvation to People of Peace - emphasized Semitized Kretan Ten - as transformed for Peace - presenting the Daktyl-Creator of Dharam - as Number of Dionysos - and giving the Name Dasrath `Lord of Chariot of Ten' - this Ten of Salvation of Peace was now used as multiplier for the High 1250 Principle of War - Number of the Demi-god of War and Peace as Kretan Minos (his Cities) and Aryan Zeus-Agamemnon (his Ships) was Ninety - as combining Salvation of War and Titanic-Semitic Nine of Nirvana - now transformed for Salvation - and the Number of the High Semitic God was taken over by the High Aryan Sun-God of the High Principle of Peace - as again Agamemnon (as Anax Andrwn) - giving his alternative Number - the Hundred now also presenting the Semitic Ten of Arth of Peace with the multiplier of Salvation - as combining War and Peace - then with the development this Hundred was established as multiplier of the High Ritual - the original Titanic Number presenting the Daktylic Rite - Hundred representing Ares of Dharam - Kretan Rite - as Minyan Klymenos and Semitized High Titanic God 1260 of Dharam transformed for War as Cretan Idomeneus (as the Number of his Ships) - Two Hundred Ares of Kam - Ares of Dharam Erginos (so double tribute to Thebes) and Kepheus - Three Hundred Ares of Arth of Titanic Rite of War - and presenting the High Titanic God - Akhaianized Rite of Arth - as Kronos Helios - transformed as Sun-God of War - as High God of Kretan Demi-god (giving the Number of Years of the Wedding-Night of Zeus and Hera - identifying Zeus as Kronian Zeus - as of the Spartans at Thermopylai) - thus in the Fifth Labour Augeias as Son of Helios represents the Daktylic Rite of Arth - the Three Hundred Black and White Bulls - properly representing the Piebald Brahmans - declare High Titanic God of Arth - Two Hundred Red Stud-Bulls (as the Twenty of Amykos multiplied by Ten for the 1270 High Ritual) show the High Marriage - and his primary role as Ares of Dharam - while the Bulls - Outstanding as Vanguard - Charging to Defend - Wrestling - and emphasizing the Left Horn of the Pyre - declare the Akhaian Guard - Bull against Lion - Dharam Kam of the Akhaian Rite - thus dedicated to Helios as High Titanic God of Salvation and High Akhaian God - regularly Brazen as Talos of Destruction and Bulls of the Jasonian Rite - as declaring the Akhaian Guard - White presents Daktyl of Salvation of Peace - and Silver of Nirvana - and Guard of Dharam with Twelve of Aryan Kam - combining the Principles and Rituals for the Akhaianizedx*xxxx Rite and Ares of Arth. 1280 The Daktylic Ten of the Creator gave the Hundred of the High Ritual of Ares of Dharam - multiplication again gave Thousand - of the Lord of Death - the ancient High Titanic God of Peace in Destruction as Kronos - and Atlas of the Eleventh Labour - the Three Numbers presenting the sequence of Precincts Daktylic Akhaian Peace (ancient) - all as the Daktylic Rite of Dharam - Aristophanes then takes Thousand as multiplier of Death - the Thirty of the Moon-God producing Thirty Thousand for Starry Ouranos - and the Daktylic Rite given to the Semitic caste - presenting the Precinct of Peace (Semitic) - and Akhilles - Akhaian Divine Child of Arth and Lord of Salvation - retaining the ancient Number - half the Number of the Demi-god - had Fifty ships - as also Child Jason as Leopard `Half-Lion' - 1290 beside Golden Lion as Demi-god - while for the Rhodian - with Helios as Sun-God of Peace - the Number of Ships was the Titanic-Semitic Nine - the Nine years of Peace in the Decade - himself as Titanic-Semitic Creator of Peace - thus called a `weak' man - and no multiplier - indeed all the Numbers in Homer are Ritual. In the ancient literature Poly- represents the appropriate Ritual Number. The Principles were also represented with a Colour-Symbolism - and the Sanskrit Literature regularly refers to castes as Colours - the basic Colours presented in the original Titanic and Semitic Cultures of Peace - Black for Nirvana and Death - for the Kretans Blue as declaring Nirvana for Salvation - Gold of the 1300 Sun-God and High Ritual - then Dark and White for Creative Dharam of Peace - as the White Dress of the Brahmans - all Silvery-White of the Moon-Goddess - and Yellow and Saffron of the Radiance of the Sun for Kam of Peace - as for Jews and Buddhists - Red for Arth - of Creator of Peace - Sanguine - as Easter-Egg Holi Apple Creative-Fire - for castes of Nirvana and Death - and of Kretan Captain - Sanguinary as Brazen - for Destroyer of War - Kretans of Pyre and Salvation - the Three - Golden Sun - Silver Moon - Brazen Fire - giving Names and Colours of the Hesperides - as Dharam Kam Arth - representing this Titanic Culture = again All-White - as Chalk - for the Titanic Queen of Earth - acting Destructively in Peace for Nirvana - and in turn for Daktylic Salvation - as the Light of Dawn. 1310 Anciently the Creation was given the Symbol of Tree - with the Creator Lord of the Tree - primarily Apple-Tree - the Green Leaves as Creative Dharam set as a Coronet - emphasizing the Head - White Flowers giving a Garland to the Goddess of the Sacred Marriage - emphasizing the Face and Beauty - the Red Apple as the Creation in Unity. The Titanic Culture then applied the Triad of Principles to itself - giving a more elaborate scheme of Nine - and as emphasizing the Nine Years of Creation of Peace. Now Dharam was Blue for Destruction and Salvation - Dark and White as the Piebald Brahman as Creative Dharam for Nirvana - the Pipe as Krishna's Flute declaring Creator of Dharam - the Pied Piper was the ancient 1320 Titanic Creator of Peace Guiding to Nirvana - the Fee a Thousand declaring Lord of Death - the Double-pipe of Pan setting Creator of Dharam in Precinct of Kam - as Daktylic Creator of the Semitic Guard - All-White as Kam - Creatively that side - Moon-Silver and Bridal White for Daktylic Salvation - as Cow-Goddess Hera and Goddess of Dawn and May-Queen (the Christian Bride is Lady of Salvation) - and this side as Chalk and Salt of Destruction - Demeter the Queen of Earth (an ambiguity presented with Antigone and Klytemnestra) - The Semitic Culture - as the Ancient Creator - set for Dharam the Creative Green of Leaves of Nirvana - later transformed for Salvation (giving the Turban-colour 1330 of descendants of the Prophet) - Dark and Silver Starry Sky as Kam - Crescent Moon of Arth - All-Silver as Selene the Full Moon for Kam of Salvation - Yellow still representing Kam of Peace this side (as Jewish Star of David - the origin of its use for a Coward) - Semitic People of Death Red as Sheep - for Warriors that side the Daktylic White was Dharam - Kam the Bowman's Flame-coloured Bay of War - then presented with the Nightingale of Salvation - the Two as Colours of Aer and Aither - then Arth in Three forms - Destructive Blue Kretan Guards of Dharam this side (giving the title Nilalohita `Blue and Brazen Red' of Shiva as Smoke and Flame of the Pyre) - Brazen Red of War as of Red Guards of Salvation as Kam - and again Black and White of the Semitic Guards - and of Pan and his 1340 Goatskin of the Rite as Arth. The Akhaian colour was Blue - thus set Blue and Gold as the Colour of the High Ritual - with White of Peace for Salvation - the Aryans with Flame-Saffron of Warrior Kam retained White as Kam of Peace - then as within the Warrior Culture of Fire the Buddhists chose Saffron for their Kam of Peace - the Divine Child of Arth was Dark and Gold of the High Ritual - Kretan as Dharam emphasizing Dark - the Aryan reversing with emphasis on Gold (as Brazen Ouranos of Dharam beside Jason's Leopard-skin of Kam) - however the Creator was Ritually Red - giving the Colour of the Aryan Creator - as now combining Titanic Red of Arth of Peace (as 1350 Holi) and Brazen Kretan Red of Arth of War - both with the Symbol of Blood. The Semitic Culture first established the Symbol of the Star - as Kam of Dharam of Peace Guiding to Nirvana - and so Silver - as opposed to the Brazen Arrow-heads set with the Moon-Bow of Lady of Salvation Artemis - the Akhaians combining the two established the Bronze Stars of Ouranos - as of Kretan Destruction and again Salvation - finally the Demi-god establishing the new Salvation of Peace set the Stars of Gold in the High Ritual - thus in the Antigone when the Chorus refers to Danae and the changing light of Ouranos - the change is ambiguously betwee Bronze and Gold - Destruction for Salvation - and Resurrection of the Demi-god. 1360 The function of Colour is presented at the end of the Oresteia - as the actors make their final exit Left - for Nirvana and new Salvation of Orestes-Dionysos - as preliminary Blind Sword-Wielding Klytemnestra - as after her Defeat - in the Bronze of War - then Blue Apollo as in his Nirvana - Orestes-Dionysos in White - with a Golden Lion-skin - as put on him by Apollo - then the Propompoi - as the Five Red Guards - who voted for him - and then the Five Blue Guards - as voted for the Erinnyes - Athena - now in Silver-White - the new Lady of the Daktylic Rite of Peace - Leading the Red Erinnyes - as Destructive Dharam - then in turn Dharam Kam Arth - Dharam Kam Arth - as completed with the audience - Initiates representing the new Creation - now going to their Nirvana - and new Salvation. 1370